WORKS ON PAPER

Hugo Backmansson (1860-1953) Finland 

Portrait of a Man from the Rif Region

watercolour on paper 
signed and dared H.Backmansson Rifarab 1939
unframed: 30.7 x 24 cm (12 1/8 x 9 1/2 in)
framed: 40 x 34 cm (15 3/4 x 13 3/8 in)

Provenance:
A private collection in Finland.

Essay:
This watercolour portrait by Finnish artist Hugo Backmansson depicts an Arab man from the Rif region of Morocco. Created during Backmansson’s journey to Morocco in 1939, the work captures the essence of the Rif's cultural and ethnic identity. The region, known for its rugged mountain landscapes and vibrant history, served as an inspiration for Backmansson, who often sought to document diverse cultures during his extensive travels.

Backmansson was deeply influenced by his experiences in Morocco, visiting the country twice, first in 1907 and later in 1939. His earlier trip produced another significant work, Man from Marrakech (1909), which is part of the Ateneum Museum's collection in Finland (Inventory No. A-2010-154). This earlier piece and the current watercolour both reflect his fascination with Moroccan culture and his skill in capturing the individuality of his subjects.

Ateneum Museum (Inventory No. A-2010-154) "Man from Marrakech (1909)" 

Born on April 14, 1860, in Pemar, Finland, Hugo Elias Backmansson initially pursued a military career, serving as an officer in the Russian army. After resigning in 1899, he fully dedicated himself to art. His formal art education began at Åbo Drawing School (1870–1873) and continued at the St. Petersburg Academy of Arts (1894–1899). Renowned for his portraits, landscapes, and depictions of military life, Backmansson also served as a battle painter during the Russo-Japanese War and later as head of Russian battle painters during World War I.

Backmansson's Moroccan works, including this portrait, are of great interest not only to art lovers but also to ethnologists and social anthropologists. His depictions of North African life intersect with the research of Finnish anthropologist Edvard Westermarck, who also explored Moroccan culture and society during this period.

The artist is represented in numerous prestigious collections, including Åbo Akademi, the Amos Anderson Art Museum, the Ateneum Museum, the Gösta Serlachius Museum, and the Hermitage in St. Petersburg.

James Gillick (b. 1972) Norfolk

At Full Gallop

sepia crayon on 300gsm arches HP paper
blue gessoed paper
unique
unframed: 38 x 56 cm (15 x 22 in)
framed: 65 x 83 cm (25 5/8 x 32 5/8 in)

Today, comparable pieces can be ordered directly from the artist's website, with prices ranging from £5,000 to £10,000 (approximately $6,000 to $12,000).

Provenance:
Sladmore Contemporary, London, June 2016.


Essay:
This striking artwork, titled "At Full Gallop," is a testament to James Gillick's profound admiration for horses and his extraordinary skill as an artist. Executed in sepia crayon on blue gessoed board, the piece captures the grace and dynamism of two galloping horses. The intricate detail of their forms, combined with the bold contrast of sepia tones against the blue background, brings a timeless quality to the composition. The work not only celebrates the beauty of equine movement but also reflects Gillick’s ability to evoke life and spirit through traditional techniques.

About the Artist:
James Gillick, born in Norfolk in 1972, is a contemporary artist celebrated for his devotion to the figurative tradition. Working from his studio in Louth, Lincolnshire, he employs classical techniques inspired by the Flemish, Dutch, and Spanish masters of the 17th century. Gillick handcrafts many of his materials, including paints, varnishes, and canvases, which contributes to the rich, timeless quality of his works. His limited palette and meticulous attention to detail allow him to create pieces with depth and resonance.

Horses are among the artist’s favorite subjects, and his connection to them is deeply personal. Gillick describes his joy in capturing their essence:

"I'm a joyful man, in fact. One of the reasons for that joy is that things do exist, that thousands of generations of people have been working on with an immense focus and singular care. Among the greatest of this type of thing is a living thing - Equus, the horse. And I mean thousands of years of people dreaming of an idea of perfection in an unbroken chain have given us the horse and horse breeds. In so many ways, the horse is born beautiful. It's beautiful in its bearing, beautiful in its proportions, beautiful in color, in coat. The names to describe it are beautiful. Coronet, Fetlock, Muzzle, Gaskin, Hock, Stifle, Withers, Cannon, Paston, and Pole. Their movement is hypnotizing because it is so beautiful. But most of all, their spirit is beautiful. Their lack of guile, their willingness, their courageousness at times. The aristocratic aloofness of the thoroughbred. The power of the polo pony. The sheer effervescence of the Arabian. The way in which a stallion directs his attention to his mare with such single-minded honesty and the way she receives his approach with such dignity is beautiful because they are faultlessly everything they were ever designed to be. They are amazing. And the people who create them are amazing. With my brushes, let me show you the horse, one of my great joys."

Gillick’s work is exhibited internationally and includes portraits, still lifes, and church commissions. His dedication to tradition, combined with his unique artistic voice, has made him a respected figure in the art world.

Hilding Linnqvist (1891-1984) Sweden

A Rural Landscape With Cows and Horses

watercolor
signed with monogram HL
framed 43.5 x 51.5 cm

Essay: 
This watercolor by Hilding Linnqvist who was a Swedish artist born in 1891 and passed away in 1984.
Linnqvist, known for his association with the Naïvist movement, often described as a "lyrical Naïvist," showcases his unique ability to capture the essence of rural life with a remarkable simplicity and charm. This artwork features grazing cows and horses amidst a lush landscape, with water reflections in the foreground, encapsulating the artist's love for landscape motifs.

The painting exudes Naïvist characteristics, revered for its beauty in simplicity, almost giving the impression of being unfinished. However, we believe that Linnqvist considered this piece completed decided to sign it with his monogram HL.
Linnqvist's artistic journey began at the Technical School (now Konstfack) from 1908 to 1910 and continued at the Royal Swedish Academy of Arts from 1910 to 1912, before he left to form an independent study group with fellow artists. This group made its debut in 1914, but Linnqvist's breakthrough came with the autumn exhibition at Liljevalchs in 1918.

This watercolor remains a testament to Linnqvist's enduring legacy and his connection with the natural world, rendered with a depth of feeling and an understated elegance that speaks directly to the viewer's soul.

Christian Berg (1893–1976) Sweden

Beneath the Birch

signed Chr. Berg
pencil and watercolor on board
38 x 29.5 cm
frame dimensions 54 x 45 cm
the frame with UV protected glass is included

Essay:
We are proud to present an exquisite drawing by the renowned artist Christian Berg (1893-1976), executed around the 1920s. This captivating artwork portrays a landscape, showcasing the artist's remarkable talent and attention to detail.

The focal point of the composition rests on the left, where a solitary leafless birch tree gracefully extends its branches across the entire expanse of the sky. The artist's meticulous rendering of the intricate branch structure is truly awe-inspiring, displaying an impressive level of detail and precision.

To the right of the birch tree, some water comes into view and behind the birch tree, several spruce trees emerge, their forms delicately captured with green watercolor strokes. The surrounding ground, adorned with a lush green wash, seamlessly integrates with the natural environment of the trees.

In the background, the artist employs the soft hues of watercolor to depict distant, misty mountains. The bluish tones create a sense of depth, enhancing the overall serenity and vastness of the scene.

"My sculptural work is an expression of what captivates and engages me, whether it's a unique flower, a tree's form, a stone, or a seashell fragment on the beach that one desires to turn into poetry, or transforming a figure into a monumental stance, where the interplay of proportions seeks to evoke a sense of gravity and religiosity."
- Christian Berg

Christian Berg, primarily known for his later abstract sculptures, demonstrates his versatility an artist through this exceptional landscape drawing. While his abstract sculptures have gained significant acclaim and are highly sought after by collectors, this earlier work showcases his skillful mastery of capturing the essence of nature with astonishing precision.

The drawing's meticulous details and the artist's profound understanding of the beauty of the natural world make it a true masterpiece. It serves as a testament to Christian Berg's artistic range and his ability to evoke emotion and connection through his diverse body of work.

August Hagborg (1852-1921) Sweden

Quiet Contemplation, c. 1910-20

watercolor on paper
unframed 13.4 x 9.8 inches (34 x 25 cm)
framed 17.7 x 14.2 inches (45 x 36 cm)

Provenance:
A Swedish private collection.

Essay:
The artwork we present is a rare watercolor by the distinguished Swedish artist August Hagborg, painted in the later part of his career between 1910 and 1920. This watercolour is a departure from Hagborg's often-seen beach scenes with mussel pickers and instead offers a glimpse into a serene, pastoral moment. The scene is set against a timber house, with a man and a woman standing alongside, their gazes directed away from the viewer, which invites contemplation about the story behind their distant stares.

Watercolors by Hagborg are rare, making this piece particularly special. Its fine details suggest a mastery of the medium, likely honed over the years of his extensive career. A written letter from Göteborgs Konstmuseum, dated to the 1940s, suggests a later date for this piece.

August Hagborg, born on May 26, 1852, in Gothenburg and passed away on April 30, 1921, in Paris, was a renowned figure in the art world. His education at the Royal Swedish Academy of Arts in Stockholm from 1871 to 1874 placed him among peers who would rise to prominence, such as Carl Larsson and Anders Zorn. Moving to Paris in the fall of 1875, Hagborg initially painted within the costume genre before finding his niche in coastal landscapes that garnered him accolades and recognition.

Hagborg's success was punctuated by his 1879 painting "Low Water at the English Channel," which won a medal and secured his position as an artist of note. He continued to paint scenes from the Swedish coasts during his summer visits and later from Dalarna after 1914. His travels outside France were limited, but he did visit Devon, England, in 1884 and Italy later in life.

Honoured with a knighthood in the Order of Vasa in 1883 and as a Commander Second Class of the Order of the North Star in 1908, Hagborg's work is represented in major museums such as the Nationalmuseum in Stockholm and Musée d'Orsay in Paris.