{"title":"OTHER","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eWe have a selection of paintings available for purchase that do not fit into the Landscape, Portrait, or Old Master categories. Take a look at some of these unique pieces below.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"jules-schyl-ballet-dancer","title":"JULES SCHYL - Ballet Dancer","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJULES SCHYL\u003c\/strong\u003e (Sweden, 1893-1977)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eBALLET DANCER\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA Ballet Dancer painting is a rare find for an artist mostly known for his oeuvre with Cubism and Expressionist paintings.  The current painting has many similarities with Degas sketches in pastel. He probably studied Degas drawings at a museum in 1949 and then made his own interpretation.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003epastel, crayon on paper signed Schyl -49  \u003cbr\u003epicture size 16.53 x 13.77 inches (42 x 35 cm) \u003cbr\u003ewith frame 23.62 x 20.47 inches (60 x 52 cm)   \u003cbr\u003e\u003cbr\u003eProvenance: A Swedish Private Collection\u003cbr\u003e\u003c\/p\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":37454468874405,"sku":"CA2031","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/jules-schyl-ballet-dancer-839138.jpg?v=1715341381"},{"product_id":"eugen-kask-ant-battle-by","title":"Eugen Kask - Ant Battle","description":"\u003cp\u003e\u003cstrong\u003eEugen Kask (1918-1998) Swedish\/ Estonian\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\u003cstrong\u003eAnt Battle\u003c\/strong\u003e \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cbr\u003eoil on panel \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003esigned EKask 78\u003cbr\u003e\u003c\/span\u003efrom 1978\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003epanel size 8.07 x 12.32 inches (20,5 x 31.3 cm)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eframe 12.59 x 16.92 inches (32 x 43 cm)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eA Swedish Private Collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003eThe painting in question captures the dynamic energy of a moment seemingly frozen in time—an oil sketch by Eugen Kask featuring two ants engaged in an intense wrestling match. Kask’s approach to this piece is fluid and spontaneous, with broad, swift strokes that lend an air of immediacy to the scene. Much of the canvas remains untouched, its raw state highlighting the areas where Kask chose to concentrate his efforts, thus drawing the viewer's gaze directly to the central action of the ants. This decision to leave the background undefined gives the work a sense of incompleteness, a characteristic that is often celebrated in studies and sketches for its authenticity and connection to the artist's initial spark of inspiration.\u003c\/p\u003e\n\u003cp\u003eEugen Kask, born on January 18, 1918, in Kiev and passed away on May 11, 1998, in Vimmerby, was an Estonian-Swedish painter of diverse talents. A descendant of an architectural lineage, with his father Kristjan Kask and his own background in architecture and fine arts, Kask brought a structural eye to his compositions. His life, marked by the upheaval of wartime displacement, led him to Sweden where his contributions to art continued to flourish through exhibitions and group showcases. His work spans a variety of subjects from pastoral landscapes to intimate animal studies, each rendered in his chosen mediums of charcoal, oil, or pastel. Beyond the canvas, Kask's creative impulse extended to the intricate craft of goldsmithing, a testament to his versatile artistry.\u003c\/p\u003e\n\u003cp\u003eThis particular oil sketch not only represents Kask's skill but also embodies the ethos of his artistry—the balance between the refined and the raw, the complete and the incomplete, the permanent and the transient. It is a piece that stands as a testament to his ability to capture the essence of life, no matter how small or fleeting the subject may be.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":41159394787493,"sku":"","price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/eugen-kask-ant-battle-283860.jpg?v=1715341186"},{"product_id":"cuzco-school-a-portrait-of-archangel-raphael-with-fish","title":"Cuzco School - A Portrait of Archangel Raphael With Fish","description":"\u003cp\u003e\u003cstrong\u003eAnonymous, Cuzco School \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eA Portrait of Archangel Raphael With Fish \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eoil on canvas \u003cbr\u003e1800s \u003cbr\u003ecanvas dimensions 22.24 x 15.74 inches (56.5 x 40 cm) \u003cbr\u003eframe 26.77 x 20.47 inches (68 x 52 cm) \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e A Swedish private collection\u003cbr\u003e\u003c\/p\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":41389228130469,"sku":"","price":4800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/cuzco-school-a-portrait-of-archangel-raphael-with-fish-174595.jpg?v=1715341269"},{"product_id":"nils-forsberg-oil-sketch-for-gustavus-ii-adolphus-before-the-battle-of-lutzen","title":"Nils Forsberg - Oil Sketch for \"Gustavus II Adolphus before the Battle of Lützen\"","description":"\u003cp\u003e\u003cstrong\u003eNils Forsberg (1842-1934) Swedish\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOil Sketch for the Painting \u003cem\u003e\"Gustavus II Adolphus before the Battle of Lützen\"\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eoil on canvas\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003epainted c. 1895-1899\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003estamp signed on the front and authenticated a tergo\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003ecanvas dimensions 18.30 x 24.21 inches (46.5 x 61.5 cm)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eframe 22.44 x 28.34 inches (57 x 72 cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssay\u003c\/strong\u003e: \u003cbr\u003eThis piece is a oil sketch for the renowned masterpiece 'Gustavus II Adolphus before the Battle of Lützen', currently housed in the Göteborgs Konstmuseum. \u003c\/p\u003e\n\u003cp\u003eThe allure of an unfinished oil sketch lies in its ability to offer a rare glimpse into the artist's creative process, revealing the initial conception of the motif. Historically, the spontaneous and often rapid execution of such sketches has fascinated art collectors. Notably, masters like Rubens and Van Dyck were known to intentionally leave their works in a seemingly 'unfinished' state, often completing them in under an hour.\u003c\/p\u003e\n\u003cp\u003eNils Forsberg's artistic journey took a pivotal turn when he left Sweden in his mid-twenties for a brief trip to Paris. This excursion, initially planned for just a few weeks, unexpectedly extended to a 35-year sojourn from 1867 to 1902. During this period, Forsberg honed his craft under the tutelage of the esteemed painter Léon Bonnat. It was at Bonnat's school where he crossed paths with the prominent Swedish artist Gustaf Cederström.\u003c\/p\u003e\n\u003cp\u003eForsberg's talent culminated in his largest work, 'Gustaf Adolf before the Battle of Lützen', which he showcased at the World Exhibition in Paris in 1900. The oil sketch we possess is a crucial preparatory study, focusing on one of the figures in this grand painting. This character is positioned to the far right, a detail more closely explored this image: \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/Nils_Forsberg__Gustav_II_Adolf_480x480.jpg?v=1701089880\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/Nils_Forsberg__Gustav_II_Adolf_480x480.jpg?v=1701089880\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003eFrom a private collection, Sweden\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":41671396524197,"sku":"","price":3900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/nils-forsberg-oil-sketch-for-gustavus-ii-adolphus-before-the-battle-of-lutzen-790515.jpg?v=1715341343"},{"product_id":"agnes-mcintyre-croxford-friends","title":"Agnes McIntyre Croxford - Friends","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAgnes McIntyre Croxford (exh 1897-1910) British\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eFriends \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eoil on canvas \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003esigned A McIntyreCroxford \u003cbr\u003epainted c. 1900 \u003cbr\u003ecanvas dimensions 16 x 24 inches (41 x 61 cm) \u003cbr\u003eframe 20.86 x 29 inches (53 x 74 cm) \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProvenance: \u003c\/strong\u003e\u003cbr\u003eSotheby's London, lot 1547, 1998; \u003cbr\u003eChristie's London lot 193, Auction 8406; \u003cbr\u003eStockholms Auktionsverk, lot 1373; \u003cbr\u003ePrivate Collection Stockholm\u003c\/span\u003e\u003c\/p\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":41806733344933,"sku":"CA2277","price":4900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/agnes-mcintyre-croxford-friends-320785.jpg?v=1715340981"},{"product_id":"charles-bouchez-a-soldier-blowing-the-trumpet","title":"Charles Bouchez - A Soldier Blowing the Trumpet","description":"\u003cstrong\u003eCharles Bouchez (1811-1882) French\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cstrong\u003eA Soldier Blowing the Trumpet\u003c\/strong\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eoil on canvas\u003cbr data-mce-fragment=\"1\"\u003esigned and dated ch. Bouchez 1842\u003cbr data-mce-fragment=\"1\"\u003ecanvas dimensions 6.29 x 4.13 inches (16 x 10.5 cm)\u003cbr data-mce-fragment=\"1\"\u003eframe 10.23 x 7.87 inches (26 x 20 cm)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eProvenance: \u003cbr data-mce-fragment=\"1\"\u003eA Swedish Private Collection\u003cimg id=\"hola-icon-globe\" src=\"safari-extension:\/\/138FA30E-45DE-4FAA-82B8-4E0B54065C1D\/holaIconWhite.svg\" alt=\"Hola\" style=\"top: -3px; left: -34px;\"\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":41858293203109,"sku":"","price":2200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/charles-bouchez-a-soldier-blowing-the-trumpet-808694.jpg?v=1715341082"},{"product_id":"circle-of-julia-beck","title":"Circle of Julia Beck - Atelier Interior With Flower Bouquet","description":"\u003cstrong\u003eUnknown Artist, Circle of Julia Beck (1853-1935)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eAtelier Interior With Flower Bouquet\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eoil on tree-panel\u003cbr\u003e\n\u003cdiv title=\"Page 3\" class=\"page\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003epanel dimensions 35 x 27 cm \u003cbr\u003eframe 38.5 x 30.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eCompare with, Julia Becks \"\u003cspan data-mce-fragment=\"1\"\u003eBlomsterstilleben\" sold at Uppsala Auktionskammare dec 2021:\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/Skarmavbild2022-10-23kl.20.25.12_480x480.png?v=1666550210\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/Skarmavbild2022-10-23kl.20.25.12_480x480.png?v=1666550210\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":42037003026597,"sku":"","price":2800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/circle-of-julia-beck-atelier-interior-with-flower-bouquet-656898.jpg?v=1715341054"},{"product_id":"dick-beer-portrait-of-gabriele-varese","title":"Dick Beer - Portrait of Gabriele Varese","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"750\" data-end=\"858\"\u003e\u003cstrong\u003eDick Beer (1893–1938) Sweden, born London\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem data-start=\"800\" data-end=\"850\"\u003ePortrait of Gabriele Varese (in Italian Uniform)\u003c\/em\u003e, 1919\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"860\" data-end=\"949\"\u003estamp signed\u003cbr data-start=\"872\" data-end=\"875\"\u003eoil on canvas laid down on panel\u003cbr data-start=\"907\" data-end=\"910\"\u003eunframed 116 × 90 cm (45.7 × 35.4 in)\u003c\/p\u003e\n\u003cp data-start=\"956\" data-end=\"972\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"956\" data-end=\"972\"\u003e\u003cstrong data-start=\"956\" data-end=\"970\"\u003eProvenance:\u003cbr\u003e\u003c\/strong\u003eWithin the Beer family until the present day\u003c\/p\u003e\n\u003cp data-start=\"1027\" data-end=\"1042\"\u003e\u003cstrong data-start=\"1027\" data-end=\"1040\"\u003eExhibited:\u003cbr\u003e\u003c\/strong\u003eSolo exhibition, Stockholm, November–December 1917\u003cbr data-start=\"1094\" data-end=\"1097\"\u003eThe Royal Academy of Fine Arts, Stockholm, 1973\u003cbr data-start=\"1144\" data-end=\"1147\"\u003eÅmells Konsthandel, \u003cem data-start=\"1167\" data-end=\"1193\"\u003eEn internationell kubist\u003c\/em\u003e, Stockholm and London, 2008\u003cbr data-start=\"1221\" data-end=\"1224\"\u003eHälsinglands Museum, 2011\u003cbr data-start=\"1249\" data-end=\"1252\"\u003eMillesgården, \u003cem data-start=\"1266\" data-end=\"1302\"\u003eDick Beer – Impressionist \u0026amp; Kubist\u003c\/em\u003e, 2012\u003c\/p\u003e\n\u003cp data-start=\"1317\" data-end=\"1328\"\u003e\u003cstrong data-start=\"1317\" data-end=\"1326\"\u003e\u003cbr\u003eEssay:\u003cbr\u003e\u003c\/strong\u003eDick Beer was born in London in 1893 as Richard Beer, the youngest of five brothers. After the early death of both parents, he came to Sweden as an orphan in 1907. He began his artistic training at Althin’s painting school in Stockholm in 1908 and continued at the Royal Academy of Fine Arts from 1910 until 1912, where his teachers included Gustaf Cederström, Oscar Björck and Alfred Bergström. In September 1912 he left Sweden for Paris, rented a studio near Montparnasse, and followed instruction at the Académies Colarossi and Grande Chaumière.\u003c\/p\u003e\n\u003cp data-start=\"1880\" data-end=\"2489\"\u003eThe years that followed were decisive for his development. In 1913 he worked in Pont Aven and held his first solo exhibition in Stockholm under the French title \u003cem data-start=\"2041\" data-end=\"2097\"\u003eExposition des tableaux de Bretagne et autour de Paris\u003c\/em\u003e. In 1914 he undertook an extended study journey through Italy, Tunisia, Morocco and Spain, returning thereafter to Paris. The outbreak of war marked a profound rupture. Beer volunteered for the French Foreign Legion and in 1915 suffered severe head injuries in a grenade explosion, resulting in permanent hearing loss and nervous complications that would affect him for the rest of his life.\u003c\/p\u003e\n\u003cp data-start=\"2491\" data-end=\"3127\"\u003eAfter the war his art underwent a marked transformation. Around 1918 and 1919 Beer began to experiment with cubist painting, creating a number of ambitious large scale compositions. Unlike a purely analytic cubism, his was personal, emotional and highly charged with movement. He absorbed the formal language of faceting and structural fragmentation, yet retained a strong attachment to the human figure and to psychological presence. During the years that followed in Paris, he was instructed by André Lhote, whose studio offered an environment in which modern form could be explored freely while still subject to disciplined critique.\u003c\/p\u003e\n\u003cp data-start=\"3129\" data-end=\"3757\"\u003eThe present portrait of Gabriele Varese belongs to this crucial moment in Beer’s career. Varese was part of Beer’s Paris circle, which also included Manuel Ortiz de Zárate and the sculptor Frédéric de Fréminville. Several of these friends were portrayed by Beer, and the present work is among the most compelling examples of his portraiture from the immediate postwar years. The sitter is shown in Italian uniform, his figure constructed through angular, interlocking planes that break the body into sharply defined facets. The treatment of the jacket is especially striking, turning cloth into structure and volume into rhythm.\u003c\/p\u003e\n\u003cp data-start=\"3759\" data-end=\"4265\"\u003eYet the painting is far more than a formal exercise. For all its cubist compression, the portrait retains a vivid human immediacy. Varese’s face, turned toward the viewer, carries a direct and searching expression. The hands, tense and active, reinforce the sense of alert presence. Beer’s achievement lies precisely in this balance between formal invention and psychological intensity. He does not dissolve the sitter into abstraction, but rather redefines portraiture through a modern pictorial language.\u003c\/p\u003e\n\u003cp data-start=\"4267\" data-end=\"4925\"\u003eThis portrait should be understood within the broader context of Beer’s international modernism. Active largely in France, and moving between impressionism, pointillism, cubism and later more expressionist and naturalistic modes, he remained difficult to classify within a single national narrative. That complexity may partly explain why he was long overshadowed. Today, however, works such as the present portrait make clear that Beer occupies a distinctive place within early twentieth century Scandinavian modernism. \u003cem data-start=\"4788\" data-end=\"4817\"\u003ePortrait of Gabriele Varese\u003c\/em\u003e stands as an important document of his cubist period and of the cosmopolitan milieu in which it was formed.\u003c\/p\u003e\n\u003cp data-start=\"4932\" data-end=\"4945\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"4932\" data-end=\"4945\"\u003e\u003cstrong data-start=\"4932\" data-end=\"4943\"\u003eSources\u003cbr\u003e\u003c\/strong\u003eMillesgården, \u003cem data-start=\"4961\" data-end=\"4997\"\u003eDick Beer – Impressionist \u0026amp; Kubist\u003c\/em\u003e\u003cbr data-start=\"4997\" data-end=\"5000\"\u003eOnita Wass, introductory essay and biographical material\u003cbr data-start=\"5056\" data-end=\"5059\"\u003eExhibition chronology and family archive material\u003cbr data-start=\"5108\" data-end=\"5111\"\u003eNorrköpings Konstmuseum and Moderna Museet references to Dick Beer\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":42213599183013,"sku":"","price":14000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/dick-beer-portrait-of-gabriele-varese-487471.jpg?v=1715341228"},{"product_id":"dick-beer-view-from-a-window-1920","title":"Dick Beer -  View From a Window, 1920","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDick Beer (b. London 1893 - d. Stockholm \u003cmeta charset=\"UTF-8\"\u003e1938) \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eUtsikt från fönster, View From a Window, 1920\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eoil on canvas\u003cbr\u003e73 x 60.5 cm\u003cbr\u003estamp signed \u003cbr\u003epainted 1920\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eExhibited\u003c\/strong\u003e:\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Royal Academy Stockholm, 1942;\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Swedish-French Art Gallery, \u003c\/span\u003eMemorial exhibition, 1942;\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eGothenburg Art Gallery, Memorial exhibition, 1944;\u003cbr\u003e\u003c\/span\u003eNationalmuseum Stockholm 1944;\u003cbr\u003eBorås Art Gallery, 1952;\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eÅmells Konsthandel  – En internationell kubist, Stockholm \u0026amp; London, 2008;\u003cbr\u003eHälsinglands museum, A Cubist 1910s, 2011\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMillesgården – Dick Beer – Impressionist \u0026amp; Kubist, 2012\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e:\u003cbr data-mce-fragment=\"1\"\u003eWithin the family Beer until today\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCubistic vision\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIn the period following the First World War, the artist’s painting underwent a fundamental transformation. Dick Beer was influenced by various modernistic expressions. In Paris, the first wave of cubism, led by Pablo Picasso and Georges Braque, was established. It was a controversial artistic style. There was a heated debate about cubism, in which the artist broke up the motif into smaller components, sometimes called facets, in order to rebuild it on the flat surface of the pictorial plane. This manner of painting represented a complete break with preceding pictorial conventions and naturalistic painting.\u003c\/p\u003e\n\u003cp\u003eCubism was governed by theory, not practice, and critics claimed that the style was too intellectual for the general public and they predicted that it would disappear and that artists would return to a rather more classic expression.\u003c\/p\u003e\n\u003cp\u003eThe theories surrounding cubism and its various expressions opened up for a number of reinterpretations in the 1910s. Dick Beer was well aware of the cubist discussions. He embraced the ideas but created a varied, personal and emotive cubism in the years around 1918. His painting was often an explosive discharge with playful characteristics and a futuristic dynamism which accentuated the painting’s inherent speed and movement, as for example his works “\u003ci\u003eDancer”\u003c\/i\u003e and \u003ci\u003e“The Toy Box”\u003c\/i\u003e. He also experimented with geometric compositions of buildings and landscapes, which were reminiscent of Paul Cézanne’s more cubic landscapes. Here, Beer’s colours were often muted, in blue, brown and red hues. He frequently returned to earlier motifs and reworked his canvases into a cubist style, as in “\u003ci\u003eDancer tying her shoes” \u003c\/i\u003eand\u003ci\u003e “Seated dancer\u003c\/i\u003e“.\u003c\/p\u003e\n\u003cp\u003eContemporary art critics were appalled and Beer had to endure severe criticism. At one point, the artist published a reply in the daily \u003ci\u003ePolitiken\u003c\/i\u003e, 1919, where he described his view on art:\u003c\/p\u003e\n\u003cp\u003e“... because love for and understanding of art, ‘l’art pour l’art’, is not easy to achieve, and neither is it easy to comprehend the different movements’ or schools’ origin, goals, characteristic endeavours, etc. – These international phenomena require not only theoretical and art historical knowledge but (...) the ability to empathise with and feel for art, as its practitioners do”.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":42215946485925,"sku":"","price":6500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/dick-beer-view-from-a-window-1920-481500.jpg?v=1715341162"},{"product_id":"dick-beer-the-church-in-taormina-sicily","title":"Dick Beer - The Church in Taormina, Sicily","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDick Beer (b. London 1893 - d. Stockholm \u003cmeta charset=\"UTF-8\"\u003e1938) \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 2\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Church in Taormina, Sicily (Kyrkan i Taormina)\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eoil on canvas\u003cbr data-mce-fragment=\"1\"\u003ecanvas dimensions 54 x 47 cm\u003cbr data-mce-fragment=\"1\"\u003esigned and dated Dick Beer 1914\u003cbr data-mce-fragment=\"1\"\u003epainted 1914\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eExhibited\u003c\/strong\u003e:\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVarias Konstsalong, Stockholm, 1916;\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMillesgården – Dick Beer – Impressionist \u0026amp; Kubist, 2012\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e:\u003cbr data-mce-fragment=\"1\"\u003eWithin the family Beer until today\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDick Beer (1893-1938)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside.\u003c\/p\u003e\n\u003cp\u003eBarely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt this time, Many artists went to Paris, and Dick Beer wasn't an exception; he rented a studio and took every spare time to visit academies such as Colarossi and Grande Chaumière and André Lhote.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDick Beer travels to Pont Aven in Brittany over the summer of 1913. In September, he went directly to Stockholm for his first solo exhibition with the French title Exposition des tableaux de Bretagne et autour de Paris; The exhibition was a big success with many visitors.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1914-1917: First World War:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the spring of 1914, Dick Beer undertook a longer study trip to Italy, Tunisia, Morocco and Spain.\u003c\/p\u003e\n\u003cp\u003eWhen the French army mobilized, Dick Beer volunteered and was accepted into the French Foreign Legion. He was severely injured at Souain in September 1915, and the war injuries left him with severe deafness and nerve problems, which became increasingly noticeable over the years. During and after the war, he painted in a post-impressionistic style with a light palette, increasingly tuned in blue and green.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1918-1919\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDick Beer and Ruth Öhrling married in February, and in December, their only child, John, was born. During these years, Beer had a studio at Rådmansgatan in Stockholm. During this time, he paints several large Cubist compositions such as \"In the Paddock\" and \"Arab Café\".\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHe participated in the Februarigruppen exhibition at Liljevalch's in 1919. His palette turned into a darker colour scheme dominated by green, blue, and red.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAmedeo Modigliani made a portrait of him in Paris in 1919.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThroughout his short life, Beer spent most of his time in France and exhibited almost annually in Paris.\u003c\/p\u003e\n\u003cp\u003eThe Scandinavian motifs were mostly landscapes around Lake Mälaren and from the Stockholm archipelago, cityscapes, many nude studies and some portraits.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDick Beer practised many styles during his 30 years as an artist, from post-impressionism, cubism, late cubism, expressionism and naturalism.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":42216008646821,"sku":"","price":7500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/dick-beer-the-church-in-taormina-sicily-328066.jpg?v=1715341249"},{"product_id":"henric-ankarcrona-motif-from-the-theatre-of-marcellus-1879","title":"HENRIC ANKARCRONA - MOTIF FROM THE THEATRE OF MARCELLUS, 1879","description":"\u003cstrong\u003eHENRIC ANKARCRONA (1831-1917) SWEDEN\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eMOTIF FROM THE THEATRE OF MARCELLUS, 1879 \u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eMOTIV FRÅN MARCELLUSTEATERN, 1879  \u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eoil on paper \u003cbr\u003esigned with monogram och dated HA 79 \u003cbr\u003e19.5 x 14.5 cm \u003cbr\u003ewith frame 29 x 24 cm     \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e:  A Swedish private collection\u003cimg id=\"hola-icon-globe\" src=\"safari-extension:\/\/0879ABC1-B7D1-461F-852C-9763DE6F4F9D\/holaIconWhite.svg\" alt=\"Hola\" style=\"top: -3px; left: -35px;\"\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":42257832935589,"sku":"","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/henric-ankarcrona-motif-from-the-theatre-of-marcellus-1879-255956.jpg?v=1715341183"},{"product_id":"victor-ravet-a-young-woman-with-her-dog-1876","title":"Victor Ravet - A Young Woman With Her Dog, 1876","description":"\u003cp\u003e\u003cstrong\u003e\u003ci\u003eVictor Ravet (1840-1895)\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eA Young Woman With Her Dog, 1876\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eoil on wood panel\u003cbr\u003esigned and dated J.V.Ravet 1876 \u003cbr\u003epanel dimensions 14.17 x 9.25 inches (36 x 23.5 cm)\u003cbr\u003eframe 18.50 x 13.58 inches (47 x 34.5 cm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssay\u003c\/strong\u003e:\u003cbr\u003eIn this exquisite painting by Victor Ravet, we are transported to an elegant interior setting reminiscent of the grandeur of high-class homes. The focal point is a woman adorned in a shimmering pink gown, radiating grace and sophistication. Bathed in gentle light, her dress catches the glimmer, accentuating her beauty.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe holds a treat for a dog in her hand, enticing the furry companion who stands on its hind legs in eager anticipation. The canine's eyes fixated on the delicious morsel, capturing a moment of playful interaction between the woman and her loyal companion.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe scene takes on a narrative quality as the young woman's other hand delicately lifts a curtain, hinting at another room beyond. This subtle gesture adds depth to the composition, suggesting a world of hidden secrets and intriguing possibilities within the opulent surroundings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eVictor Ravet took inspiration from the Dutch Golden Age painters of the 17th century, such as Vermeer, Jacob Ochtervelt, and Gerrit Dou. This homage to their style and subject matter pays tribute to the timeless allure of domestic scenes, capturing a slice of life in a bygone era.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith meticulous attention to detail, Ravet masterfully recreates the textures and fabrics, immersing the viewer in the sumptuousness of the period. The soft play of light and shadow adds depth and a sense of tranquillity to the composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cspan data-mce-fragment=\"1\"\u003eA Young Woman With Her Dog\u003c\/span\u003e\" invites viewers to appreciate the beauty and serenity of an intimate moment frozen in time. It transports us to a world of refinement, evoking a sense of nostalgia for an era steeped in elegance and sophistication.\u003cbr data-mce-fragment=\"1\"\u003eThis wonderful painting by Victor Ravet is a testament to his skill and artistry, as he seamlessly blends historical influences with his own unique vision. It captivates with its charm, inviting us to immerse ourselves in a world where grace and beauty intertwine.\u003cbr\u003e\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":46748148531523,"sku":"CA332244","price":2150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/victor-ravet-a-young-woman-with-her-dog-1876-581359.jpg?v=1715341456"},{"product_id":"johan-christoffer-boklund-the-young-artist","title":"Johan Christoffer Boklund - The Young Artist","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eJohan Christoffer Boklund (1817-1880)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cstrong\u003eThe Young Artist \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eoil on canvas mounted on board\u003cbr\u003ecanvas dimensions 40 x 31.5 cm\u003cbr\u003eframe 53 x 45 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003eIntroducing a captivating oil painting by Johan Christoffer Boklund (1817-1880). The artwork depicts a young boy practicing his painting skills. Seated beside him is a wooden horse that he is diligently recreating on a round wooden panel. His painting style is simple, revealing his early stage as an artist. The horse he paints consists of straight lines, almost resembling a stick figure, which adds a charming element when juxtaposed with the actual wooden horse.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1837, Johan Christoffer Boklund arrived in Stockholm and joined the Royal Academy of Fine Arts. In 1846, accompanied by Johan Fredrik Höckert, he embarked on a journey to Munich, where he stayed for eight years. It was during this period that he developed his artistic skills further. In 1853, he sent his painting \"The Curious Trumpeter\" back to Sweden, which earned him a government scholarship and paved the way for his subsequent journey to Paris. In Paris, he worked at Thomas Couture's studio from 1854 to 1855. Boklund returned to Sweden in December 1855.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUpon his return, he became a teacher at the Academy of Fine Arts in 1856 and was appointed as a professor. That same year, he played a key role in the establishment of the Artists' Club (Konstnärsklubben). From 1856 to 1872, he served as the tutor to King Charles XV. In 1861, he became a member of the committee responsible for organizing the interior of the National Museum and acted as the acting treasurer at the Royal Museum. In 1866, he became the head curator of the Art Department at the National Museum and, in 1867, the court curator, overseeing Karl XV's painting collection, as well as serving as the director of the Royal Academy of Fine Arts. Boklund was also a committee member involved in organizing the Nordic Art Exhibition in Stockholm in 1866.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHis works can be found in various art institutions, including the Nationalmuseum in Stockholm, the Gothenburg Museum of Art, the Vänersborg Museum, the Norrköping Art Museum, and the Kalmar Art Museum.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: \u003cbr\u003eRuth Dagmar Brovall (1885-1971), Who was a relative of Boklund; Later - inherited within her family until 2005; Sold at Roslags Auctions, Norrtälje. \u003c\/p\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":46852873191747,"sku":"","price":2200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/johan-christoffer-boklund-the-young-artist-832369.jpg?v=1715341323"},{"product_id":"ingeborg-westfelt-eggertz-lost-in-thought","title":"Ingeborg Westfelt-Eggertz - Lost in Thoughts","description":"\u003cp\u003e\u003cstrong\u003eIngeborg Westfelt-Eggertz (1855-1936) Sweden\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\u003cstrong\u003eLost in Thoughts, before 1890\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eoil on canvas laid in masonite\u003cbr\u003epainted c. 1883-1889\u003cbr\u003esigned I Westfelt, \u003cspan data-mce-fragment=\"1\"\u003eSt.Nazair (Bretagne)\u003cbr\u003eunframed 23 x 21 cm\u003cbr\u003eframed 39 x 36 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e\u003cbr\u003eVery good condition with bright and clear colors. \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eEssay\u003c\/strong\u003e:\u003cbr\u003e\u003c\/span\u003eWe are delighted to offer a unique and evocative piece by the Swedish artist Ingeborg Westfelt-Eggertz. This small oil sketch captures a moment in time, portraying a young man seated amidst the grass. Dressed in a vest and hat, the young boy appears to be in his late teens or early twenties. His gaze is directed away, captured in contemplation or perhaps lost in distant thoughts. Painted with swift strokes, the artwork embodies spontaneity, presenting an unfinished portrait of the young man surrounded by rapidly rendered greenery.\u003c\/p\u003e\n\u003cp\u003eThere's a distinct charm to unfinished artworks and oil sketches like this one. Such paintings offer a rare insight into the artist's creative process, almost serving as a window into their thoughts and initial intentions. At many times a sketch can be more interesting than a finished painting, as it reveals the raw, unfiltered essence of the artist's vision.\u003c\/p\u003e\n\u003cp\u003eThe sketch is signed and the place of its creation is inscribed on the front: Saint Nazaire, Bretagne, painted around \u003cspan data-mce-fragment=\"1\"\u003e1883-1889.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Stockholm on 17th May 1855, Ingeborg Aurora Westfelt-Eggertz was a pivotal figure in the Swedish art world. Daughter to chamberlain Carl Peter Westfelt and Aurora Charlotta Löthman, she later married the editor August Emil Eggertz in 1893. Her artistic journey began at the Technical School and then led her to the Royal Academy of Fine Arts in Stockholm from 1873 to 1880. Further honing her craft, she studied under Collin and Courtois in Paris by 1883. While in Paris, she opened a school for young women from high society in 1887 and contributed drawings to the Delagrave publishing firm.\u003c\/p\u003e\n\u003cp\u003eReturning to Stockholm in 1890, she co-established a painting school for female students with Elisabeth Keyser. Throughout her life, she shifted residences, living in places such as Visby, Landskrona, and finally settling in Gothenburg by 1903. No matter where she resided, Westfelt-Eggertz remained committed to educating and establishing painting schools for women alongside her personal creations. Her oeuvre consists mainly of genre scenes, figure depictions, and portraits, often in pastel. Several works from her Parisian period found homes with North and South American collectors.\u003c\/p\u003e\n\u003cp\u003eHer accomplishments include awards such as a gold medal in oil painting in Arcachon in 1888, a silver medal in Versailles in 1889, and a Mention Honorable in Evreux. Her legacy is immortalized in esteemed institutions like the Göteborg Art Museum, Hallands Art Museum, Bohuslän Museum in Uddevalla, and the National Museum in Stockholm.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":47238939181379,"sku":"CA23115","price":2200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/ingeborg-westfelt-eggertz-lost-in-thoughts-597249.jpg?v=1715341310"},{"product_id":"bernhard-oscarsson-view-over-strandvagen-stockholm","title":"Bernhard Oscarsson - View over Strandvägen, Stockholm","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBernhard Oscarsson (1894-1977) Swedish\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eView over Strandvägen, Stockholm\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eoil on canvas\u003cbr\u003esigned and dated Oscarsson 1933\u003cbr\u003eunframed 54 x 65 cm\u003cbr\u003eframed 70 x 80 cm\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEssay\u003c\/strong\u003e:\u003cbr\u003eThis painting by Bernhard Oscarsson (1894-1977) is a captivating visual narrative of Stockholm's serene beauty. Oscarsson, a student of Caleb Althin's painting school and the Royal Swedish Academy of Fine Arts in Stockholm, honed his craft extensively through his European travels in Spain, Italy, France, the Netherlands, and Germany. This particular piece is painted from Blasieholmen, behind the National Museum, with his gaze set towards Strandvägen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOscarsson's canvas is a symphony of colors, with each brushstroke contributing to the overall harmony of the scene. The foreground is graced with the tranquil paths of Blasieholmen, lined with welcoming benches and a solitary lamp post standing as a silent sentinel. A solitary figure walks towards the bustling Strandvägen, perhaps lost in thought or simply enjoying the scenic view. The rich foliage on the left provides a stark contrast to the open skies, where soft clouds dance in the light of the setting sun.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe painting's palette is reminiscent of the transitional phase between late impressionism and early modernism, capturing the ephemeral quality of light and the subtle nuances of urban life. It embodies a sense of peace and reflection amidst the daily hum of a growing city. Oscarsson's work is more than a mere depiction of a location; it is a portal to the soul of Stockholm, offering a timeless glimpse into the city's heart through the eyes of an artist who both loved and understood his subject deeply.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/Skarmavbild2023-12-19kl.10.40.51_480x480.png?v=1702982869\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSame view today, 90 years later: \u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/Skarmavbild2023-12-19kl.10.49.53_480x480.png?v=1702982897\"\u003e\u003c\/p\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":47610229096771,"sku":"","price":2600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/bernhard-oscarsson-view-over-strandvagen-stockholm-534620.jpg?v=1715341024"},{"product_id":"ferdinand-fagerlin","title":"Ferdinand Fagerlin - The Old Stone Stairway","description":"\u003cp\u003e\u003cstrong\u003eFerdinand Fagerlin (1825-1907) Sweden\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003eThe Old Stone Stairway\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003eoil on board\u003cbr\u003esigned Ferd Fagerlin\u003cbr\u003eunframed 24 x 18 cm\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: \u003cbr\u003e\u003cspan\u003eProbably in the collection of Helena Göhle, Norrköping (listed in \u003c\/span\u003e\u003cem data-end=\"87\" data-start=\"66\"\u003eKonst i svenska hem\u003c\/em\u003e\u003cspan\u003e, second edition, p. 599, as “Gallerfönster,” 25 × 17 cm); later in a Swedish private collection.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExhibited: \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eProbably  Liljevalchs Konsthall, Stockholm, 1936, \u003c\/span\u003e\u003cem data-end=\"73\" data-start=\"50\"\u003eThe Düsseldorf School\u003c\/em\u003e\u003cspan\u003e exhibition, catalogue p. 23, no. 90 — \u003c\/span\u003e\u003cem data-end=\"131\" data-start=\"112\"\u003eSunlit Attic Room\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEssay\u003c\/strong\u003e:\u003cbr\u003eThis oil painting called \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\u003cem\u003eThe Old Stone Stairway\u003c\/em\u003e \u003c\/span\u003eby Ferdinand Fagerlin offers an intimate glimpse into a quiet interior space, where the stillness of the scene is punctuated by the soft daylight filtering through a window. Measuring a modest 24 x 18 cm, the painting captures the subtle play of light on the staircase and walls, evoking a serene atmosphere.\u003c\/p\u003e\n\u003cp\u003eFerdinand Fagerlin was born in 1825 in Stockholm and passed away in 1907 in Düsseldorf. He was a notable Swedish artist. His genre paintings often depicted Dutch fishermen, but he was also renowned for his dramatic portrayals of people and interiors. Typically associated with the Düsseldorf school of painting, Fagerlin's journey in art began as a shipbuilder's apprentice before he transitioned to studying at the Royal Swedish Academy of Arts. His military service was followed by further artistic development in Düsseldorf and Paris under the mentorship of Thomas Couture. Fagerlin settled in Düsseldorf, where he cultivated his craft and reputation. His legacy is enshrined in several prestigious institutions, including Nationalmuseum in Stockholm, Kalmar Art Museum, Norrköping's Art Museum, and Gothenburg's Art Museum. This piece reflects Fagerlin's keen eye for detail and his ability to convey emotion through the depiction of everyday scenes.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":47848319877443,"sku":"","price":1900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/ferdinand-fagerlin-the-old-stone-stairway-230144.jpg?v=1715341265"},{"product_id":"ulf-linde-untitled","title":"Ulf Linde - Seen from Behind","description":"\u003cp\u003e\u003cstrong\u003eUlf Linde (1929-2013) Sweden\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eSeen from Behind \u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003egouache on board\u003cbr\u003esigned U.L and dedicated to \"Berit\"\u003cbr\u003eunframed \u003cspan data-mce-fragment=\"1\"\u003e8.27 x 5.12 inches (\u003c\/span\u003e21 x 13 cm)\u003cbr\u003eframed \u003cspan data-mce-fragment=\"1\"\u003e11.81 x 8.46 inches (\u003c\/span\u003e30 x 21.5 cm)\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cstrong\u003eLiterature\u003c\/strong\u003e: \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\"Ulf Linde - Essays from a Lifetime in the Arts\" from 2023 is included in the purchase. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEssay\u003c\/strong\u003e:\u003cbr\u003e\u003c\/span\u003eThis gouache painting by Ulf Linde, a multifaceted Swedish figure, presents a unique portrayal of a woman seen from behind, set against a blue and white striped background. The artwork, likely from the 1970s or 1980s, reflects Linde's admiration for René Magritte, whose influence can be discerned in the mysterious and thought-provoking silhouette. The absence of facial features draws the viewer's attention to the form and posture, perhaps challenging us to consider the unseen aspects of identity and presence.\u003c\/p\u003e\n\u003cp\u003eUlf Linde (1929–2013) was a renowned Swedish art critic, jazz musician, author, museum director, professor, composer, and member of the prestigious Swedish Academy. His father was Harald Linde, an engineer, and his mother Karin Krouthén. Linde's career spanned various realms of art and culture; he was first married to Bertha Lundgren and, after her passing, to Nina Öhman, who succeeded him as the head art curator of the Thielska Gallery.\u003c\/p\u003e\n\u003cp\u003eLinde's membership in the Royal Swedish Academy of Fine Arts from 1963 and the Swedish Academy from 1977 marked his prominent role in the arts. He succeeded Eyvind Johnson in seat number 11 of the Swedish Academy and directed the Thielska Gallery for 20 years.\u003c\/p\u003e\n\u003cp\u003eAs an art critic for Dagens Nyheter from 1956 to 1968, Linde was recognized for his radical views on art, emphasizing the viewer's participatory role. His book \"Spejare\" ('Scouts') from 1960, was a collection of articles on the \"informal\" artists and was instrumental in triggering Sweden's \"great art debate\" of 1962. Lind's profound interest in Marcel Duchamp led him to create replicas of Duchamp's works, some of which were signed by Duchamp himself and are now housed in the Moderna Museet in Stockholm.\u003c\/p\u003e\n\u003cp\u003eAfter leaving Dagens Nyheter in 1968, Linde continued to shape Swedish art discourse as a professor of modern art theory at the Royal Institute of Art and as an interim director at the Moderna Museet. His legacy includes over a hundred temporary exhibitions at the Thielska Gallery, and his \"micro-essays\" are compiled in the book \"Presentationer\" ('Presentations').\u003c\/p\u003e\n\u003cp\u003eThis particular gouache is accompanied by an exquisite pine frame, adding to its allure. It is dedicated to someone named \"Berit,\" possibly someone of significance in Linde's life. The artwork, through its simplicity and evocative use of color and silhouette, embodies a magnetic charm that is difficult to articulate but deeply felt, much like the enigmatic works of Duchamp and Magritte that Linde admired so much.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":47944130167107,"sku":"","price":4200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/ulf-linde-seen-from-behind-352158.jpg?v=1715341437"},{"product_id":"arvid-jacobson-st-eriksbron-seen-from-stadshagen-1908","title":"ARVID JACOBSSON - ST ERIKSBRON SEEN FROM STADSHAGEN, 1908","description":"\u003cp\u003e\u003cstrong\u003eARVID JACOBSSON (JACOBSON) (1881–1966) SWEDEN\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem style=\"font-size: 0.875rem;\"\u003e\u003cstrong\u003eST ERIKSBRON SEEN FROM STADSHAGEN, 1908\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003esignerad och daterad arvid Jacobson 1908\u003cbr\u003emixed media\u003cbr\u003eframed 46 x 40.5\u003cbr\u003eunframed c. 34 x 28.5 cm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis enchanting painting by Arvid Jacobsson (Jacobson)(1881–1966), executed in 1908, offers a captivating view of St. Eriksbron as seen from Stadshagen on Kungsholmen. Jacobsson has beautifully captured the essence of early 20th-century Stockholm, a period of significant urban development and transformation.\u003c\/p\u003e\n\u003cp\u003eThe focal point of this artwork is the old St. Eriksbron, a bridge that was inaugurated in 1906, featuring its distinctive arches. This bridge not only serves as a crucial link between Kungsholmen and Vasastaden but also marks the boundary between Barnhusviken and Karlbergssjön. The original bridge, a combination of truss and arch structures spanning a length of 226.8 meters, was pivotal in connecting the disjointed parts of Sankt Eriksgatan.\u003cbr\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/Skarmavbild2024-03-03kl.12.47.27_480x480.png?v=1709467578\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/Skarmavbild2024-03-03kl.12.47.27_480x480.png?v=1709467578\"\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003eStadshagen, the area from which this view is depicted, is situated in the northwest part of Kungsholmen and has a rich history dating back to the 1600s. Initially serving as grazing land for the city, the area evolved over centuries from agricultural fields to a hub for industrial activities, including a cotton mill and a sugar refinery in the 19th century. By the late 19th century, due to housing shortages, it became a makeshift home for the city's poor, transforming in the 20th century into a residential area with one of Stockholm's oldest allotment garden associations, Karlbergs-Bro koloniförening, established in 1909.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSt. Eriksbron itself has undergone significant changes over the years. The original structure was replaced in the mid-1930s by a steel girder bridge, retaining only four of its original seven spans visible today. This transformation was part of Stockholm's urban development, accommodating the city's first two-story bridge in 1944 to include a lower level for the future subway. The bridge once carried the major European route E4, emphasizing its importance in Stockholm's infrastructure.\u003c\/p\u003e\n\u003cp\u003eJacobsson's painting not only captures a moment in Stockholm's urban development but also preserves the memory of a landscape on the brink of transformation. The juxtaposition of the natural beauty of Stadshagen with the industrial and architectural advancements embodied by St. Eriksbron offers a unique glimpse into Stockholm's past, making this artwork a significant piece of cultural heritage.\u003c\/p\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":47970984264003,"sku":"","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/arvid-jacobsson-st-eriksbron-seen-from-stadshagen-1908-469313.jpg?v=1715341122"},{"product_id":"nils-forsberg-oil-sketch-for-the-painting-death-of-a-hero-c-1885-88","title":"Nils Forsberg - Oil Sketch for the Painting \"Death of a Hero\", c. 1885-88","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNils Forsberg (1842-1934) Sweden\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOil Sketch for the Painting \"Death of a Hero\", c. 1885-88\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eoil on wood panel\u003cbr data-mce-fragment=\"1\"\u003estamp signed\u003cbr data-mce-fragment=\"1\"\u003eunframed 32.5 x 41 cm\u003cbr data-mce-fragment=\"1\"\u003eframed 42 x 50 cm\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e: \u003cbr data-mce-fragment=\"1\"\u003eSold through Nils Forsberg's estate.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEssay\u003c\/strong\u003e:\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 0.875rem;\"\u003eThe artwork presented here is an oil sketch by the Swedish painter Nils Forsberg, a study for his famous painting \"Death of a Hero, 1888\", today in Nationalmuseum Stockholm art collection. The final \u003c\/span\u003epanting earning\u003cspan style=\"font-size: 0.875rem;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 0.875rem;\"\u003e him the gold medal at the Salon in Paris. \u003cbr\u003eThe sketch is an intimate glimpse into Forsberg's meticulous process and the raw emotion that underpins the final painting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Death of a Hero\" is a narrative frozen in time, inspired by the harrowing experiences and sights Forsberg encountered during the Franco-Prussian War. Depicted is a man kneeling and leaning over the bed of a deceased hero, encapsulating the ultimate sacrifice and the weight of loss in war. Forsberg's study is divided into three sections, each elaborating on the theme and adding depth to the narrative, allowing the viewer to witness the evolution of the motif.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorn in Riseberga, Scania, on 17 December 1842, Nils Forsberg's journey from a peasant's son to a Parisian artist is a story of determination and passion. His early life, marked by farming and an apprenticeship in house painting, eventually led him to Paris in 1867, thanks to a government stipend. Studying under Léon Bonnat, Forsberg honed his craft, later contributing significantly to historical painting with a focus on realism and social commentary.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe oil sketch here for sale is not just an artwork but a piece of history, offering insights into Forsberg's creative process. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/lossy-page1-2880px-Death_of_a_Hero__Nils_Forsberg__-_Nationalmuseum_-_18422.jpg?v=1711554082\" width=\"508\" height=\"335\"\u003e\u003cbr\u003e\u003cem data-mce-fragment=\"1\"\u003eDeath of a Hero 1888, Nationalmuseum Stockholm \u003c\/em\u003e\u003c\/p\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":48113862934851,"sku":"","price":2800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/nils-forsberg-oil-sketch-for-the-painting-death-of-a-hero-c-1885-88-771159.jpg?v=1715341285"},{"product_id":"allan-osterlind","title":"Allan Österlind - Sevilla, 1893","description":"\u003cp\u003e\u003cstrong\u003eAllan Österlind (1855-1938) Swedish\/ French\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eSevilla, 1893\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003ewatercolour on paper\u003cbr\u003esigned and dated Allan Österlind Sivilla 1893\u003cbr\u003ethe motif is c. \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e44 x 29,5 cm\u003c\/span\u003e\u003cbr\u003eframe 63 x 47.5 cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAllan Österlind, a Swedish artist who became a well known figure in French art circles, beautifully captures the essence of Andalusian culture in his 1893 watercolor painting, \"Sevilla.\" Born to Per August Österlind and Johanna Petronella Skoog, Österlind embarked on his artistic journey at the Konstakademin in Stockholm and later honed his skills at the École des Beaux-Arts in Paris. Originally training as a sculptor under Pierre-Jules Cavelier, Österlind transitioned to painting, a medium through which he found profound expression and acclaim.\u003cbr\u003e\u003cbr\u003eAllan Österlind's \"Sevilla\" captures a compelling glimpse into traditional Spanish life, reflecting the artist's time in Spain in 1893. The watercolour features a group of four figures dressed in cultural attire, exuding a sense of daily life and communal interaction in Sevilla. A mature woman, adorned in a blue and white traditional dress, sits prominently in the foreground, her face marked by an expression of thoughtful engagement. Next to her stands a younger woman in a vibrant red shawl, playing a guitar, adding a musical element that suggests a typical leisure scene.\u003cbr\u003e\u003cbr\u003eTwo other figures, a young girl and a man in a traditional hat, complete the group, contributing to the narrative of a community scene. The man's attire and posture hint at a story of rural or market life, possibly after a day's work. The backdrop and the simple, yet expressive use of watercolor enhance the rustic and warm feel of the scene, suggesting the simplicity and the vibrancy of life in Sevilla during the late 19th century.\u003cbr\u003e\u003cbr\u003eThis painting not only showcases Österlind's adeptness with watercolor but also reflects his deep engagement with the places he visited. His ability to capture the essence of Andalusian culture, with its vivid colors and dynamic expressions, speaks to his broader artistic journeys.\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eÖsterlind's life was marked by a constant exploration of new environments and artistic techniques. After settling in France in 1877, he became an active participant in the Parisian art scene, frequently exhibiting at the Paris Salon and becoming associated with the Société Nationale des Beaux-Arts. His paintings, often inspired by his travels and the people he encountered, are celebrated for their sensitivity and vibrant portrayal of everyday life.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":48301238812995,"sku":"","price":3900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/allan-osterlind-sevilla-1893-900526.jpg?v=1715341074"},{"product_id":"olle-hjortzberg-a-yellow-rose","title":"Olle Hjortzberg - A Yellow Rose","description":"\u003cp\u003e\u003cstrong\u003eOlle Hjortzberg (1872-1959) Sweden\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eA Yellow Rose, 1917\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003ewatercolor painted on an envelope\u003cbr\u003eindistinctly signed with monogram\u003cem\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003eunframed \u003cspan\u003e18.5 x 12.5 cm (7.28 x 4.92 inches)\u003c\/span\u003e\u003cbr\u003eframed \u003cspan\u003e34.5 x 29 cm (13.58 x 11.42 inches)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: \u003cbr\u003eA Swedish private collection. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":48797418750275,"sku":"","price":2200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/olle-hjortzberg-a-yellow-rose-826150.jpg?v=1718911573"},{"product_id":"robert-hogfeldt-the-fiddlers-dance","title":"Robert Högfeldt - The Fiddler's Dance","description":"\u003cp\u003e\u003cstrong\u003eRobert Högfeldt (1894-1986)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe Fiddler's Dance\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003ewatercolor on paper\u003cbr\u003esigned R.Högfeldt\u003cbr\u003eunframed c. \u003cspan\u003ec. 24 x 33 cm (approximately 9.45 x 12.99 inches)\u003c\/span\u003e\u003cbr\u003eframed \u003cspan\u003e35 x 44 cm (13.78 x 17.32 inches)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssay:\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eWe are delighted to offer a captivating watercolor painting by the artist Robert Högfeldt. This charming piece features a group of joyful figures, affectionately referred to as \"gubbar\" by Högfeldt himself. The scene captures the essence of Högfeldt's whimsical style, portraying these gleeful characters, who resemble pixies or trolls, dancing merrily in a lush, green meadow.\u003c\/p\u003e\n\u003cp\u003eThe painting exudes a sense of playfulness and delight, with the figures adorned in simple white dresses, their faces lit with infectious smiles. The setting is rich with nature's beauty, highlighted by vibrant flowers and a backdrop of dense foliage. One can almost hear the cheerful tune being played by the lone fiddler, further enhancing the painting's lively atmosphere.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist:\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eBorn in 1894 in Eindhoven, Netherlands, Robert Högfeldt moved to Sweden, where he would leave an indelible mark on the world of art. His work is characterized by a humorous and often fantastical portrayal of everyday scenes, infused with a deep understanding of human nature and emotion. Högfeldt's \"gubbar\" became a signature element of his art, embodying the artist's unique blend of humor and whimsy.\u003c\/p\u003e\n\u003cp\u003eHögfeldt drew inspiration from several sources, including the works of Pieter Brueghel. Like Brueghel, Högfeldt's paintings often depicted scenes filled with lively and expressive characters, each telling their own story. Despite the humorous exterior, his works also carried a depth of insight into human behavior and social commentary.\u003c\/p\u003e\n\u003cp\u003eThroughout his career, Högfeldt gained considerable acclaim, not just in Sweden but across Europe. His illustrations for books and fairy tales further cemented his popularity, making his art accessible to a broader audience. Even today, his work continues to be celebrated for its originality, charm, and the unique perspective it offers on the human condition.\u003c\/p\u003e\n\u003cp\u003eThis watercolor is a wonderful example of Högfeldt's artistry, showcasing his ability to blend humor, emotion, and a keen observation of life into a single frame. It is a delightful addition to any art collection, bringing a touch of joy and whimsy into the home.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRecently exhibitions: \u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIn 2021, Åmells in Stockholm had an exhibition dedicated to the works of Robert Högfeldt.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":48876025610563,"sku":"","price":2800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/robert-hogfeldt-the-fiddlers-dance-208928.jpg?v=1720237465"},{"product_id":"albert-theodor-gellerstedt-the-garden-at-sickelsjo-1883","title":"Albert Theodor Gellerstedt - The Garden at Sickelsjö, 1883","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAlbert Theodor Gellerstedt (1836-1914) Sweden\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eThe Garden at Sickelsjö, 1883 (Sickelsjö Trädgård, 1883)\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ewater color on paper \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003esigned and dated A T.G. 8\/6 83   \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eunframed \u003cspan\u003ec. 17 x 27 cm (approx. 6.69 x 10.63 inches)\u003c\/span\u003e\u003cbr\u003eframed \u003cspan\u003e28 x 38 cm (11.02 x 14.96 inches)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e:\u003cbr\u003eA Swedish private collection. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eWe are delighted to present a stunning watercolor by the Swedish artist Albert Theodor Gellerstedt. This artwork, titled \"Sickelsjö Trädgård\" was created on June 8, 1883. The painting beautifully captures a scene from Sickelsjö Manor, an estate located in Arboga Municipality, Västmanland County, near Lake Hjälmaren in the historical Götlunda parish.\u003c\/p\u003e\n\u003cp\u003eAlbert Theodor Gellerstedt was a multi-talented Swedish architect, engineer, poet, painter, and graphic artist. Born in Säterbo parish, Västmanland, he pursued his studies in architecture at the Royal Institute of Technology in Stockholm, where he later became a professor. Gellerstedt's artistic talents were encouraged by his mentor, Fredrik Wilhelm Scholander, leading him to explore watercolor painting extensively.\u003c\/p\u003e\n\u003cp\u003eGellerstedt's artistic journey included travels to Denmark, Germany, France, Italy, and Sicily, where he immersed himself in modern architecture and ancient art, gathering inspiration and honing his skills. As an engineer, he collaborated with Gustaf von Heidenstam on designing lighthouses and residential buildings across Sweden.\u003c\/p\u003e\n\u003cp\u003eAs an artist, Gellerstedt produced around 1700 watercolors and 600 etchings between 1860 and 1910. His works often depicted architectural views and cityscapes, capturing the essence of Stockholm and its changing landscape. His dedication to watercolor painting earned him the Egron Lundgren Medal in 1887.\u003c\/p\u003e\n\u003cp\u003eGellerstedt's works are represented in several prestigious institutions, including the Nationalmuseum, Göteborgs konstmuseum, the Royal Library, the Nordic Museum, Kalmar County Museum, Kalmar Art Museum, the Royal Academy of Arts, Norrköping Art Museum, Bohusläns Museum, Gothenburg City Museum, Malmö Museum, and Helsingborg Museum.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":48876416106819,"sku":"","price":1900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/albert-theodor-gellerstedt-the-garden-at-sickelsjo-1883-381677.jpg?v=1720237174"},{"product_id":"richard-willes-maddox-day-dreams","title":"Richard Willes Maddox - Day Dreams","description":"\u003cp\u003e\u003cb\u003eRichard Willes Maddox (1813 - 1853, British)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eDay Dreams\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eoil on wood panel \u003cbr\u003esigned R Willes Maddox\u003cbr\u003eunframed: 35 x 26 cm (13.78 x 10.24 inches)\u003cbr\u003eframed: 50 x 40 cm (19.69 x 15.75 inches)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEssay:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\"Day Dreams\" is a captivating painting by the English artist Richard Willes Maddox. The artwork depicts a young woman seated thoughtfully on a blue wooden bench, set against a backdrop of lush greenery. Dressed in a meticulously detailed gown, the woman holds an open book in her hand, yet her gaze is distant, lost in contemplation. One cannot help but wonder about the thoughts and dreams occupying her mind.\u003c\/p\u003e\n\u003cp\u003eThe mastery of Maddox is evident in the intricate rendering of the fabric and the subtle play of light and shadow, bringing both the subject and her surroundings to life. The artist’s attention to the textures of the textile is particularly noteworthy, showcasing his skill in capturing the delicate folds and sheen of the material.\u003c\/p\u003e\n\u003cp\u003eArtist’s Background: \u003cbr\u003eRichard Willes Maddox, also known as Willis Maddox, was born in Bath in 1813. His early career was notably supported by William Beckford the Younger of Fonthill, for whom Maddox created several sacred pieces, including \"The Annunciation,\" \"The Temptation,\" and \"The Agony in the Garden.\" Maddox made his debut at the Royal Academy in 1844 with a still life painting that became part of Beckford's collection. \u003cbr\u003e\u003cbr\u003eIn 1847, he exhibited his first significant work, \"Naomi, Ruth, and Orpah.\" Throughout his career, Maddox painted numerous portraits of notable individuals, including Halil Aga Riskalla and the Turkish ambassador Mehemet Ali. His success in portraying distinguished Turks led to an invitation to Constantinople, where he painted several portraits for the Sultan. Maddox's prolific career was tragically cut short when he succumbed to fever in Pera, near Constantinople, on June 26, 1853. \u003cbr\u003e\u003cbr\u003eLegacy: \u003cbr\u003eMaddox left behind a rich legacy of portraits and sacred art, with numerous examples housed in Bath and Bristol. His works continue to be appreciated for their detailed realism and emotional depth, as exemplified by \"\u003ci\u003eDay Dreams\u003c\/i\u003e\" \u003cbr\u003e\u003cbr\u003e\u003cb\u003eProvenance: \u003c\/b\u003e\u003cbr\u003eA Swedish private collection.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCompare with: \u003c\/strong\u003e\u003cbr\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/00cfeace-8ccd-46d0-a3c7-af9301467e01.jpg?v=1722892315\" width=\"202\" height=\"257\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/00cfeace-8ccd-46d0-a3c7-af9301467e01.jpg?v=1722892315\"\u003e\u003cbr\u003eRichard Willes Maddox \"\u003cem\u003eA lady at her toilet\u003c\/em\u003e (1852)\" \u003cbr\u003esold at Dreweatts Auctions 2023 for 17.500 GBP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9A0-bLkb9YI?si=eH_wgDIZcMphF--S\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":49083700445507,"sku":"","price":9900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/richard-willes-maddox-day-dreams-455907.jpg?v=1722971737"},{"product_id":"alfred-thorne-harvest-scene-with-farmer-and-scythe","title":"Alfred Thörne - Harvest Scene With Farmer and Scythe","description":"\u003cp\u003e\u003cstrong\u003eAlfred Thörne (1850-1916) Sweden\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eHarvest Scene With Farmer and Scythe, 1886\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eoil on canvas\u003cbr\u003esigned and dated Alf Thorne 1886\u003cbr\u003eunframed 43.5 x 28.5 cm\u003cbr\u003eframed 63 x 48 cm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssay:\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/strong\u003e\u003c\/em\u003e\"\u003cem\u003eHarvest Scene With Farmer and Scythe, 1886\u003c\/em\u003e\" is a captivating painting by the Swedish artist Alfred Thörne. Created during his travels through Germany, France, Italy, and Belgium between 1884 and 1886, this artwork reflects the artist's keen observation of rural life and his skill in capturing the essence of human labor.\u003c\/p\u003e\n\u003cp\u003eThe painting portrays a farmer in the midst of his daily work, bending over with a scythe in hand, cutting through the tall grass. The composition is intimate, focusing on the solitary figure of the man, who is dressed in typical work attire of the period: a white vest over a long-sleeved shirt and dark trousers. His posture suggests a moment of deep concentration and effort, a testament to the hard work and dedication of those who work the land.\u003c\/p\u003e\n\u003cp\u003eThe background of the painting is subtly rendered, with soft hues that do not distract from the central figure, allowing the viewer to fully appreciate the farmer's form and the texture of the grass. The light is diffused, giving the scene a tranquil yet serious atmosphere, which may indicate the early morning or late afternoon—the prime times for such labor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist's Background:\u003c\/strong\u003e Alfred Thörne was born on April 24, 1850, in Horn, Östergötland, Sweden, and passed away on March 15, 1916, in Stockholm. He was the son of shoemaker Sven Petter Thörne and Inga Catrina Nilsdotter. Thörne studied under Per Daniel Holm at the Royal Swedish Academy of Fine Arts in Stockholm from 1874 to 1880, where he earned the royal medal in 1880 for his painting \"Sommarmorgon.\"\u003c\/p\u003e\n\u003cp\u003eThörne became an agré (associate member) of the academy in 1881, and in 1884, he received a travel scholarship that allowed him to study in Germany, France, Italy, and Belgium. His works were exhibited in various prestigious venues, including the Stockholm exhibitions with Olof Hermelin in 1910, the Nordic Art and Industrial Exhibition in Copenhagen in 1888, and the World's Columbian Exposition in Chicago in 1893. His public works include an altarpiece for Vimmerby Church and numerous landscapes and portraits.\u003c\/p\u003e\n\u003cp\u003eThörne’s paintings is held in several Swedish museums, including the Nordic Museum, Nationalmuseum, Östergötlands Museum, Norrköpings Art Museum, Gävle Museum, and Sundsvall Museum.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":49258550362435,"sku":"","price":2900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/alfred-thorne-harvest-scene-with-farmer-and-scythe-459868.jpg?v=1725291709"},{"product_id":"rikard-lindstrom-silent-interior","title":"Rikard Lindström - Silent Interior","description":"\u003cp\u003e\u003cstrong\u003eRikard Lindström (1882–1942)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eSilent Interior\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eoil on canvas mounted on board\u003cbr\u003esigned lower right\u003cbr\u003eframed:\u003cspan\u003e 50 x 58 cm (19.69 x 22.83 inches)\u003c\/span\u003e\u003cbr\u003eunframed:\u003cspan\u003e 39 x 47 cm (visible image) (15.35 x 18.5 inches)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003eThis interior painting by Swedish artist Rikard Lindström depicts a quiet interior scene featuring a fireplace with a faintly glowing bed of embers. Light gently filters in from the adjacent room, casting soft shadows on the floor and creating a captivating atmosphere. The moody, dimly lit setting recalls the intimate interior scenes of Vilhelm Hammershøi, suggesting Lindström may have drawn inspiration from his work. Likely painted in the early 1900s during Lindström's time at the Royal Swedish Academy of Fine Arts, the piece reveals his deft handling of light and shadow, which lends the scene a serene, almost meditative quality.\u003c\/p\u003e\n\u003cp\u003eRikard Lindström, born in Stockholm on September 28, 1882, was a versatile artist known for his maritime landscapes, particularly of the Stockholm archipelago and the rugged coasts of Scandinavia. He studied at the Stockholm Academy and under the Danish artist Kristian Zahrtmann in Copenhagen, where he refined his skills in capturing light and atmosphere. Though he is most recognized for his seascapes, this interior painting showcases his broader range and mastery of mood.\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":49278099751235,"sku":"","price":2400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/rikard-lindstrom-silent-interior-234981.jpg?v=1727363391"},{"product_id":"ture-ander-a-bouquet-of-flowers-1936","title":"Ture Ander - A Bouquet of Flowers, 1936","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTure Ander (1881-1959) Sweden\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eA Bouquet of Flowers, 1936\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003eoil on board\u003cbr\u003esigned and dated Ture Ander 36\u003cbr\u003eboard dimensions \u003cspan data-mce-fragment=\"1\"\u003e24,41 x 18,90 inches (\u003c\/span\u003e62 x 48 cm)\u003cbr\u003eframe \u003cspan data-mce-fragment=\"1\"\u003e29,13 x 24,02 inches (\u003c\/span\u003e74 x 61 cm)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: \u003cbr\u003eA private collection, Värmland, Sweden. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEssay:\u003cbr\u003e\u003c\/strong\u003eNestled within the repertoire of Ture Ander (1881-1959), a member of the Racken Group, is \"A Bouquet of Flowers, 1936,\" capturing the essence of nature's flowering beauty. The artwork offers a glimpse into a moment frozen in time—a moment where flowers in full bloom exude their ephemeral charm.\u003c\/p\u003e\n\u003cp\u003eAnchoring the composition is a resplendent bouquet, housed in a striking blue glass vase, which stands gracefully upon a round wooden table. Ander's choice of blossoms is both eclectic and symbolic. From the towering Digitalis and gentle Poppy to the elegant Iris, passionate Snapdragons, rustic Cornflower, and the delicate Buttercup, each flower brings its unique aura to the bouquet. Collectively, they create an opulent tapestry of color, form, and texture, demonstrating the artist's profound understanding of botany and aesthetics.\u003c\/p\u003e\n\u003cp\u003eThe tradition of flower still life holds a revered place in art history. Such compositions, apart from their aesthetic appeal, often delve deeper, addressing themes of transience, beauty, and the cyclical nature of life. Ander's piece, too, is more than just a visual treat—it's an invitation to meditate on the fleeting beauty of existence, reminding us of the transient nature of life itself.\u003c\/p\u003e\n\u003cp\u003eThe painting comes with a beautiful dark brown frame. It is signed and dated '36,\u003cbr\u003eWe also have a digital photograph from 1936 taken in Ture Ander's studio, where this painting can be seen in the background, offering a glimpse into the artist's environment and creative process during that year.\u003c\/p\u003e","brand":"Classicartworks","offers":[{"title":"Default Title","offer_id":49345600782659,"sku":"CA2377","price":3300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/ture-ander-a-bouquet-of-flowers-1936-922605.jpg?v=1726451847"},{"product_id":"dick-beer-dancer-tying-her-shoes-c-1916-2","title":"Dick Beer - Dancer Tying Her Shoes, c. 1916","description":"\u003cp\u003e\u003cstrong\u003eDick Beer (b. London 1893 - d. Stockholm 1938) \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eDancer Tying Her Shoes\u003c\/span\u003e, c. 1916\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003e(Dansösen knyter sina skor, c.1916)\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eoil on canvas\u003cbr\u003eunframed 102 x 80 cm\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProvenance: \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eWithin the family Beer until today.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eExhibited: \u003c\/strong\u003e\u003cbr\u003eGöteborgs konsthall, 1944.\u003cbr\u003eKonstgalleriet Borås, 1947.\u003cbr\u003eMalmö museum, 1950.\u003cbr\u003eKonstakademien, Stockholm, 1973.\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eÅmells Konsthandel  – En internationell kubist, Stockholm \u0026amp; London, 2008.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMillesgården – Dick Beer – Impressionist \u0026amp; Kubist, 2012.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe painting remains unrestored and would benefit from evaluation by a professional conservator. Certain areas of the canvas require reinforcement to the stretcher to ensure its long-term stability. These considerations have been reflected in the artwork's pricing. Contact us for more information. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003eThis striking painting by Swedish artist Dick Beer, titled \u003cem\u003eDancer Tying Her Shoes\u003c\/em\u003e (\u003cem\u003eDansösen knyter sina skor\u003c\/em\u003e), is considered one of his masterpieces. Created around 1916, the work depicts a woman seated on the edge of a bed, delicately tying her dance shoes. The scene is imbued with a sense of movement and emotional depth, evoking comparisons to the works of Degas, yet rendered in Beer’s distinctive style.\u003c\/p\u003e\n\u003cp\u003eThe painting invites the viewer to wonder about the identity of the woman and her story. Why is she half-dressed, preparing her shoes? Was she a muse, a lover, or perhaps an intimate part of Beer’s own life? \u003c\/p\u003e\n\u003cp\u003eInterestingly, Beer revisited this motif about two years later, creating a cubist interpretation of the same subject. This earlier version, however, captures a unique vulnerability and immediacy, standing as a testament to Beer’s versatility and emotional depth as an artist.\u003c\/p\u003e\n\u003cp\u003eThe significance of \u003cem\u003eDancer Tying Her Shoes\u003c\/em\u003e is further highlighted by its inclusion in several prestigious exhibitions over the decades:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGöteborgs Konsthall (1944)\u003c\/li\u003e\n\u003cli\u003eKonstgalleriet Borås (1947)\u003c\/li\u003e\n\u003cli\u003eMalmö Museum (1950)\u003c\/li\u003e\n\u003cli\u003eKonstakademien, Stockholm (1973)\u003c\/li\u003e\n\u003cli\u003eÅmells Konsthandel: \u003cem\u003eEn internationell kubist\u003c\/em\u003e, Stockholm \u0026amp; London (2008)\u003c\/li\u003e\n\u003cli\u003eMillesgården: \u003cem\u003eDick Beer – Impressionist \u0026amp; Kubist\u003c\/em\u003e (2012)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Dick Beer (1893–1938)\u003c\/strong\u003e\u003cbr\u003eBorn in London, Dick Beer relocated to Sweden in 1907. He studied art at Althins Målarskola and the Royal Swedish Academy of Fine Arts, before moving to Paris in 1912. His artistic journey was interrupted by World War I, during which he served as a volunteer on the French side. After recovering from injuries at Château de Rochefort—a location shared with the renowned Fernand Léger—Beer became deeply influenced by cubism.\u003c\/p\u003e\n\u003cp\u003eBeer’s works evolved over his career, oscillating between realism, expressionism, and cubism. While his cubist works faced harsh criticism early on, they later gained recognition as some of the finest examples of Swedish modernism. Today, Beer’s art is celebrated for its emotional depth and technical skill, with pieces held in major collections including the Nationalmuseum, Moderna Museet, and several regional museums in Sweden.\u003c\/p\u003e\n\u003cp\u003eThis particular painting is not only an exceptional example of Beer’s artistry but also a window into the personal and historical narratives that defined his short but impactful life.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":51707387773251,"sku":null,"price":16500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/dick-beer-dancer-tying-her-shoes-c-1916-174382.jpg?v=1732831914"},{"product_id":"carl-ewald-lonngren-mother-washing-with-children-nearby","title":"Carl Ewald Lönngren - Mother Washing with Children Nearby","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\u003cstrong\u003eCarl Ewald Lönngren (1839-1902)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMother Washing with Children Nearby\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eoil on canvas laid on board\u003cbr\u003esigned C E Lönngren\u003cbr\u003eunframed: 34.5 x 30 cm (13.6 x 11.8 inches)\u003cbr\u003eframed: 50 x 46 cm (19.7 x 18.1 inches)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003eThis delightful painting by Carl Ewald Lönngren captures a serene moment of rural life in late 19th-century Sweden. The scene shows a mother kneeling by a wash basin, surrounded by her children, all framed by a lush summer landscape. Apple trees laden with fruit and a charming red wooden house in the background evoke the simplicity and beauty of the Swedish countryside. Lönngren's meticulous brushwork and skillful use of light imbue the composition with warmth and a sense of nostalgia. The natural, everyday setting reflects the artist’s talent for portraying intimate moments that resonate with timeless charm.\u003c\/p\u003e\n\u003cp\u003eCarl Ewald Lönngren was born in Stockholm in 1839 and studied at the Royal Academy of Fine Arts from 1873 to 1877. Known for his detailed and atmospheric depictions of Stockholm cityscapes, rural landscapes, and interiors, Lönngren’s work holds significant cultural and historical value. His paintings often balance human activity with the natural environment, showcasing his mastery of light and atmosphere.\u003c\/p\u003e\n\u003cp\u003eLönngren exhibited his works with the Stockholm Art Association and in cities such as Härnösand and Borås. Today, his art can be found in several prestigious collections, including the Nationalmuseum in Stockholm, Östergötlands Museum, Uppsala University Library, and Bornholm Art Museum in Denmark.\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":51834812531011,"sku":"","price":2600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/carl-ewald-lonngren-mother-washing-with-children-nearby-302113.jpg?v=1734157641"},{"product_id":"james-gillick-at-full-gallop","title":"James Gillick - At Full Gallop","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eJames Gillick (b. 1972) \u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003eNorfolk\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt Full Gallop\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003esepia crayon on 300gsm arches HP paper\u003cbr\u003eblue gessoed paper\u003cbr\u003eunique\u003cbr\u003eunframed: 38 x 56 cm (15 x 22 in)\u003cbr\u003eframed: 65 x 83 cm (25 5\/8 x 32 5\/8 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eToday, comparable pieces can be ordered directly from the artist's website, with prices ranging from £5,000 to £10,000 (approximately $6,000 to $12,000).\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eProvenance:\u003cbr\u003e\u003c\/strong\u003eSladmore Contemporary, London, June 2016.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003eThis striking artwork, titled \u003cem\u003e\"At Full Gallop,\"\u003c\/em\u003e is a testament to James Gillick's profound admiration for horses and his extraordinary skill as an artist. Executed in sepia crayon on blue gessoed board, the piece captures the grace and dynamism of two galloping horses. The intricate detail of their forms, combined with the bold contrast of sepia tones against the blue background, brings a timeless quality to the composition. The work not only celebrates the beauty of equine movement but also reflects Gillick’s ability to evoke life and spirit through traditional techniques.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Artist:\u003c\/strong\u003e\u003cbr\u003eJames Gillick, born in Norfolk in 1972, is a contemporary artist celebrated for his devotion to the figurative tradition. Working from his studio in Louth, Lincolnshire, he employs classical techniques inspired by the Flemish, Dutch, and Spanish masters of the 17th century. Gillick handcrafts many of his materials, including paints, varnishes, and canvases, which contributes to the rich, timeless quality of his works. His limited palette and meticulous attention to detail allow him to create pieces with depth and resonance.\u003c\/p\u003e\n\u003cp\u003eHorses are among the artist’s favorite subjects, and his connection to them is deeply personal. Gillick describes his joy in capturing their essence:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I'm a joyful man, in fact. One of the reasons for that joy is that things do exist, that thousands of generations of people have been working on with an immense focus and singular care. Among the greatest of this type of thing is a living thing - \u003c\/em\u003e\u003cem\u003eEquus, the horse. And I mean thousands of years of people dreaming of an idea of perfection in an unbroken chain have given us the horse and horse breeds. In so many ways, the horse is born beautiful. It's beautiful in its bearing, beautiful in its proportions, beautiful in color, in coat. The names to describe it are beautiful. Coronet, Fetlock, Muzzle, Gaskin, Hock, Stifle, Withers, Cannon, Paston, and Pole. Their movement is hypnotizing because it is so beautiful. But most of all, their spirit is beautiful. Their lack of guile, their willingness, their courageousness at times. The aristocratic aloofness of the thoroughbred. The power of the polo pony. The sheer effervescence of the Arabian. The way in which a stallion directs his attention to his mare with such single-minded honesty and the way she receives his approach with such dignity is beautiful because they are faultlessly everything they were ever designed to be. They are amazing. And the people who create them are amazing. With my brushes, let me show you the horse, one of my great joys.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eGillick’s work is exhibited internationally and includes portraits, still lifes, and church commissions. His dedication to tradition, combined with his unique artistic voice, has made him a respected figure in the art world.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/FuKHu1WeyKM?si=OHbt84EAwLEm8IzO\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":52277544812867,"sku":"","price":3900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/james-gillick-at-full-gallop-419179.jpg?v=1737307142"},{"product_id":"emerik-stenberg","title":"Emerik Stenberg - The Seated Man","description":"\u003cp\u003e\u003cstrong\u003eEmerik Stenberg (1873–1927) Sweden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe Seated Man\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eoil on canvas\u003cbr\u003e\u003cspan\u003eunframed: 68 x 56 cm (26 3\/4 x 22 in)\u003c\/span\u003e\u003cbr data-start=\"37\" data-end=\"40\"\u003e\u003cspan\u003eframed: 91 x 77 cm (35 7\/8 x 30 1\/4 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAuthenticated on the back by his widow, Gully Stenberg\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003eThis masterfully executed painting by Emerik Stenberg (1873–1927) captures an intimate and atmospheric moment. The composition features a seated man, engrossed in his daily chores, bathed in soft daylight filtering through a window. The subdued lighting and earthy tones create a striking contrast between light and shadow, showcasing Stenberg’s remarkable ability to depict mood and texture.\u003c\/p\u003e\n\u003cp data-start=\"551\" data-end=\"1056\"\u003eA Swedish painter, draftsman, and folklife illustrator, Emerik Stenberg was known for his evocative portraits and genre scenes. Trained at the Royal Academy of Fine Arts in Stockholm, he later became a professor of figure painting. Deeply inspired by the cultural traditions of Dalarna, he settled in Leksand, where he found endless artistic inspiration. His works are represented in major Swedish institutions, including the Nationalmuseum, Göteborgs konstmuseum, and Nordiska museet.\u003c\/p\u003e\n\u003cp data-start=\"1058\" data-end=\"1262\"\u003eThis painting exemplifies Stenberg’s gift for capturing the essence of rural life, with a keen eye for atmosphere and human expression. 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The castle, glowing in deep blues, warm ochres, and bright whites, appears both familiar and fantastical, a testament to Pettersson’s unique naïvist expressionism.\u003c\/p\u003e\n\u003cp data-end=\"1128\" data-start=\"432\"\u003ePrimus Mortimer Pettersson, often referred to as \"PMP\" after his signature, was born in Östersund in 1895 and spent much of his life on Frösön. The son of a stove maker, he went to sea in 1909 and traveled widely before being institutionalized following a mental breakdown, likely caused by an accident onboard a ship. He spent most of his life as a patient at Frösö hospital, where he found solace in painting. His work was first exhibited in 1936, but it wasn't until the 1960s, during a surge of interest in naïve art, that he gained wider recognition. A major exhibition at Svensk-Franska Konstgalleriet in Stockholm in 1966 marked his artistic breakthrough.\u003cbr\u003e\u003cbr\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/IMG_8762.jpg?v=1739452469\" width=\"381\" height=\"485\"\u003e\u003cbr\u003e\u003cem\u003ePrimus Mortimer Pettersson in his later years, holding a pipe.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"1648\" data-start=\"1130\"\u003eLike many of Pettersson’s paintings, this castle is not based on reality but rather on a deeply personal, almost hallucinatory vision. His work often features monumental yet uninhabited structures—buildings with dark windows, abandoned streets, and surreal, theatrical lighting. The castle’s whimsical spires and strong geometric forms reflect his fascination with architecture, reminiscent of the grand mosques of Istanbul or the towering structures of distant lands he may have glimpsed during his travels.\u003c\/p\u003e\n\u003cp data-end=\"2005\" data-start=\"1650\"\u003eThere is an eerie silence in Pettersson’s work, a quality that makes his art deeply evocative and melancholic. He was a painter of inner landscapes, where memory and imagination merged into something uniquely his own. Despite his late success, thousands of his paintings were tragically destroyed to inflate the value of the remaining works.\u003c\/p\u003e\n\u003cp data-is-last-node=\"\" data-end=\"2384\" data-start=\"2007\"\u003eToday, Pettersson’s art is represented in institutions such as Moderna Museet, Magasin III, and several regional Swedish museums, with the Region Jämtland Härjedalen still holding a large collection of his works. His legacy endures as that of an artist who, despite being confined to an institution, created a world far greater than the one he physically inhabited.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":52570627342659,"sku":null,"price":2600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/primus-mortimer-pettersson-the-white-castle-192726.jpg?v=1739461802"},{"product_id":"emma-ekwall-still-life-with-apples-c-1910","title":"Emma Ekwall - Still Life with Apples, c. 1910","description":"\u003cp data-end=\"346\" data-start=\"45\"\u003e\u003cstrong\u003eEmma Ekwall (Swedish, 1838–1925)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"346\" data-start=\"45\"\u003e\u003cem\u003e\u003cstrong\u003eStill Life with Apples, c. 1910\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr data-end=\"92\" data-start=\"89\"\u003eoil on canvas \u003cbr\u003esigned \u003cem data-end=\"186\" data-start=\"173\"\u003eE. Ekwall\u003c\/em\u003e\u003cbr data-end=\"190\" data-start=\"187\"\u003eunframed\u003cb\u003e \u003c\/b\u003e33.5 × 46 cm (13.2 × 18.1 in) \u003cbr\u003eframed 43.5 × 57 cm (17.1 × 22.4 in)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHarmony of Light, Color, and Form\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eStill Life with Apples\u003c\/em\u003e is an exquisite still-life painting that captures a quiet moment of abundance and peace. On a humble wooden table lies a cluster of ripe apples, their rosy and golden skins aglow in gentle light. In the background, a bouquet of garden flowers emerges softly, adding a delicate burst of color without disturbing the scene’s tranquil balance. Emma Ekwall arranges fruit and flora with meticulous care, creating a harmonious composition that feels both rich in detail and serene in mood. The painterly qualities of light and shadow are on full display: a soft daylight caresses each apple, revealing subtle highlights on their smooth surfaces and casting delicate shadows that give them a warm, round presence. The blossoms behind the fruit are depicted with equal sensitivity – petals and leaves rendered in mild, harmonious hues that complement the apples and unite the foreground with the background. The overall effect is a\u003cstrong\u003e \u003c\/strong\u003ebalance of light, color, and form that invites the viewer to linger. In this stillness of a harvest scene, everyday objects are elevated to something poetic – apples and flowers become a quiet celebration of nature’s\u003cstrong\u003e \u003c\/strong\u003efleeting beauty, preserved on canvas with a timeless charm.\u003c\/p\u003e\n\u003cp data-end=\"1672\" data-start=\"1629\"\u003e\u003cstrong\u003eEmma Ekwall: A Trailblazing Woman Artist\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eEmma Ekwall was a pioneering figure in Swedish art during a time when female artists were few. Born in Småland in 1838, she pursued formal art training at the Royal Swedish Academy of Fine Arts in Stockholm. There, her talent shone so brightly that in 1871 she became the first woman ever to be awarded the Academy’s prestigious Royal Medal – an extraordinary achievement in the 19th century. Ekwall continued to refine her craft beyond Sweden, spending time in artistic hubs like Munich and Leipzig, which enriched her techniques and vision. Throughout her long career, she earned renown for her delicate and precise style. While she is especially celebrated for intimate portraits of children – capturing their innocence with tenderness – and for charming genre scenes of everyday life, Ekwall also had a special affinity for still-life subjects. She often painted flowers and fruit, infusing these compositions with the same warmth and care evident in her figure paintings. Her ability to transform simple, observed details of nature into captivating art is vividly realized in \u003c\/span\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eStill Life with Apples\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, reflecting both her technical skill and her heartfelt appreciation for natural beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"3865\" data-start=\"2880\"\u003eEkwall’s significance as a female artist of her era cannot be overstated. She broke barriers for women in the arts, and her success paved the way for future generations of Scandinavian women artists. Today, Emma Ekwall’s works are treasured in prestigious collections and museums. Her paintings hang in Sweden’s Nationalmuseum in Stockholm and in regional art museums such as Norrköping and Kalmar, affirming her enduring legacy in the canon of Swedish art. Given the era in which she worked, a still life by a woman artist is a genuine rarity – and this adds a layer of meaning to \u003cem\u003eStill Life with Apples\u003c\/em\u003e. It is not only a beautiful painting of apples and flowers; it is also a cultural treasure, a tangible piece of history from a time when women’s contributions to art were just beginning to gain recognition. \u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"5252\" data-start=\"4581\"\u003e\u003cem\u003eStill Life with Apples\u003c\/em\u003e offers not just a glimpse of a tranquil harvest tableau, but also the opportunity to own a piece of art history. This lyrical still life, signed by Emma Ekwall’s hand, embodies the artistic mastery and pioneering spirit of one of Sweden’s noteworthy women artists. Its serene beauty, combined with its historical significance, makes it a truly special find for collectors who appreciate early 20th-century Scandinavian paintings. \u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":53185273037123,"sku":"","price":3500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/emma-ekwall-still-life-with-apples-c-1910-439959.jpg?v=1748154711"},{"product_id":"clara-lofgren-pergola-noor","title":"Clara Löfgren - Pergola Noor","description":"\u003cp data-end=\"405\" data-start=\"118\"\u003e\u003cstrong data-end=\"147\" data-start=\"118\"\u003eClara Löfgren (1843–1923) Sweden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"405\" data-start=\"118\"\u003e\u003cem\u003e\u003cstrong\u003ePergola Noor, c.1890\u003c\/strong\u003e\u003c\/em\u003e\u003cbr data-end=\"176\" data-start=\"173\"\u003e\u003cbr\u003eoil on canvas laid down on board\u003cbr data-end=\"211\" data-start=\"208\"\u003eunframed: 27.7 x 26.7 cm (10.9 x 10.5 in)\u003cbr data-end=\"255\" data-start=\"252\"\u003eframed: 35 x 34 cm (13.8 x 13.4 in)\u003cbr data-end=\"317\" data-start=\"314\"\u003e\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: \u003cbr\u003eLikely owned by the artist Olof Hermelin (his name inscribed on the reverse)\u003c\/p\u003e\n\u003cp data-end=\"1050\" data-start=\"432\"\u003e\u003cbr\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003eClara Löfgren’s \u003cem data-end=\"462\" data-start=\"448\"\u003ePergola Noor\u003c\/em\u003e is an intimate oil painting from around 1890, depicting a sunlit pergola overgrown with flowering vines. The composition captures a quiet corner of a garden, where dappled sunlight filters through the trellis and foliage, casting delicate patterns across a winding path. The interplay of light and shadow is rendered with sensitivity and warmth, creating an atmosphere of stillness and summer serenity. The title, \u003cem data-end=\"891\" data-start=\"877\"\u003ePergola Noor\u003c\/em\u003e, alludes to this radiant quality—\u003cem data-end=\"931\" data-start=\"925\"\u003enoor\u003c\/em\u003e meaning \"light\"—a fitting reference to the way illumination permeates the scene and infuses it with softness and life.\u003c\/p\u003e\n\u003cp data-end=\"1556\" data-start=\"1052\"\u003eThis small-format work, executed in oil on canvas laid down on board, possesses a jewel-like quality. Its near-square proportions heighten the sense of intimacy, drawing the viewer into the secluded garden space. The name of fellow artist Olof Hermelin appears on the back, suggesting the work may have once belonged to him. This link between artists of the period offers an intriguing layer of historical connection and shared aesthetic sensibility.\u003c\/p\u003e\n\u003cp data-end=\"2162\" data-start=\"1558\"\u003eAt the time \u003cem data-end=\"1584\" data-start=\"1570\"\u003ePergola Noor\u003c\/em\u003e was painted, Clara Löfgren was an accomplished artist with formal training from the Royal Academy of Fine Arts in Stockholm and further studies in Munich and Paris. Though best known for her portraits—including royal commissions—she was equally adept in landscape and genre scenes. The garden motif of \u003cem data-end=\"1901\" data-start=\"1887\"\u003ePergola Noor \u003c\/em\u003ereflects the influence of plein-air painting and the 19th century’s growing interest in capturing transient effects of light in nature. The treatment of atmosphere and subtle tonal transitions places Löfgren in dialogue with broader European trends of the era.\u003c\/p\u003e\n\u003cp data-end=\"2738\" data-start=\"2164\"\u003eClara Löfgren belonged to a generation of Swedish women artists whose work was admired in their time but later undervalued in art history. Alongside peers such as Julia Beck and Emma Ekwall, she navigated a male-dominated art world with determination and skill. These artists built respected careers and exhibited widely, yet their contributions were often overlooked for much of the 20th century. In recent years, however, interest in their work has resurged, and scholars and institutions are now acknowledging the significant role they played in shaping Scandinavian art.\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":53291566006595,"sku":"","price":3200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/clara-lofgren-pergola-noor-156005.jpg?v=1749807296"},{"product_id":"egron-lundgren-interior-of-a-kitchen-c-1840","title":"Egron Lundgren - Interior of a Kitchen, c. 1840","description":"\u003cp data-start=\"93\" data-end=\"152\"\u003e\u003cstrong data-start=\"93\" data-end=\"150\"\u003eEgron Sellif Lundgren (1815–1875) Sweden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"154\" data-end=\"179\"\u003e\u003cstrong\u003e\u003cem data-start=\"154\" data-end=\"177\"\u003eInterior of a Kitchen, c. 1840\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"181\" data-end=\"293\"\u003eoil on paper laid on cardboard, \u003cbr\u003einscribed \u003cem data-start=\"223\" data-end=\"242\"\u003e“Lundgren Nr. 15”\u003c\/em\u003e on the reverse.\u003cbr data-start=\"258\" data-end=\"261\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eunframed 27.5 x 20.5 cm (10 ¾ x 8 in.)\u003c\/span\u003e\u003cbr data-start=\"109\" data-end=\"112\"\u003e\u003cspan\u003eframed 37 x 30 cm (14 ½ x 11 ¾ in.)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"295\" data-end=\"565\"\u003e\u003cstrong data-start=\"295\" data-end=\"310\"\u003eProvenance:\u003c\/strong\u003e\u003cbr data-start=\"310\" data-end=\"313\"\u003eChief Physician Karl Martin (†1936);\u003cbr data-start=\"349\" data-end=\"352\"\u003ehis estate sale, Stockholm, Bukowskis, 22 April 1936, cat. no. 305, lot 37: \u003cem data-start=\"428\" data-end=\"494\"\u003e“Egron Lundgren, Interior with Still Life. Study from the 1840s”\u003c\/em\u003e (sold for 120 SEK to Director Gösta Stenman (1888–1947), Stockholm).\u003c\/p\u003e\n\u003cp data-start=\"567\" data-end=\"835\"\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003eLundgren stayed in Paris from 1839 to 1841 as a scholarship holder of the Royal Academy, studying under Léon Cogniet (1794–1880). From there he travelled on to Rome, where he remained until 1849. No oil paintings from his Paris years are known, only pencil sketches.\u003c\/p\u003e\n\u003cp data-start=\"837\" data-end=\"1220\"\u003eThe present work, executed in Rome during the 1840s, is one of four oil sketches once in the collection of Chief Physician Karl Martin, which were dispersed after his death at the Bukowskis sale on 22 April 1936 (lots 35–38). The others were \u003cem data-start=\"1079\" data-end=\"1096\"\u003eRoman Choir Boy\u003c\/em\u003e, \u003cem data-start=\"1098\" data-end=\"1119\"\u003eInterior with a Boy\u003c\/em\u003e, and \u003cem data-start=\"1125\" data-end=\"1142\"\u003ePrison Interior\u003c\/em\u003e, all of similar size. Two of these were acquired by Director Gösta Stenman.\u003c\/p\u003e\n\u003cp data-start=\"1222\" data-end=\"1482\"\u003eThe kitchen depicted here is situated below ground level, as indicated by the vaulted architecture. A pencil drawing in the Nationalmuseum’s collection, \u003cem data-start=\"1375\" data-end=\"1401\"\u003eVault with Old Staircase\u003c\/em\u003e (NMH A 313\/1981), undated, shows certain affinities with the present painting.\u003cbr\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/Skarmavbild_2024-09-16_kl._20.55.10.png?v=1757271662\" alt=\"\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":53654678307139,"sku":null,"price":2000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/egron-lundgren-interior-of-a-kitchen-c-1840-2001707.jpg?v=1757297677"},{"product_id":"egron-lundgren-a-scene-from-shakespeare-s-richard-iii","title":"Egron Lundgren - A Scene from Shakespeare’s Richard III","description":"\u003cp data-start=\"66\" data-end=\"125\"\u003e\u003cstrong data-start=\"66\" data-end=\"123\"\u003eEgron Sellif Lundgren (Stockholm 1815–1875 Stockholm)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"127\" data-end=\"256\"\u003e\u003cem\u003e\u003cstrong\u003eThe assassination of George, Duke of Clarence in the Tower of London; A Scene from Shakespeare’s Richard III (Act I, scene 4)\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"258\" data-end=\"332\"\u003eAuthenticated by Karl Asplund (1890–1978) 15 March 1966 on the reverse.¹\u003c\/p\u003e\n\u003cp data-start=\"334\" data-end=\"367\"\u003eOil on canvas\u003cbr data-start=\"347\" data-end=\"350\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eunframed 25.2 x 36.7 cm (9 ⅞ x 14 ½ in.)\u003c\/span\u003e\u003cbr data-start=\"40\" data-end=\"43\"\u003e\u003cspan\u003eframed 39 x 51 cm (15 ⅜ x 20 ⅛ in.)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eOriginal gilt frame\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"392\" data-end=\"419\"\u003ePainted in London in 1854\u003c\/p\u003e\n\u003cp data-start=\"421\" data-end=\"748\"\u003e\u003cstrong data-start=\"421\" data-end=\"436\"\u003eProvenance:\u003c\/strong\u003e\u003cbr data-start=\"436\" data-end=\"439\"\u003eIn the artist’s possession until his death;\u003cbr data-start=\"482\" data-end=\"485\"\u003ehis sale, Stockholm, Bukowskis, \u003cem data-start=\"517\" data-end=\"569\"\u003eEgron Lundgrens efterlämnade samlingar och arbeten\u003c\/em\u003e, under \u003cem data-start=\"577\" data-end=\"592\"\u003eOljemålningar\u003c\/em\u003e [Oil paintings], lot 343 “Richard III, Shakespearescen, Komposition. H. 24, B 36” (105 kronor to Chamberlain (Kammarherre) Robert Montgomery Cederhielm)²\u003c\/p\u003e\n\u003cp data-start=\"750\" data-end=\"861\"\u003e\u003cstrong data-start=\"750\" data-end=\"765\"\u003eLiterature:\u003c\/strong\u003e\u003cbr data-start=\"765\" data-end=\"768\"\u003eKarl Asplund, \u003cem data-start=\"782\" data-end=\"798\"\u003eEgron Lundgren\u003c\/em\u003e, 1914, Vol. I, 1815–1853, p. 179; Vol. II, 1859–1875, p. 166\u003c\/p\u003e\n\u003chr data-start=\"863\" data-end=\"866\"\u003e\n\u003cp data-start=\"868\" data-end=\"1185\"\u003eGeorge Plantagenet, Duke of Clarence (1449–1478), was the brother of English kings Edward IV and Richard III. He played an important role in the dynastic struggle between rival factions of the Plantagenets now known as the Wars of the Roses. He was imprisoned in the Tower of London accused of treason and executed.\u003c\/p\u003e\n\u003cp data-start=\"1187\" data-end=\"1481\"\u003eIn February 1854 and in March 1857, Shakespeare’s play \u003cem data-start=\"1242\" data-end=\"1255\"\u003eRichard III\u003c\/em\u003e was performed in London starring Charles Kean as Richard III. The script was based on Colley Cibber’s adaptation of Shakespeare’s play from 1699, \u003cem data-start=\"1410\" data-end=\"1479\"\u003eThe Tragical History of King Richard III, Alter’d from Shakespeare.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"1483\" data-end=\"1793\"\u003eIn Shakespeare’s play, without historical proofs, Richard, the Earl of Gloucester, later King Richard III, ordered his brother’s imprisonment in the Tower of London and had him assassinated. Contrary to Shakespeare’s original play, in which there are two assassins, Cibber has limited it to one assassin.\u003c\/p\u003e\n\u003cp data-start=\"1795\" data-end=\"2572\"\u003eSoon after his arrival in London from Spain in the autumn 1853, Lundgren was introduced to Queen Victoria from whom he received commissions to depict life at the court. Soon she also commissioned him to illustrate her favorite plays by Shakespeare that regularly were performed in the London theatres. Queen Victoria was a great admirer of Shakespeare, making notes about his works in her journal, enjoying live performances and commissioning painting scenes inspired by his plays. In 1864, William Perry, woodcarver to Queen Victoria, carved a bust of William Shakespeare, from a portion of Herne’s Oak, a tree that has been immortalised by Shakespeare’s comedy, \u003cem data-start=\"2459\" data-end=\"2488\"\u003eThe Merry Wives of Windsor.\u003c\/em\u003e A special casket was also made to hold Shakespeare’s famous \u003cem data-start=\"2549\" data-end=\"2562\"\u003eFirst Folio\u003c\/em\u003e inside.\u003c\/p\u003e\n\u003cp data-start=\"2574\" data-end=\"2747\"\u003eIn his two-volume book on Lundgren, Karl Asplund devotes considerable length to Lundgren’s illustrations after Shakespeare and his role as court painter to Queen Victoria.\u003c\/p\u003e\n\u003chr data-start=\"2749\" data-end=\"2752\"\u003e\n\u003cp data-start=\"2754\" data-end=\"3028\"\u003e¹ Karl Asplund worked at Bukowskis Konsthandel from 1916 and was its director between 1929 and 1953\u003cbr data-start=\"2853\" data-end=\"2856\"\u003e² Robert Montgomery Cederhielm (1851–1932) had inherited a number of manor houses and castles. His principal seat was Segersjö Manor, Lännäs, in the County of Västmanland\u003c\/p\u003e\n\u003cp data-start=\"2754\" data-end=\"3028\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/segersjo_herrgard_2.png?v=1757273495\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp data-start=\"2754\" data-end=\"3028\"\u003eImage: Segersjö Manor\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":53654712877379,"sku":null,"price":5500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/egron-lundgren-a-scene-from-shakespeares-richard-iii-1400436.jpg?v=1757297675"},{"product_id":"egron-lundgren-monk-in-a-monastic-cell","title":"Egron Lundgren - Monk in a Monastic Cell","description":"\u003cp data-start=\"248\" data-end=\"338\"\u003e\u003cstrong data-start=\"248\" data-end=\"278\"\u003eEgron Lundgren (1815–1875)\u003cbr\u003e\u003c\/strong\u003e\u003cbr data-start=\"278\" data-end=\"281\"\u003e\u003cem data-start=\"281\" data-end=\"306\"\u003e\u003cstrong\u003eMonk in a Monastic Cell\u003c\/strong\u003e\u003cbr\u003e\u003c\/em\u003e\u003cbr data-start=\"306\" data-end=\"309\"\u003esigned and dated Egron Lundgren Rom 1848\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eoil on relined canvas\u003cbr\u003eunframed 62 x 50 cm (24 ½ x 19 ¾ in.)\u003c\/span\u003e\u003cbr data-start=\"37\" data-end=\"40\"\u003e\u003cspan\u003eframed 79 x 68 cm (31 x 26 ¾ in.)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"248\" data-end=\"338\"\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003ePainted during Lundgren’s formative years in Italy (1847–1853), this work reflects the artist’s deep engagement with both the artistic heritage and the lived culture of central Italy. After settling in Rome, he traveled extensively in the surrounding countryside, including the mountain village of Cervara di Roma in the Sabine range, long celebrated for its rugged scenery, medieval cloisters, and monastic life. It was here, in the autumn of 1848, that Lundgren noted in his diary: \u003cem data-start=\"824\" data-end=\"889\"\u003e“I have now in the autumn painted a monastic cell with a monk.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"893\" data-end=\"1290\"\u003eThe present work gives visual form to that entry. A solitary friar, robed in brown, stands in the sparse interior of his cell. A shaft of light from a narrow window illuminates his features, while beyond lies the radiant Italian landscape. The contrast between the dim interior and the luminous world outside encapsulates the monk’s withdrawal from earthly concerns into spiritual contemplation.\u003c\/p\u003e\n\u003cp data-start=\"1292\" data-end=\"1705\"\u003eLundgren’s Italian sojourn was decisive for his artistic development. Immersed in the study of Renaissance and Baroque masters, he simultaneously captured the immediacy of Italian life, from rustic interiors to monastic rituals. His refined chiaroscuro and empathetic rendering here reveal both his fascination with the dignity of religious devotion and his ability to transform observation into poetic imagery.\u003c\/p\u003e\n\u003cp data-start=\"1707\" data-end=\"2009\"\u003e\u003cstrong data-start=\"1707\" data-end=\"1722\"\u003eLiterature:\u003c\/strong\u003e\u003cbr data-start=\"1722\" data-end=\"1725\"\u003eEgron Lundgren, \u003cem data-start=\"1741\" data-end=\"1781\"\u003eReseskildringar, anteckningar och bref\u003c\/em\u003e, collected and published by Georg Nordensvan:\u003cbr data-start=\"1827\" data-end=\"1830\"\u003e“Vi voro äfven någon tid uppe i Cervara, där jag målade en interiör af en bondstuga m. m., som jag vill skicka hem, äfven har jag nu på hösten målat en klostercell med en munk.”\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eWe also spent some time in Cervara, where I painted the interior of a peasant’s cottage and other subjects, which I wish to send home; I have now in the autumn also painted a monastic cell with a monk.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":53654840836419,"sku":null,"price":6500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/egron-lundgren-monk-in-a-monastic-cell-5025841.jpg?v=1757297681"},{"product_id":"ella-waldenstrom-a-sewing-woman-1900","title":"Ella Waldenström - A Sewing Woman, 1900","description":"\u003cp data-start=\"0\" data-end=\"57\"\u003e\u003cstrong\u003eElla Waldenström (1863–1955) Sweden\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eA Sewing Woman, 1900\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003ewatercolor on paper\u003cbr\u003esigned and dated \u003cspan\u003eE.W 23\/2 1900\u003c\/span\u003e \u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003evisible image 21 x 12 cm (8 ¼ x 4 ¾ in.)\u003c\/span\u003e\u003cbr data-start=\"40\" data-end=\"43\"\u003e\u003cspan\u003eframed 29 x 20 cm (11 ½ x 7 ¾ in.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"57\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThe artist's family.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003eElla Waldenström was a Swedish artist and educator who belonged to the generation of female artists emerging around the turn of the 20th century, when the art world was gradually opening up to women. Trained at the Stockholm Technical School (Konstfack) and employed as a drawing teacher, she balanced her teaching career with an active artistic practice. Working in the tradition of contemporaries like Anna Sahlström, Ellen Trotzig, Eva Bonnier, and Hanna Hirsch-Pauli, Waldenström drew inspiration from nature and the intimate sphere of home – subjects once considered peripheral but which artists of her circle imbued with new significance.\u003c\/p\u003e\n\u003cp data-start=\"707\" data-end=\"1304\"\u003eWaldenström is best known for her delicate floral still lifes, painted with a refined sense of color and light that breathe tranquil poetry. At the same time, her oeuvre also encompasses quiet interior scenes of everyday life – simple domestic moments rendered with the same concentrated presence and attention to detail. In this respect, Waldenström’s gentle, light-filled interiors share a kinship with Carl Larsson’s celebrated watercolors of home: both artists capture a warm, intimate atmosphere and the poetry of quotidian moments, though Waldenström’s approach remains distinctly her own.\u003c\/p\u003e\n\u003cp data-start=\"1306\" data-end=\"1942\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe watercolor \u003cem data-start=\"1321\" data-end=\"1337\"\u003eA Sewing Woman\u003c\/em\u003e (1900) exemplifies Waldenström’s intimate domestic scenes. This small composition (measuring only 21 × 12 cm) depicts a woman seated in a sunlit room, fully absorbed in her needlework. The figure’s relaxed posture and downward gaze convey quiet focus, as soft daylight and carefully observed details, from the surrounding furnishings to a potted plant in the corner, evoke a sense of warmth and home. \u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":53666240102723,"sku":null,"price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/ella-waldenstrom-a-sewing-woman-1900-9408420.jpg?v=1757546388"},{"product_id":"einar-norelius-rowing-figure-in-an-eerie-landscape-1929","title":"Einar Norelius - Rowing Figure in an Eerie Landscape, 1929","description":"\u003cp data-end=\"237\" data-start=\"52\"\u003e\u003cstrong\u003eEinar Norelius (1900–1985) Sweden\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"237\" data-start=\"52\"\u003e\u003cem\u003e\u003cstrong data-end=\"133\" data-start=\"52\"\u003eRowing Figure in an Eerie Landscape, 1929\u003c\/strong\u003e\u003c\/em\u003e\u003cbr data-end=\"136\" data-start=\"133\"\u003e\u003cbr data-end=\"167\" data-start=\"164\"\u003ewatercolor and ink on paper\u003cbr\u003esigned and dated E.NORELIUS 29\u003cbr\u003e\u003cspan\u003e22 x 22 cm (8.7 x 8.7 in.)\u003c\/span\u003e\u003cbr data-end=\"29\" data-start=\"26\"\u003e\u003cspan\u003e31 x 31 cm (12.2 x 12.2 in.) (framed)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eRowing Figure in an Eerie Landscape is a 1929 watercolor-and-ink illustration by Swedish artist Einar Norelius. Created for the 22nd issue of \u003c\/span\u003e\u003cem style=\"font-size: 0.875rem;\" data-end=\"443\" data-start=\"419\"\u003eBland tomtar och troll, \u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ethe cherished annual fairy-tale collection published each Christmas since 1907. This artwork captures an eerie yet dreamlike moment: a figure rows across dark, still waters under the twisted branches of a stark, leafless tree. The delicate use of ink and watercolor evokes an atmosphere of quiet magic and suspense, drawing viewers into a world between fable and shadow.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"1222\" data-start=\"828\"\u003e\u003cstrong data-end=\"848\" data-start=\"828\"\u003eAbout the Artist\u003c\/strong\u003e\u003cbr data-end=\"851\" data-start=\"848\"\u003eEinar Norelius was born in 1900 in Falun, Sweden, into a middle-class family. Initially on a path to study shipbuilding in Stockholm, he soon turned to art instead, beginning his studies in 1923 under Carl Wilhelmson. The following year, after winning a national poster competition, he launched a successful career in illustration, designing book covers and film posters.\u003c\/p\u003e\n\u003cp data-end=\"1761\" data-start=\"1224\"\u003eHis lifelong connection to fairy-tale illustration began in 1927, when he was invited to contribute to \u003cem data-end=\"1351\" data-start=\"1327\"\u003eBland tomtar och troll\u003c\/em\u003e. He would go on to illustrate this beloved series for an extraordinary 53 years, becoming one of its most iconic visual voices. Unlike the moody and mysterious trolls of his predecessor John Bauer, Norelius’s fairy-tale creatures are brimming with humor and vitality. His robust, joyful forms added a tactile energy to the stories, while still preserving the complexity and depth of the Nordic folk tradition.\u003c\/p\u003e\n\u003cp data-end=\"2173\" data-start=\"1763\"\u003eNorelius also illustrated major collections such as \u003cem data-end=\"1834\" data-start=\"1815\"\u003eSvenska folksagor\u003c\/em\u003e (Swedish Folk Tales), and was the visual storyteller behind beloved Swedish children’s characters like Pelle Svanslös, Kalle Stropp, and Grodan Boll. In addition to his work as an artist, he championed artists’ rights in Sweden, serving as chairman of the Swedish Artists’ Association (KRO) and founding the organization Svenska Tecknare.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2435\" data-start=\"2175\"\u003e\u003cem data-end=\"2212\" data-start=\"2175\"\u003eRowing Figure in an Eerie Landscape\u003c\/em\u003e beautifully reflects Norelius’s unique blend of whimsy and mystery. With quiet intensity and visual charm, this illustration transports viewers into a Nordic dreamscape shaped by folklore, humor, and timeless storytelling.\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":53839323169091,"sku":null,"price":3200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/einar-norelius-rowing-figure-in-an-eerie-landscape-1929-8983473.jpg?v=1761806343"},{"product_id":"gustaf-tenggren-the-horn-1919","title":"Gustaf Tenggren - The Horn (1919)","description":"\u003cp data-end=\"137\" data-start=\"117\"\u003e\u003cstrong\u003eGustaf Tenggren (1896-1970) \u003cem data-end=\"130\" data-start=\"120\"\u003e\u003cbr\u003e\u003cbr\u003eThe Horn\u003c\/em\u003e (1919)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003esigned Tenggren.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eInk, watercolor and gouache on cardboard\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eunframed 29.5 x 30 cm (11 ⅝ x 11 ¾ in)\u003c\/span\u003e\u003cbr data-end=\"41\" data-start=\"38\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eframed 41.5 x 42 cm (16 ⅜ x 16 ½ in)\u003cbr\u003e\u003c\/span\u003ehand\u003cspan style=\"font-size: 0.875rem;\"\u003e crafted frame by Christer Björkman is included.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eEssay:\u003c\/strong\u003e\u003cbr\u003eAn old man presents a ceremonial horn to a young boy in this evocative 1919 watercolor by Gustaf Tenggren., Rendered in pen-and-ink, watercolor, and gouache on board, the scene reflects the artist’s early fascination with Nordic folklore and fairy-tale imagery. The elderly figure, clad in rustic attire, stoops to hand the curved horn to the wide-eyed child, creating a poignant moment of intergenerational exchange. The composition is rich in narrative detail and gentle earth tones, hallmarks of Tenggren’s illustrations during his Swedish period.\u003c\/p\u003e\n\u003cp data-end=\"1217\" data-start=\"690\"\u003eIn \u003cem data-end=\"703\" data-start=\"693\"\u003eThe Horn\u003c\/em\u003e, Tenggren’s delicate linework and muted, earthy colors capture the moody charm of Scandinavian folklore illustration. His fairy-tale style, influenced by artists like Arthur Rackham, was honed in Sweden where he succeeded the legendary John Bauer as illustrator for the popular annual \u003cem data-end=\"1013\" data-start=\"989\"\u003eBland Tomtar och Troll\u003c\/em\u003e (“Among Gnomes and Trolls”). Although not tied to a specific published tale, this standalone scene embodies the spirit of that era’s fairy tales, a touching exchange that feels both intimate and magical.\u003c\/p\u003e\n\u003cp data-end=\"1252\" data-start=\"1219\"\u003e\u003cstrong\u003eFrom Folklore to Disney Magic\u003cbr\u003e\u003c\/strong\u003eJust one year after completing \u003cem data-end=\"1295\" data-start=\"1285\"\u003eThe Horn\u003c\/em\u003e, the 23-year-old Gustaf Tenggren (1896–1970) emigrated from Sweden to the United States to further his career. There he swiftly found success as an illustrator in New York, and by the late 1930s he had become a key figure in Walt Disney’s studio during the Golden Age of American animation. Tenggren served as a chief concept illustrator at Disney, contributing to the look and feel of classics like \u003cem data-end=\"1729\" data-start=\"1696\"\u003eSnow White and the Seven Dwarfs\u003c\/em\u003e(1937) and \u003cem data-end=\"1752\" data-start=\"1741\"\u003ePinocchio\u003c\/em\u003e (1940). He brought a distinctly European storybook aesthetic to these films. For example, the quaint village architecture and carved wooden details in \u003cem data-end=\"1915\" data-start=\"1904\"\u003ePinocchio\u003c\/em\u003e owe much to Tenggren’s creative vision and childhood memories of Scandinavian craftsmanship. The same love of whimsical detail and atmosphere is evident in \u003cem data-end=\"2082\" data-start=\"2072\"\u003eThe Horn\u003c\/em\u003e, which in retrospect can be seen as foreshadowing the enchanting visual style Tenggren later lent to Disney’s fairy-tale worlds.\u003c\/p\u003e\n\u003cp data-end=\"2239\" data-start=\"2213\"\u003e\u003cstrong\u003eProvenance and Details\u003cbr\u003e\u003c\/strong\u003eAccording to a handwritten inscription on the verso, this painting was donated to “S.S.W:s Höstbazar 1919” (S.S.W.’s Autumn Bazaar of 1919) in the town of Vadstena shortly after it was made. This early provenance suggests \u003cem data-end=\"2473\" data-start=\"2463\"\u003eThe Horn\u003c\/em\u003e was part of a charity exhibition or sale in 1919.\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":53844142850371,"sku":null,"price":9500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/gustaf-tenggren-the-horn-1919-5015571.jpg?v=1761889054"},{"product_id":"emma-ekwall-portrait-of-a-young-boy-seen-from-behind","title":"Emma Ekwall - Portrait of a Young Boy Seen from Behind","description":"\u003cp\u003e\u003cstrong\u003eEmma Ekwall (1838-1925) Sweden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003ePortrait of a Young Boy Seen from Behind\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eoil on canvas mounted on board\u003cbr\u003esigned E.E.\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eunframed 24.5 x 31 cm (9 ⅝ × 12 ¼ in)\u003c\/span\u003e\u003cbr data-start=\"37\" data-end=\"40\"\u003e\u003cspan\u003eframed 35 × 41 cm (13 ¾ × 16 ⅛ in)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis intimate oil painting presents a young boy viewed from a three-quarter rear angle, caught in a quiet, reflective moment. The child’s back is turned gently toward the viewer, rendered in warm earth tones with soft, textured brushwork. Emma Ekwall’s attention to detail from the tousled hair and rustic clothing to the delicate fall of light across the figure evokes a serene atmosphere and a deep sense of tenderness. The boy’s posture, turned away, invites curiosity: What has caught his attention? What thoughts fill his silence? The scene captures the timeless innocence of childhood with grace and restraint.\u003c\/p\u003e\n\u003cp data-start=\"1419\" data-end=\"1466\"\u003e\u003cstrong\u003eEmma Ekwall – A Pioneering Academic Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEmma Amalia Ekwall (1838–1925) was a groundbreaking figure in Swedish art. In 1871, she became the first woman to receive the Royal Medal from the Royal Swedish Academy of Fine Arts, a remarkable milestone during a time when female artists were rare in academic circles. Her training continued in Munich and Leipzig, where she absorbed European realist traditions before establishing herself in Sweden as a professional artist.\u003c\/p\u003e\n\u003cp\u003eEkwall became especially known for her portrayals of children, domestic scenes, and everyday quietude, all rendered with technical precision and emotional warmth. Her success helped pave the way for future generations of women artists in Scandinavia. She is today recognized not only for her artistic quality, but also for her contribution to art history as a female pioneer in the academic sphere.\u003c\/p\u003e\n\u003cp\u003eEkwall’s painting style merges academic realism with a personal, sentimental touch. The handling of light, form, and fabric in this painting reflects her formal training, while the subject matter – a quiet, solitary child – reflects her innate sensitivity to the inner worlds of her figures.\u003c\/p\u003e\n\u003cp\u003eThe muted palette and absence of distracting detail help center the composition entirely on the boy. His slumped shoulders and calm bearing convey a gentle introspection. The viewer is made to feel present but invisible, sharing a silent moment without intruding on it. This restrained narrative and emotional resonance are hallmarks of Ekwall’s finest works.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":53878223470915,"sku":null,"price":3000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/emma-ekwall-portrait-of-a-young-boy-seen-from-behind-2734609.jpg?v=1762901279"},{"product_id":"gerard-seghers-christ-at-the-column","title":"Gerard Seghers - Christ at the Column","description":"\u003cp data-start=\"130\" data-end=\"345\"\u003e\u003cstrong data-start=\"130\" data-end=\"154\"\u003eFollower of Gerard Seghers (1591-1651)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"130\" data-end=\"345\"\u003e\u003cem\u003e\u003cstrong data-start=\"130\" data-end=\"154\"\u003eChrist at the Column\u003c\/strong\u003e\u003c\/em\u003e\u003cbr data-start=\"154\" data-end=\"157\"\u003e\u003cbr data-start=\"183\" data-end=\"186\"\u003eoil on wood panel\u003cbr\u003ec. 1700s\u003cbr\u003eunframed 19.5 × 14 cm\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong data-start=\"113\" data-end=\"128\"\u003eProvenance:\u003c\/strong\u003e\u003cbr data-start=\"128\" data-end=\"131\"\u003e\u003cspan\u003eOriginally in the collection of Dr. Axel Munthe (1857–1949), the renowned Swedish physician and author celebrated for his philanthropic work and for founding Villa San Michele on the island of Capri. In the late 19th century, Munthe presented the painting as a personal gift to his close friend Prince Eugen, Duke of Närke (1865–1947), a prominent Swedish artist and patron of the arts. The painting remained in Prince Eugen’s private collection until he, in turn, entrusted it to Dr. Gustaf Lindgren (1903–1989), who served as curator of the Prince’s art collection from 1938 to 1948. Lindgren subsequently became the first Director General of Prince Eugen’s Waldemarsudde, a position he held until 1970.\u003c\/span\u003e\u003cbr\u003e\u003cbr data-start=\"221\" data-end=\"224\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good, restored in 2023 by Sonia Leon, Stockholm\u003cbr data-start=\"287\" data-end=\"290\"\u003eFramed in handmade oak frame by Christer Björkman, 2023.\u003c\/p\u003e\n\u003cp data-start=\"347\" data-end=\"1016\"\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr\u003eThis small yet striking oil painting on panel presents a solitary image of the scourged Christ, bound with his hands behind his back, his figure isolated against a dark, undefined background. His pale, sinewy body bears numerous wounds from the flagellation, from which blood runs in delicate but insistent streams, trailing down his torso and legs to the ground below. The column to which Christ would traditionally be tied is absent here, allowing the viewer's focus to rest entirely on the emotional weight of the figure itself. The composition, heightened by dramatic lighting, conveys both the physical and spiritual torment of the Passion with poignant intensity.\u003c\/p\u003e\n\u003cp data-start=\"1018\" data-end=\"1558\"\u003eThe subject—Christ at the Column—derives from the episode of the Flagellation, one of the most emotionally resonant scenes in the Passion narrative. Frequently represented in both public and private devotional imagery, this moment captures the suffering of Christ at the hands of Roman soldiers, as described in the Gospels. In the context of Catholic devotion, the scene has long served as an instrument of contemplation, representing the redemptive suffering of Christ and inviting empathetic meditation on human sin and divine sacrifice.\u003c\/p\u003e\n\u003cp data-start=\"1560\" data-end=\"2070\"\u003eThe painting is attributed to a follower of the Flemish Baroque master Gerard Seghers (1591–1651), whose career bridged the artistic currents of Caravaggio’s tenebrism and the coloristic refinement of Rubens. Seghers’s composition of \u003cem data-start=\"1794\" data-end=\"1816\"\u003eChrist at the Column\u003c\/em\u003e, likely painted in the 1620s, became widely known through a powerful engraving by Lucas Vorsterman the Elder. That print helped to circulate Seghers’s emotionally charged vision, inspiring a number of interpretations and copies by artists in his circle.\u003c\/p\u003e\n\u003cp data-start=\"2072\" data-end=\"2595\"\u003eThis particular version appears to be derived not from the original painting but from Vorsterman’s engraving, which likewise omits the architectural element of the column in favor of a stark, devotional focus on the bound figure of Christ. A closely related copy of similar dimensions on copper, held in the Musée des Beaux-Arts in Tournai, shares this compositional simplification. The absence of the column, together with the panel’s intimate scale and austere backdrop, intensifies the spiritual directness of the image.\u003c\/p\u003e\n\u003cp data-start=\"3275\" data-end=\"3647\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eFollowing a recent conservation by Sonia Leon in 2023, the painting is now preserved in good condition and housed in a bespoke oak frame handcrafted by Swedish frame maker Christer Björkman. Its compact size and contemplative subject mark it as a refined object of private devotion, while its lineage and craftsmanship underscore its cultural and historical significance.\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":53894127026499,"sku":null,"price":12000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/gerard-seghers-christ-at-the-column-7214272.jpg?v=1763398449"},{"product_id":"victor-lagerstrom-portrait-of-an-elderly-man-1913","title":"Victor Lagerström - Portrait of an Elderly Man, 1913","description":"\u003cp data-start=\"149\" data-end=\"217\"\u003e\u003cstrong data-start=\"149\" data-end=\"217\"\u003eVictor Lagerström (1864–1948) Sweden\u003cbr\u003e\u003cbr data-start=\"180\" data-end=\"183\"\u003ePortrait of an Elderly Man, 1913\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"219\" data-end=\"358\"\u003eoil on canvas\u003cbr data-start=\"232\" data-end=\"235\"\u003esigned “V.L” and dated “13” \u003cbr data-start=\"276\" data-end=\"279\"\u003eunframed: 24.5 × 22 cm (9.65 × 8.66 in)\u003cbr data-start=\"318\" data-end=\"321\"\u003eframed: 42 × 39 cm (16.54 × 15.35 in)\u003c\/p\u003e\n\u003cp data-start=\"360\" data-end=\"976\"\u003e\u003cstrong data-start=\"360\" data-end=\"369\"\u003eEssay\u003c\/strong\u003e\u003cbr data-start=\"369\" data-end=\"372\"\u003e\u003cem data-start=\"372\" data-end=\"400\"\u003ePortrait of an Elderly Man\u003c\/em\u003e presents a seated figure absorbed in quiet contemplation. Leaning slightly forward, he rests a hat upon his knee, his hands folded calmly over its crown. The composition centers almost exclusively on the man, shown at approximately three-quarter length against a dark, unadorned background. Lagerström renders the weathered features, grey hair, and downcast gaze with measured sensitivity, giving the scene an introspective gravity. The absence of extraneous detail heightens the sense of stillness, allowing the viewer to focus entirely on the sitter’s inward-facing moment.\u003c\/p\u003e\n\u003cp data-start=\"978\" data-end=\"1528\"\u003eLagerström employs a subdued, earthy palette dominated by browns, ochres, and muted greys. A gentle, diffused light models the man’s face and hands, while his dark coat recedes into shadow. This restrained chiaroscuro enhances the psychological focus of the composition, lending depth and volume without calling attention to the brushwork. The surface handling is modest and naturalistic, suggesting the textures of coarse fabric and the worn felt of the hat without excessive detail. The overall effect is one of quiet dignity and emotional reserve.\u003c\/p\u003e\n\u003cp data-start=\"1530\" data-end=\"2284\"\u003eThe painting reflects Lagerström’s broader interest in atmospheric scenes drawn from everyday life. Trained at the Royal Academy of Fine Arts in Stockholm, he continued his artistic development during periods of study and travel in France, Germany, and Italy. Early in his career he worked as an illustrator for \u003cem data-start=\"1842\" data-end=\"1864\"\u003eStockholms-Tidningen\u003c\/em\u003e and \u003cem data-start=\"1869\" data-end=\"1888\"\u003eSvenska Dagbladet\u003c\/em\u003ebefore turning increasingly toward book art and design, all the while maintaining a steady output of paintings. His work often depicts mood-laden cityscapes of Stockholm and Visby, and scenes of ordinary life in Skåne. The present portrait—an intimate study of an anonymous sitter accords with this aspect of his oeuvre, marked by an understated yet perceptive engagement with human character.\u003c\/p\u003e\n\u003cp data-start=\"2286\" data-end=\"2719\"\u003eLagerström remained active in Swedish artistic circles throughout his life, including many years as secretary of the Artists’ Club in Stockholm. His paintings are represented in the collection of the Nationalmuseum.\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":53913163497795,"sku":null,"price":2200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/victor-lagerstrom-portrait-of-an-elderly-man-1913-6453783.jpg?v=1763812674"},{"product_id":"johan-johansson-bird-of-prey-in-a-snow-covered-mountain-landscape-1902","title":"Johan Johansson - Bird of Prey in a Snow-Covered Mountain Landscape, 1902","description":"\u003cp\u003e\u003cb\u003eJohan Johansson (1879–1951, Sweden)\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003cstrong\u003e\u003cem\u003eBird of Prey in a Snow-Covered Mountain Landscape, 1902\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003esigned and dated lower right\u003cbr\u003ewatercolour, gouache and ink on paper\u003cbr\u003eunframed 93 × 62 cm (36.6 × 24.4 in)\u003cbr\u003eframed 110 × 79 cm (43.3 × 31.1 in)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eProvenance:\u003c\/b\u003e\u003cbr\u003eExecuted in 1902 during Johansson’s studies under Professor Anton Seder at the Kunstgewerbeschule in Strasbourg; A private collection, Sweden; Skånes Auktionsverk, 31 may 2014, lot 94; A private collection Denmark until we acquired it in 2025.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCondition Report:\u003c\/b\u003e\u003cbr\u003eVery good overall condition. Paper slightly yellowed with age, as expected. Presented in its original oak veneer frame. For international shipping, the work will be delivered with plexiglass for safety. We recommend replacing with UV-protective museum glass upon arrival.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEssay:\u003c\/b\u003e\u003cbr\u003eThis dramatic painting from 1902 was painted by Johan Johansson, a Swedish artist whose early twentieth-century career encompassed illustration, fine art, and decorative design. Born in 1879 in Sweden, Johansson pursued his studies during a period of artistic transformation in Europe, with the Jugendstil and Arts and Crafts movements challenging academic tradition through a focus on natural forms, stylization, and integration of art with everyday life. His formative education took place at the Kunstgewerbeschule in Strasbourg between 1901 and 1903, where he studied under the renowned designer and educator Anton Seder. The school, known for its synthesis of fine and applied arts, cultivated a generation of artists who bridged illustration, graphic design, and narrative painting.\u003c\/p\u003e\n\u003cp\u003eJohansson’s time in Strasbourg deeply shaped his artistic outlook. He mastered ink and water-based media, developing a refined ability to combine linear precision with atmospheric colour. His works from this period reveal a fascination with dramatic compositions, animal studies, and romanticized landscapes—often rendered with a theatrical flair and a subtle symbolism. After completing his studies, Johansson travelled in Germany and Switzerland, absorbing influences from German romantic painting, Art Nouveau illustration, and the emerging Symbolist aesthetics of Central Europe.\u003c\/p\u003e\n\u003cp\u003eThe present work exemplifies Johansson’s skill in combining observation with imagination. It depicts a golden eagle landing on a snow-covered alpine rock, a smaller bird clutched in its talons. With wings outstretched and body poised in mid-motion, the eagle dominates the scene with a sense of muscular power and unyielding focus. The snowy conifers and distant mountains provide a dramatic backdrop, painted with broad washes and crisp ink outlines. The contrast between the warm, earthy tones of the eagle and the cool blue shadows of the snow lends the image both realism and expressive force.\u003c\/p\u003e\n\u003cp\u003eStylistically, the work recalls both naturalist wildlife studies and the poster-like boldness of Jugendstil illustration. Johansson’s approach is not merely decorative, however—it is psychological. The eagle, a symbol of strength and isolation, may reflect a deeper narrative about survival, dominance, or solitude. Such symbolism was often explored by artists of the Jugendstil era, who merged natural motifs with metaphorical meaning.\u003c\/p\u003e\n\u003cp\u003eAlthough less widely known today, Johansson had a modest but consistent artistic career in Sweden following his return. He contributed to illustrated journals and book design and remained active as a painter of Nordic nature, often choosing motifs that reflected the sublime character of the Scandinavian landscape. His technical foundation and international exposure set him apart from many contemporaries, and this early work offers insight into the ambitions of a young artist steeped in the visual currents of turn-of-the-century Europe.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":54104290099523,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/johan-johansson-bird-of-prey-in-a-snow-covered-mountain-landscape-1902-9800953.jpg?v=1769198676"},{"product_id":"gustaf-tenggren-trollkarlens-urnyckel-the-sorcerer-s-clockwork-key-1918","title":"Gustaf Tenggren - Trollkarlens urnyckel (The Sorcerer’s Clockwork Key), 1918","description":"\u003cp data-end=\"251\" data-start=\"154\"\u003e\u003cstrong\u003eGustaf Tenggren (1896–1970) Sweden\u003c\/strong\u003e\u003cbr\u003e\u003cbr data-end=\"191\" data-start=\"188\"\u003e\u003cem\u003e\u003cstrong\u003eTrollkarlens urnyckel (The Sorcerer’s Clockwork Key), 1918\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-end=\"455\" data-start=\"253\"\u003esigned and dated lower right “G. Tenggren 1918”\u003cbr data-end=\"303\" data-start=\"300\"\u003ewatercolour on paper\u003cbr data-end=\"326\" data-start=\"323\"\u003eunframed 25 × 23 cm (9.8 × 9.1 in)\u003cbr\u003e\u003cspan\u003eframed 36 x 34 cm (14.17 x 13.4 in)\u003c\/span\u003e\u003cbr data-end=\"363\" data-start=\"360\"\u003eCarved oak frame by Christer Björkman, Stockholms Förgyllning \u0026amp; Bildhuggeri, Stockholm.\u003c\/p\u003e\n\u003cp data-end=\"534\" data-start=\"457\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003cbr data-end=\"470\" data-start=\"467\"\u003ePrivate collection, Sweden.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"988\" data-start=\"536\"\u003e\u003cstrong\u003eCondition report:\u003c\/strong\u003e\u003cbr data-end=\"609\" data-start=\"606\"\u003eOverall very good condition. The sheet presents gentle overall toning consistent with age. No major tears, losses, or visible restorations are apparent. \u003c\/p\u003e\n\u003cp data-end=\"988\" data-start=\"536\"\u003e\u003cstrong\u003eEssay\u003c\/strong\u003e:\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eExecuted in 1918, this watercolour belongs to the formative Swedish period of Gustaf Tenggren’s career, at the precise moment when he consolidated his position as one of the most important interpreters of Nordic fairy tale imagery in the early twentieth century. Trained in Gothenburg at Slöjdföreningens school and at Valand, Tenggren combined academic draughtsmanship with a refined decorative sensibility, qualities that proved ideally suited to book illustration. His command of line, tonal restraint, and atmospheric composition allowed him to construct images that function both narratively and autonomously.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"2167\" data-start=\"1617\"\u003eIn 1917 Tenggren succeeded John Bauer as illustrator of the celebrated Christmas annual Bland tomtar och troll, a publication that had already become central to Swedish visual folklore culture. From 1918 onward he assumed a defining role in shaping its pictorial language. Whereas Bauer’s trolls often inhabit a mythic grandeur rooted in national romanticism, Tenggren introduced a subtler psychological dimension. His figures are frequently introspective, their gestures inward and restrained, their environments enveloping rather than theatrical.\u003c\/p\u003e\n\u003cp data-end=\"2904\" data-start=\"2169\"\u003eThe present composition, likely conceived as an alternative illustration for Trollkarlens urnyckel by Anna Wahlenberg, embodies this shift. The sorcerer is shown alone, kneeling or seated close to the forest floor, absorbed in violin playing. Mushrooms, fallen leaves, and subdued woodland tones enclose him within an intimate sphere. The elongated pale arms and sharply defined profile emerge from a muted ground of earth browns and soft greens. The modelling is delicate and continuous, the transitions in tone understated. Rather than depicting a dramatic episode from the tale, Tenggren presents the magician in a contemplative state, prior to his encounter with Prince Kaladin and before the demonstrations of the enchanted key.\u003c\/p\u003e\n\u003cp data-end=\"3452\" data-start=\"2906\"\u003eThis interpretative approach is characteristic of Tenggren’s early maturity. Instead of illustrating a single narrative climax, he visualizes atmosphere and interiority. The violin functions symbolically. Music, like magic, orders time and alters perception. In a story concerned with the manipulation of life’s duration, the image of a solitary musician becomes a metaphor for rhythm, control, and unseen power. The sorcerer does not perform for an audience; he inhabits his own enchantment. The viewer becomes witness rather than participant.\u003c\/p\u003e\n\u003cp data-end=\"4201\" data-start=\"3454\"\u003eThe year 1918 is significant within Tenggren’s biography. It marks the culmination of his Swedish breakthrough before his emigration to the United States in 1920. In America he would later work as a leading illustrator and concept artist, most notably at Walt Disney Studios between 1936 and 1939, contributing to the visual development of Snow White and the Seven Dwarfs and later productions including Pinocchio and Bambi. The atmospheric forests and monumental architectural spaces of those films retain echoes of his Scandinavian origins. \u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":54233533448515,"sku":null,"price":13000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/gustaf-tenggren-trollkarlens-urnyckel-the-sorcerers-clockwork-key-1918-4812823.jpg?v=1772181582"},{"product_id":"jakob-kulle-an-afternoon-nap-1877","title":"Jakob Kulle - An Afternoon Nap, 1877","description":"\u003cp data-start=\"0\" data-end=\"34\"\u003e\u003cstrong\u003eJakob Kulle (1838–1898) Sweden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"36\" data-end=\"60\"\u003e\u003cem\u003e\u003cstrong\u003eAn Afternoon Nap, 1877\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"62\" data-end=\"170\"\u003esigned and dated\u003cbr data-start=\"78\" data-end=\"81\"\u003eoil on canvas\u003cbr data-start=\"94\" data-end=\"97\"\u003eunframed 61 × 48 cm (24 × 18.9 in)\u003cbr data-start=\"131\" data-end=\"134\"\u003eframed 79 × 67 cm (31.1 × 26.4 in)\u003c\/p\u003e\n\u003cp data-start=\"172\" data-end=\"307\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003cbr data-start=\"182\" data-end=\"185\"\u003ePurchased directly from the artist.\u003cbr data-start=\"220\" data-end=\"223\"\u003eThereafter by descent in the family until we acquired it in 2025.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"751\" data-end=\"758\"\u003e\u003cstrong\u003eEssay:\u003cbr\u003e\u003c\/strong\u003ePainted in 1877, \u003cem data-start=\"777\" data-end=\"795\"\u003eAn Afternoon Nap\u003c\/em\u003e belongs to the rich tradition of Swedish nineteenth century genre painting. Jakob Kulle presents an intimate domestic interior in which everyday life unfolds quietly and without theatricality. A young girl has fallen asleep in a chair while working with yarn, her head gently inclined to one side in a moment of complete rest. The stillness of the scene contrasts with the quiet activity of the older woman seated further back in the room, who continues her needlework.\u003c\/p\u003e\n\u003cp data-start=\"1267\" data-end=\"1882\"\u003eThe composition is carefully balanced between the two figures. The sleeping girl occupies the foreground and immediately draws the viewer’s attention. Kulle has rendered her features with remarkable sensitivity, capturing the softness of sleep and the calm expression of a young face at rest. Her traditional clothing introduces strong areas of colour, particularly the deep red skirt and the darker blue apron, which stand out against the more subdued tones of the interior. The folds of the fabric and the delicate white scarf are painted with refined precision, emphasizing the tactile qualities of the textiles.\u003c\/p\u003e\n\u003cp data-start=\"1884\" data-end=\"2291\"\u003eOne of the most striking details in the painting is the ball of yarn that has rolled from the girl’s lap onto the floor. The thread runs loosely from her hands down across the skirt and onto the wooden floorboards where the small white ball rests. Kulle models this object with such care that it appears almost three dimensional. It anchors the foreground and enhances the illusion of depth within the room.\u003c\/p\u003e\n\u003cp data-start=\"2293\" data-end=\"2740\"\u003eBehind the figures stands a beautifully painted cupboard decorated with floral motifs in deep blue and green tones. Hats and garments hang above it, suggesting the rhythm of daily life within the household. To the right a bed covered with patterned textiles adds warmth and domestic character to the scene. These elements are not merely background decoration. They contribute to the narrative atmosphere of quiet work, rest, and modest rural life.\u003c\/p\u003e\n\u003cp data-start=\"2742\" data-end=\"3204\"\u003eJakob Kulle was born in Lund in 1838 and initially trained as a goldsmith before dedicating himself to painting. He later studied at the Royal Swedish Academy of Fine Arts in Stockholm. Throughout his career he became known for genre scenes depicting the life of the rural population of southern Sweden, particularly in Skåne. His paintings often combine careful observation with an almost ethnographic interest in interiors, clothing, and handicraft traditions.\u003c\/p\u003e\n\u003cp data-start=\"3206\" data-end=\"3563\"\u003eThis attention to material culture is clearly visible in \u003cem data-start=\"3263\" data-end=\"3281\"\u003eAn Afternoon Nap\u003c\/em\u003e. The textiles, furniture, and everyday objects are rendered with exceptional care, reflecting the artist’s deep familiarity with the domestic environment he portrays. Kulle’s background in decorative arts likely strengthened his sensitivity to pattern, surface, and colour harmony.\u003c\/p\u003e\n\u003cp data-start=\"3565\" data-end=\"3963\"\u003eDespite its modest narrative, the painting reveals a high level of technical mastery. The controlled lighting, the careful modelling of faces and fabrics, and the balanced composition demonstrate Kulle’s ability to transform an ordinary moment into a compelling work of art. The scene feels both intimate and authentic, offering a quiet glimpse into the rhythms of nineteenth century domestic life.\u003c\/p\u003e\n\u003cp data-start=\"3965\" data-end=\"4314\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong\u003eCondition report:\u003c\/strong\u003e\u003cbr data-start=\"325\" data-end=\"328\"\u003eThe painting underwent comprehensive conservation treatment in 2025. Earlier craquelure was stabilised, areas were carefully retouched, and the old varnish was removed. The painting now presents in very fine condition with clear colours and strong depth. The frame is original. As with many nineteenth century frames, there are historic repairs and minor restorations, but overall it presents well and is ready to hang.\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":54275965878595,"sku":null,"price":8000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/jakob-kulle-an-afternoon-nap-1877-2191546.jpg?v=1773591333"},{"product_id":"jon-loman-seated-woman-in-an-interior","title":"Jon Loman - Seated Woman in an Interior","description":"\u003cp class=\"text-token-text-primary leading-relaxed\"\u003e\u003cstrong\u003eJon Loman (1885–1937) Sweden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"text-token-text-primary leading-relaxed\"\u003e\u003cem\u003e\u003cstrong\u003eSittande kvinna i interiör (Seated Woman in an Interior)\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"text-token-text-primary leading-relaxed\"\u003esigned\u003cbr\u003eoil on canvas\u003cbr\u003eunframed 50.5 × 58 cm (19.9 × 22.8 in)\u003cbr\u003eframed 61 × 68 cm (24 × 26.8 in)\u003c\/p\u003e\n\u003cp id=\"provenance\" class=\"text-token-text-primary scroll-mt-24 text-[16pt] leading-[1.3] font-semibold\"\u003e\u003cstrong\u003eProvenance:\u003cbr\u003e\u003c\/strong\u003eSwedish private collection\u003c\/p\u003e\n\u003cp id=\"essay\" class=\"text-token-text-primary scroll-mt-24 text-[16pt] leading-[1.3] font-semibold\"\u003e\u003cstrong\u003eEssay:\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eIn \u003c\/span\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eSittande kvinna i interiör\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, Jon Loman focuses on the poetry of ordinary domestic life, presenting a seated woman absorbed in quiet work at a small table. A lamp forms the emotional and compositional nucleus of the painting, projecting a warm pool of light that gathers together the figure, tabletop objects, and the immediate surrounding space. The woman is shown in profile, her posture slightly bent forward in concentration, creating a calm, inward mood that is reinforced by the subdued environment around her.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-token-text-primary leading-relaxed\"\u003eThe interior is carefully structured through a balance of still life elements and larger geometric forms. To the right, a piano establishes a dark, rectilinear mass that anchors the composition and introduces an implied musical presence, even in silence. Above and beside it, a tall plant extends arcing leaves into the upper register, softening the architecture of the room and adding a natural counter rhythm to the piano’s solidity. The lamplight travels across surfaces in measured transitions, describing the table as a quiet stage while allowing surrounding areas to fall into cooler, deeper tones.\u003c\/p\u003e\n\u003cp class=\"text-token-text-primary leading-relaxed\"\u003eA notable strength of the painting is its controlled chromatic economy. Loman builds the scene from a restrained range of browns, deep greens, muted reds, and smoky greys, then heightens the sense of intimacy through the lamp’s amber highlights. This selective illumination does not simply describe the room. It shapes the viewer’s attention, guiding the eye from the figure’s hands to the lit tabletop, and then outward toward the piano and plant, which expand the motif from a single act of reading or sewing into an entire domestic atmosphere.\u003c\/p\u003e\n\u003cp class=\"text-token-text-primary leading-relaxed\"\u003eBiographical records describe Loman as a Swedish painter and illustrator who trained briefly at Althins målarskola in Stockholm and worked across several genres, including landscapes, still lifes, portraits, and public decorative commissions. His activity in local cultural life is also reflected in illustration work for Salaposten. Within the broader context of early twentieth century Swedish interior painting, this work aligns with a sustained interest in lamplit rooms as sites of psychological quiet, where everyday objects and modest spaces become instruments for tonal subtlety and human presence.\u003c\/p\u003e\n\u003cp class=\"text-token-text-primary leading-relaxed\"\u003e\u003cstrong\u003eCondition report:\u003c\/strong\u003e\u003cbr\u003eThe paint surface appears stable with no recent conservation reported. Colours retain good clarity and saturation, and the work reads well at normal viewing distance. Minor age related wear is consistent with an early twentieth century canvas painting.\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":54308054958403,"sku":null,"price":3000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/jon-loman-seated-woman-in-an-interior-3570712.jpg?v=1774667371"},{"product_id":"axel-axelson-a-courtyard-in-venice-1879","title":"Axel Axelson - A Courtyard in Venice, 1879","description":"\u003cp data-start=\"255\" data-end=\"324\"\u003e\u003cstrong data-start=\"255\" data-end=\"290\"\u003eAxel Axelson (1854–1892) Sweden\u003cbr\u003e\u003c\/strong\u003e\u003cbr data-start=\"290\" data-end=\"293\"\u003e\u003cem\u003e\u003cstrong\u003eA Courtyard in Venice, 1879\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"326\" data-end=\"466\"\u003esigned and dated upper left “Venezia Maj 79”\u003cbr data-start=\"370\" data-end=\"373\"\u003eoil on canvas\u003cbr data-start=\"386\" data-end=\"389\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eunframed 59 × 36.5 cm (23.2 × 14.4 in)\u003c\/span\u003e\u003cbr data-start=\"275\" data-end=\"278\"\u003e\u003cspan\u003eframed 70 × 48 cm (27.6 × 18.9 in)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"468\" data-end=\"501\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003cbr data-start=\"478\" data-end=\"481\"\u003ePrivate collection\u003c\/p\u003e\n\u003cp data-start=\"503\" data-end=\"604\"\u003e\u003cstrong\u003eCondition report:\u003c\/strong\u003e\u003cbr data-start=\"519\" data-end=\"522\"\u003eMinor surface wear. Craquelure consistent with age. Otherwise in good condition.\u003c\/p\u003e\n\u003cp data-start=\"606\" data-end=\"1029\"\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr data-start=\"611\" data-end=\"614\"\u003eThis painting, signed and dated “Venezia Maj 79”, belongs to the early and formative phase of Axel Axelson’s career and constitutes a rare and significant example of his work from Venice. Executed during his travels in Italy, the work reflects a direct engagement with the city at a moment preceding the more widely recognised influx of Scandinavian painters in the early 1880s.\u003c\/p\u003e\n\u003cp data-start=\"1031\" data-end=\"1638\"\u003eAxelson was born in Stockholm in 1854 and studied at the Royal Swedish Academy of Fine Arts between 1872 and 1876. Following his academic training, he undertook study journeys across Europe, including Italy, France and Germany. Venice appears in his documented itinerary already in the mid 1870s, and the present work confirms a renewed or continued presence in the city in May 1879. This places Axelson among the earlier Scandinavian artists working there, preceding the better known Venetian campaigns of Carl Skånberg, Wilhelm von Gegerfelt and Georg Pauli, who were active in the city from 1881 onwards.\u003c\/p\u003e\n\u003cp data-start=\"1640\" data-end=\"2336\"\u003eThe composition departs markedly from the grand views traditionally associated with Venice. Instead of monumental architecture or celebrated landmarks, Axelson focuses on a modest courtyard, rendered with a quiet observational intensity. The narrow vertical format reinforces the sense of enclosure, guiding the viewer upward along weathered walls, shuttered windows and irregular architectural details. The surface is handled with a restrained yet sensitive brushwork, combining structural clarity with painterly nuance. Subtle variations in tone suggest the effects of light filtering into the confined space, while the muted palette emphasizes the material presence of plaster, brick and wood.\u003c\/p\u003e\n\u003cp data-start=\"2338\" data-end=\"3136\"\u003eThis attention to overlooked urban spaces aligns Axelson with a broader shift in late nineteenth century painting, in which artists increasingly turned away from idealized or theatrical motifs toward intimate and everyday subjects. Venice at this time functioned as an international artistic centre, attracting painters who sought new approaches to the depiction of the city. In September 1879, only a few months after the date inscribed on this work, James McNeill Whistler arrived in Venice, where he would produce a celebrated series of etchings and pastels focusing on similarly understated motifs. Although no documented contact between Axelson and Whistler has been established, their shared interest in the quieter, less monumental aspects of Venice reflects a parallel artistic sensibility.\u003c\/p\u003e\n\u003cp data-start=\"3138\" data-end=\"3613\"\u003eWithin Axelson’s oeuvre, which is often associated with architectural subjects and watercolours from his travels, this painting stands out as an early and highly resolved oil composition. It demonstrates his capacity to transform a seemingly insignificant motif into a work of considerable atmosphere and structural coherence. The absence of anecdotal detail and the emphasis on spatial relationships lend the painting a contemplative quality, inviting prolonged observation.\u003c\/p\u003e\n\u003cp data-start=\"3615\" data-end=\"4091\"\u003eAxelson’s career was relatively brief, and his life ended prematurely in Lund in 1892 at the age of thirty seven. His surviving works therefore offer valuable insight into a generation of Scandinavian artists navigating between academic training and the emerging modern sensibility of the late nineteenth century. \u003cem data-start=\"3929\" data-end=\"3952\"\u003eA Courtyard in Venice\u003c\/em\u003e is an important testament to this transition, combining disciplined observation with a quietly modern approach to subject and composition.\u003c\/p\u003e\n\u003cp data-start=\"4098\" data-end=\"4114\"\u003e\u003cstrong data-start=\"4098\" data-end=\"4114\"\u003eBibliography:\u003cbr\u003e\u003c\/strong\u003eSvenskt biografiskt lexikon, entry on Carl Axel Hampus Axelson\u003cbr data-start=\"4178\" data-end=\"4181\"\u003eSvenskt porträttgalleri, vol. XX, Stockholm 1901\u003cbr data-start=\"4229\" data-end=\"4232\"\u003eSvenska konstnärer. Biografisk handbok, Malmö\u003cbr data-start=\"4277\" data-end=\"4280\"\u003eNationalmuseum, Stockholm, artist records\u003cbr data-start=\"4321\" data-end=\"4324\"\u003eSvenskt biografiskt lexikon, entries on Carl Skånberg, Wilhelm von Gegerfelt, Georg Pauli\u003cbr data-start=\"4413\" data-end=\"4416\"\u003eGrieve, A., \u003cem data-start=\"4428\" data-end=\"4447\"\u003eWhistler’s Venice\u003c\/em\u003e, London 2000\u003cbr data-start=\"4460\" data-end=\"4463\"\u003eDenker, E., \u003cem data-start=\"4475\" data-end=\"4510\"\u003eWhistler and His Circle in Venice\u003c\/em\u003e, Washington 2003\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":54313955197251,"sku":null,"price":5500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/axel-axelson-a-courtyard-in-venice-1879-8451254.jpg?v=1774915952"},{"product_id":"severin-nilson-children-in-a-flower-meadow","title":"Severin Nilson - Children in a Flower Meadow","description":"\u003cp data-start=\"0\" data-end=\"65\"\u003e\u003cstrong\u003eSeverin Nilson (1846–1918) Sweden\u003c\/strong\u003e\u003cbr\u003e\u003cbr data-start=\"33\" data-end=\"36\"\u003e\u003cem\u003e\u003cstrong\u003eChildren in a Flower Meadow\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"67\" data-end=\"209\"\u003esigned lower right Severin Nilson\u003cbr data-start=\"100\" data-end=\"103\"\u003eoil on board laid on panel\u003cbr data-start=\"129\" data-end=\"132\"\u003eunframed 25 × 18 cm (9.8 × 7.1 in)\u003cbr data-start=\"166\" data-end=\"169\"\u003eframed 32.5 × 26.5 cm (12.8 × 10.4 in)\u003c\/p\u003e\n\u003cp data-start=\"211\" data-end=\"252\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003cbr data-start=\"221\" data-end=\"224\"\u003ePrivate collection, Sweden\u003c\/p\u003e\n\u003cp data-start=\"515\" data-end=\"984\"\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e\u003cbr data-start=\"520\" data-end=\"523\"\u003eThis intimate composition by Severin Nilson presents three children moving through a sunlit meadow, animated by the fleeting presence of butterflies among wildflowers. The central figure leans forward in a moment of absorbed concentration, attempting to catch a butterfly with his hat, while the other two children remain slightly withdrawn in the dappled shade. The scene captures a transient instant of childhood play, rendered with immediacy and sensitivity.\u003c\/p\u003e\n\u003cp data-start=\"986\" data-end=\"1571\"\u003eNilson, who was born in Asige in Halland, belongs to a generation of Swedish artists shaped by both academic training and the increasing importance of plein air painting during the later decades of the nineteenth century. After studies at the Royal Swedish Academy of Arts, he travelled extensively, particularly to Germany and France, where he absorbed contemporary developments in naturalism and open air painting. His work often combines careful observation with a lyrical treatment of light and atmosphere, placing him within a broader Nordic interpretation of European naturalism.\u003c\/p\u003e\n\u003cp data-start=\"1573\" data-end=\"2088\"\u003eIn the present painting, light plays a central role in structuring the composition. The bright meadow in the foreground is built up with rapid, broken brushstrokes that suggest both the density of grass and the flickering movement of sunlight. The darker wooded background provides a contrasting tonal field, against which the figures emerge with a soft yet distinct presence. This interplay between illumination and shadow not only creates spatial depth but also reinforces the sense of a moment suspended in time.\u003c\/p\u003e\n\u003cp data-start=\"2090\" data-end=\"2572\"\u003eNilson’s handling of paint is notably fluid and economical. Rather than detailing each botanical element, he evokes the richness of the meadow through varied strokes and subtle shifts in colour. Small touches of yellow, white, and violet articulate the flowers without interrupting the overall unity of the surface. This painterly approach aligns with contemporary developments in European landscape painting, where the impression of nature took precedence over precise delineation.\u003c\/p\u003e\n\u003cp data-start=\"2574\" data-end=\"3135\"\u003eThe depiction of children engaged in unselfconscious play was a recurring motif in late nineteenth century art, often associated with ideas of innocence, freedom, and harmony with nature. In Nilson’s interpretation, however, the scene avoids sentimentality. The figures are integrated into their surroundings rather than isolated from them, and their gestures feel spontaneous rather than staged. The boy’s forward movement introduces a dynamic element, while the quieter presence of the other two children provides balance and a subtle psychological dimension.\u003c\/p\u003e\n\u003cp data-start=\"3137\" data-end=\"3520\"\u003eThe painting also reflects a broader cultural interest in rural life and seasonal rhythms, themes that held particular resonance in Scandinavian art of the period. Nilson’s sensitivity to the changing effects of light and his attention to everyday moments situate his work within this context, while his refined technique and compositional clarity demonstrate his academic grounding.\u003c\/p\u003e\n\u003cp data-start=\"3522\" data-end=\"3804\"\u003e\u003cstrong\u003eCondition report:\u003c\/strong\u003e\u003cbr data-start=\"270\" data-end=\"273\"\u003eThe painting is in good condition with clear and well preserved colours. Minor age related wear is visible. The surface retains a lively and fresh painterly quality. The frame is of an earlier date with minor scuffs and a pleasing patina.\u003c\/p\u003e\n\u003cp data-start=\"3806\" data-end=\"4055\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong\u003eSources:\u003c\/strong\u003e\u003cbr data-start=\"3813\" data-end=\"3816\"\u003eNationalmuseum, Stockholm, collection database\u003cbr data-start=\"3862\" data-end=\"3865\"\u003eSvenskt konstnärslexikon, Allhems Förlag\u003cbr data-start=\"3905\" data-end=\"3908\"\u003eNordisk familjebok, entries on Severin Nilson\u003cbr data-start=\"3953\" data-end=\"3956\"\u003eGeneral literature on Scandinavian naturalism and plein air painting in the late nineteenth century\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":54314160324931,"sku":null,"price":3500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/severin-nilson-children-in-a-flower-meadow-6412110.jpg?v=1774915956"},{"product_id":"thomas-theodor-heine-liebeserklarung-declaration-of-love-1896","title":"Thomas Theodor Heine - Liebeserklärung (Declaration of Love), 1896","description":"\u003cp data-start=\"71\" data-end=\"167\"\u003e\u003cstrong\u003eThomas Theodor Heine (1867–1948) Germany\u003c\/strong\u003e\u003cbr\u003e\u003cbr data-start=\"117\" data-end=\"120\"\u003e\u003cem\u003e\u003cstrong\u003eLiebeserklärung (Declaration of Love), 1896\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"169\" data-end=\"267\"\u003egouache on board\u003cbr data-start=\"185\" data-end=\"188\"\u003eunframed 24.5 × 31.5 cm (9.6 × 12.4 in)\u003cbr data-start=\"227\" data-end=\"230\"\u003evisible 10 × 16.5 cm (3.9 × 6.5 in)\u003cbr\u003eno signature \u003cbr\u003e\u003cbr\u003e\u003cstrong data-start=\"274\" data-end=\"283\"\u003eEssay:\u003cbr\u003e\u003c\/strong\u003eThomas Theodor Heine was a central figure in German fin de siècle culture, best known as one of the leading illustrators of the satirical magazine \u003cem data-start=\"434\" data-end=\"450\"\u003eSimplicissimus\u003c\/em\u003e, where his sharply observed drawings combined wit, elegance and subtle social critique. Trained in Munich and active within avant garde artistic circles, Heine developed a highly distinctive visual language characterized by fluid line, refined color harmonies and a keen sense of psychological nuance. His work often moves effortlessly between satire and tenderness, revealing an artist capable of both biting commentary and intimate observation.\u003c\/p\u003e\n\u003cp data-start=\"899\" data-end=\"1453\"\u003eThis early gouache from 1896 belongs to the formative years of his career, when he was establishing the stylistic foundations that would later define his mature production. Executed with delicacy and economy, the composition depicts two dachshunds in a quietly humorous and affectionate exchange. One dog, lifting itself upright on its hind legs, appears to address the other, whose posture suggests vulnerability, perhaps with an injured paw. The scene unfolds with understated charm, capturing a moment that is at once playful and emotionally resonant.\u003c\/p\u003e\n\u003cp data-start=\"1455\" data-end=\"1942\"\u003eHeine’s choice of animals as protagonists reflects a broader tradition within European illustration, where anthropomorphic characterization allows for subtle exploration of human behavior. Here, the dogs function as gentle surrogates for human interaction, their gestures conveying empathy, curiosity and a tentative form of devotion. The simplicity of the setting enhances the clarity of this interaction, focusing attention entirely on the expressive potential of posture and relation.\u003c\/p\u003e\n\u003cp data-start=\"1944\" data-end=\"2280\"\u003eThe handling of gouache is light yet controlled, with soft tonal transitions and a restrained palette that lends the work an almost lyrical quality. Despite its modest scale, the composition demonstrates Heine’s ability to convey narrative through minimal means, a skill that would become central to his later success as an illustrator.\u003c\/p\u003e\n\u003cp data-start=\"2282\" data-end=\"2672\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"CLASSICARTWORKS","offers":[{"title":"Default Title","offer_id":54345813655875,"sku":null,"price":1600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/files\/thomas-theodor-heine-liebeserklaerung-declaration-of-love-1896-4295629.jpg?v=1775910272"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0115\/6005\/8976\/collections\/other-886045.jpg?v=1715340946","url":"https:\/\/www.classicartworks.com\/fr\/collections\/other.oembed?page=4","provider":"CLASSICARTWORKS","version":"1.0","type":"link"}