LANDSCAPES

Carl Gunne (1893-1979) Sweden

Archipelago Landscape, 1945

oil on canvas
signed and dated 
unframed: 38 x 94 cm (ca 14.96 x 37.01 inches)
framed: 54 x 100 cm (ca 21.26 x 39.37 inches)

Essay:
This captivating artwork by Carl Gunne, dated July 10, 1945, portrays a serene archipelago landscape. The painting, executed with a delicate blend of pastel hues, captures the essence of a tranquil sunset over a body of water. The distant islands, rendered in dark blues and purples, gently rise against the horizon, creating a subtle contrast with the soft, glowing sky above. The sky itself is a symphony of colors—warm oranges, soft pinks, and cool blues—melding seamlessly to convey the fading light of day. The water below mirrors these hues, enhancing the painting’s calm and reflective mood.

Gunne’s use of broad, sweeping brushstrokes and his sensitive treatment of light and color illustrate his deep understanding of the landscape’s tranquility and his ability to evoke a sense of peace and stillness. This piece is a testament to his skill in capturing the delicate interplay between land, water, and sky, typical of the Swedish archipelago.

About the Artist
Carl Mikael Gunne (September 29, 1893 – May 3, 1979) was a distinguished Swedish painter and a prominent figure in the art world, both as an artist and as a curator at Nationalmuseum in Stockholm. Born in Sundsvall to a builder and a painter, Gunne’s artistic path was influenced by his family’s creative background.

He pursued his academic studies at Uppsala University and also served as an attaché at the Ministry of Foreign Affairs. However, his passion for art soon led him to Nationalmuseum, where he became a dedicated curator. From 1932 to 1937, he managed the museum's collection of modern paintings and sculptures, playing a crucial role in promoting contemporary art.

Gunne was instrumental in organizing several notable exhibitions, including those in Paris in 1927 and 1929. His expertise and dedication extended to compiling a comprehensive catalog of Nationalmuseum's painting collection in 1936. His artistic oeuvre includes vibrant cityscapes of Uppsala and Stockholm, as well as distinguished portraits of prominent figures like King Gustaf V and Jussi Björling.

Carl Gunne’s legacy endures in several prestigious collections, including Nationalmuseum, Waldemarsudde, and museums in Helsinki, Antwerp, and Budapest. His contributions to art were recognized when he was made a corresponding member of the Royal Academy of Letters, History, and Antiquities (KVHAA) in 1957. He passed away in 1979 and was laid to rest at Norra begravningsplatsen in Stockholm.

Ivan Bergdahl (1929-2021) Sweden

Sunset, Svolvær, Lofoten (Solnedgång, Svolvær, Lofoten)

oil on board
signed Ivan Bergdahl
unframed: 25.5 x 37.5 cm (ca 10.04 x 14.76 inches)
framed: 36.5 x 48 cm (ca 14.37 x 18.90 inches)

Essay:
Ivan Bergdahl, a renowned Swedish painter born in 1929, captures the essence of the Nordic landscape in his painting "Sunset, Svolvær, Lofoten," created in 1961. Known for his vibrant and evocative depictions of nature, Bergdahl’s works are celebrated for their bold use of color and expressive brushwork.

In this painting, Bergdahl beautifully portrays the coastal town of Svolvær, situated in the heart of the Lofoten archipelago in Norway. Lofoten is famed for its dramatic scenery, characterized by towering mountains, deep fjords, and picturesque fishing villages. Svolvær, as one of the most significant towns in Lofoten, serves as a gateway to the archipelago's stunning natural beauty.

"Sunset, Svolvær, Lofoten" vividly captures the serene yet dynamic transition of daylight into dusk. The sky is ablaze with hues of orange, red, and blue, reflecting off the tranquil waters below. The colorful houses of Svolvær, with their traditional Nordic architecture, nestle against the rugged landscape, adding a human element to this breathtaking view. Bergdahl’s brushstrokes convey a sense of movement and fluidity, bringing the scene to life and immersing the viewer in the captivating beauty of a Lofoten sunset.

Ivan Bergdahl (1929-2021) Sweden

Sunny October Day, Abisko

oil on masonite
unframed: 21 x 45 cm (ca 8.27 x 17.72 inches)
framed: 31 x 55 cm (ca 12.20 x 21.65 inches)
signed Ivan Bergdahl

Essay:
Ivan Bergdahl, born in 1929 in Säbrå, is a celebrated Swedish artist renowned for his evocative landscape paintings that capture the stunning natural beauty of Sweden. His work, often inspired by the landscapes of northern Sweden, showcases his ability to depict the vibrant interplay of light and color in nature.

Sunny October Day, Abisko is a beautiful representation of his work from the early 1960s. This painting reflects the influence of Helmer Osslund, a master of Swedish landscape painting known for his vivid and expressive depictions of the northern Swedish wilderness. The use of bold colors and dynamic brushstrokes in Bergdahl’s painting pays homage to Osslund’s style, while also highlighting Bergdahl’s unique artistic vision.

The scene captures a serene autumn day in Abisko, a village in the far north of Sweden, situated in the  Sápmi region. Abisko is renowned for its stunning natural scenery, including the majestic Abisko National Park, which is famous for its clear skies, rugged mountains, and vibrant fall colors. In this painting, Bergdahl masterfully portrays the rich autumnal hues and the tranquil waters, with the bright blue lake set against the warm tones of the surrounding landscape. The painting conveys a sense of peace and the timeless beauty of Abisko's nature.

Otto Lindberg (1880-1955) Sweden

Breakers at Utö, 1928
Bränningar vid Utö, 1928

oil on canvas
signed and dated Otto Lindberg 1928
unframed 70 x 120 cm
framed 78 x 127 cm

Essay:

We are delighted to offer for sale this exquisite painting by the Swedish artist Otto Lindberg, titled "Bränningar vid Utö" (Breakers at Utö). Completed in 1928, this stunning piece measures 78 x 127 cm, including its elegant gold frame.

The term "Bränningar" refers to the powerful waves or breakers that crash against coastal formations or shallow grounds, known as "breakers" or "surf" in English. Lindberg's depiction captures the dynamic and mesmerizing interaction between the sea and the rugged coastline.

In this painting, Lindberg masterfully portrays the serene yet captivating seascape. The composition features the tumultuous sea breaking against the dark, rocky shoreline under a vibrant and moody sky. The subtle hues of green and blue dominate the sky and water, while the sunset casts a soft, warm glow across the horizon. In the distance, a solitary sailboat adds a sense of scale and tranquility to the otherwise dramatic scene.

About the Artist:

Otto Lindberg (1880-1955) was a renowned Swedish artist born in Söderhamn. Known for his landscapes and marine paintings, Lindberg studied at the Royal Academy of Fine Arts in Stockholm before furthering his education in Germany and Italy. His style is often described as post-impressionism, characterized by a personal touch and a keen focus on light and color.

Lindberg's works frequently feature a vibrant and strong color palette, aiming to capture the essence and atmosphere of nature. His ability to convey the interplay of light and natural elements is evident in "Bränningar vid Utö," making it a prime example of his artistic prowess.

This painting is a testament to Lindberg's talent and his love for the Swedish coastal landscape. It is a must-have for collectors and art enthusiasts who appreciate the beauty of nature rendered through a post-impressionist eye.

Thomas Barker of Bath (1769-1847) British

Rocky Path With Figures

oil on oak panel
unframed 13 x 11 cm 
framed 23 x 20 cm
written on the back: Rocky Path With Figures by Barker of Bath

Provenance:
A Swedish private collection.

Condition:
The painting has recently undergone restoration by our conservator and is in excellent condition. It comes with a beautiful gold frame, whit a fine patina with minor flaws. 

Essay:
This exquisite painting, titled "Rocky Path With Figures" is a captivating example of Thomas Barker of Bath's talent. Despite its small size, measuring only 13 x 11 cm, this piece showcases Barker's skill in capturing the essence of rural life and landscape, which he was so well known for. The painting features a serene and picturesque scene, where travelers navigate a rocky path through a wooded area. The attention to detail in the figures and the landscape highlights Barker's dedication to his craft and his ability to bring a scene to life.

Thomas Barker, also known as Barker of Bath, was a British painter renowned for his landscapes and depictions of rural life. Born in Trosnant near Pontypool, Monmouthshire, Barker displayed a talent for drawing from a young age. Despite being entirely self-taught, his artistic skills flourished, leading to a prolific career that spanned several decades.

Barker's journey to becoming an acclaimed artist began when his family moved to Bath, where he gained the patronage of Charles Spackman, a wealthy coach-builder. This support allowed Barker to refine his skills by copying the works of Dutch and Flemish masters. His talent soon gained recognition, and he became a regular exhibitor at prestigious institutions such as the Royal Academy and the British Institution.

Thomas Barker's works are held in several prominent museums and galleries, including:

• Tate Gallery, London: Houses six of Barker's paintings, including "A Woodman and his Dog in a Storm."
• Victoria Art Gallery, Bath: Home to "Hampton Rocks, Morning."
• Folger Shakespeare Library, Washington, D.C.: Displays "Macbeth and the Witches."
• Wolverhampton Art Gallery: Features "Italian Landscape 1808" "Landscape with a Waterfall" and "Landscape with Cattle."

 

Hilding Werner (1880-1944) Sweden

Barns Buildings at Ruds Säteri, 1900

watercolor on paper
unframed 21.5 x 31 cm (8.46 x 12.2 inches)
framed 22 x 40 cm (8.66 x 15.75 inches)
written on the back: Ruds ladugårdshus, 1900

Provenance: 
We acquired this piece, along with several sketches, watercolors, and oil paintings, as part of a collection. It has previously been inherited within the artist's family.

Condition: 
The watercolor is in a very good condition, having recently been treated by a paper conservator. The conservator successfully diminished the visibility of a text on the back, which had previously shown through to the front.
The frame is new and features UV-protected, non-reflective glass.

Essay:

This watercolor by Hilding Werner depicts the barn buildings at Säteriet (Manor) Rud in Arvika, capturing a serene and almost melancholic atmosphere. The soft tones and minimalistic composition highlight Werner's ability to convey stillness and introspection through his art.
The painting shows the quiet rural life of early 20th century Sweden, with snow-covered roofs and a calm, muted sky. The simplicity of the scene belies the depth of emotion and tranquility it evokes, a hallmark of Werner's artistic genius.


Ruds Säteri, 1927

About Hilding Werner:

Hilding Werner (1880-1944), a Swedish painter and draughtsman, is known for his romantic and realistic landscapes, particularly of the Värmland region. His work spans from caricatures to poignant rural scenes, such as this one. Werner studied at Caleb Althin's art school and the Konstnärsförbundet's second art school, where he developed his distinctive style. His art is celebrated for its emotional depth and connection to the Swedish landscape.

This watercolor not only showcases Werner's technical skill but also his ability to capture the essence of rural Sweden, making it a significant piece in his oeuvre.

 

Oskar Bergman (1879-1963) Sweden

Birch Trees Reflected in a Stream

watercolor on paper
signed Oskar Bergman 
c. 1905-1915
full paper dimensions: 7.5 x 6 cm (2.95 x 2.36 inches)
visible image: 5.5 x 4 cm (2.17 x 1.57 inches)
framed: 14 x 11.5 cm (5.51 x 4.53 inches) ​​

Condition: 
Very good condition, with bright and clear colors.
We've replaced the old glass with a UV protected non-reflective glass.

Provenance: 
A Swedish privat collection;
Stockholms Auktionsverk, no 3413529. 

Essay:
We are delighted to present this rare miniature landscape by the artist Oskar Bergman. Measuring just 5.5 x 4 cm, this exquisite piece comes with its original frame and gold passepartout.

The painting beautifully depicts a tranquil scene of birch trees standing tall by a meandering stream, set against a vivid blue sky. The intricate details and vibrant colors showcase Bergman's mastery in watercolor, capturing the serene beauty of the Swedish landscape with remarkable precision and realism.

About the artist: Oskar Bergman (born October 18, 1879, in Stockholm – died July 20, 1963, in Saltsjöbaden) was a distinguished Swedish painter and graphic artist. Bergman primarily worked with watercolor and gouache, creating realistic and detailed portrayals of the central Swedish landscape. Despite being self-taught, he made several study trips across Europe to refine his skills and broaden his artistic horizons.

Bergman's works are well-represented in prominent institutions such as the Nationalmuseum, the Thiel Gallery, Norrköping Art Museum, Örebro County Council, and Malmö Museum. He resided near Neglinge Gård in Saltsjöbaden for many years and is buried at the local cemetery in Skogsö. Notably, Oskar Bergman was the brother of actor and theater director Axel Bergman.

This miniature landscape, which is one of the finest we have seen, is a testament to Bergman's exceptional talent and his ability to encapsulate the essence of nature in a compact format. 

Wilhelm Dahlbom (1855-1928) Sweden

Moonlight, Idö, 1912

oil on canvas
signed and dated Wilhelm Dahlbom Idö 1912.
unframed 36 x 43 cm
framed 54 x 60 cm 

Condition:
Overall very good condition, the original gold frame has some minor repairs. 

Provenance:
Bukowskis Finland, 2 April 2008, lot 645, called "Kuunvaloa - Månsken. (1912)", Illustrated on page 88 of the catalog;
A private collection Finland. 

Essay:
We are pleased to present this exquisite piece by Swedish artist Wilhelm Dahlbom, entitled "Moonlight, Idö, 1912". This work captures the serene reflection of moonlight on water, the scene unfolding on a rugged shoreline where the relentless caress of the sea has smoothed the rocks over time. It is an evocative portrayal of nature's timeless beauty and power.

The location depicted is Idö, which could refer to the islands of the same name either in Västervik or Norrtälje, known for their picturesque landscapes. The painting is in excellent condition and It is housed within an elegant gold frame, which is most likely the original frame. 

Wilhelm Dahlbom (1855-1928) was the son of entomologist Anders Gustaf Dahlbom. He honed his artistic skills at the Royal Swedish Academy of Fine Arts in Stockholm and continued his studies abroad, particularly in Paris, but also in Italy and Germany. Dahlbom's passion for landscape painting is evident in his works, which predominantly feature central Sweden and Skåne's beech forests, often a favored subject.

His paintings is today housed in prestigious museum collections such as Nationalmuseum in Stockholm, the Malmö Art Museum, and the Swedish Portrait Collection at Gripsholm Castle. 

Hilding Linnqvist (1891-1984) Sweden

A Rural Landscape With Cows and Horses

watercolor
signed with monogram HL
framed 43.5 x 51.5 cm

Essay: 
This watercolor by Hilding Linnqvist who was a Swedish artist born in 1891 and passed away in 1984.
Linnqvist, known for his association with the Naïvist movement, often described as a "lyrical Naïvist," showcases his unique ability to capture the essence of rural life with a remarkable simplicity and charm. This artwork features grazing cows and horses amidst a lush landscape, with water reflections in the foreground, encapsulating the artist's love for landscape motifs.

The painting exudes Naïvist characteristics, revered for its beauty in simplicity, almost giving the impression of being unfinished. However, we believe that Linnqvist considered this piece completed decided to sign it with his monogram HL.
Linnqvist's artistic journey began at the Technical School (now Konstfack) from 1908 to 1910 and continued at the Royal Swedish Academy of Arts from 1910 to 1912, before he left to form an independent study group with fellow artists. This group made its debut in 1914, but Linnqvist's breakthrough came with the autumn exhibition at Liljevalchs in 1918.

This watercolor remains a testament to Linnqvist's enduring legacy and his connection with the natural world, rendered with a depth of feeling and an understated elegance that speaks directly to the viewer's soul.

Olof Sager-Nelson (1868-1896) Sweden

Bruges, 1894

oil on canvas
unframed 37 x 24.5 cm
framed 53 x 40 cm
handmade oak frame by
Stockholms Förgyllnings och Bildhuggeri.

Condition:
Recently restored by Sonia Leon. When we received it, the brushstrokes were almost entirely obscured by a thick, old varnish. Today, it is in very good condition, and the colors have been revived. The frame, which is made of oak, is handcrafted by Christer Björkman.

Provenance:
Ina Colliander, relative of the artist.

Exhibited:
Thielska Gallery, Stockholm, "Olof Sager-Nelson and his
contemporaries – Anywhere out of the world" September, 2015.
Dalsland Museum.

Essay:
This painting by Olof Sager-Nelson, executed during his time in Bruges in 1894, is a splendid example of symbolism. It depicts a serene canal in Bruges, surrounded by sunlit houses whose reflections gracefully dance upon the water's surface. The choice of Bruges as a subject reflects Sager-Nelson's fascination with the town, a sentiment he shared with many artists of his time. In his correspondence, he often spoke of the struggle to complete paintings that he could send back to Sweden, highlighting his dedication and the financial support he received from patron Pontus Fürstenberg.

Sager-Nelson's life was marked by significant personal challenges, including the loss of his mother at a young age and his father's emigration to the USA after being convicted of embezzlement. Opting for an artistic path after an unsuccessful attempt to study engineering, he found his calling in the arts, studying under Bruno Liljefors at Valand's art school and later drawing inspiration from contemporaries like Édouard Manet, James McNeill Whistler, and Paul Gauguin in Paris. His paintings from 1894, among which this piece is a prime example, are considered his most accomplished works.

Symbolism, as a movement, sought to express the idea that reality could be symbolized by forms and colors that evoke an emotional response rather than directly represent the world. Sager-Nelson's work reflects this philosophy through its emotive use of color and composition, seeking to capture the essence and atmosphere of Bruges rather than a mere photographic representation.

The painting's previous ownership by Sager-Nelson's relative, Ina Colliander, adds to its historical and sentimental value. Sager-Nelson's exploration of symbolism was not just a mere artistic endeavor but a deep, personal journey into the complexities of human emotions and the mysteries of existence, often reflecting his own intense feelings and inner world.

This work stands as a testament to Sager-Nelson's brief but impactful career, capturing the beauty of Bruges through a symbolist lens. It invites the viewer to look beyond the physical world into the emotional and spiritual realms that Sager-Nelson navigated with such passion and sensitivity.

ROBERT THEGERSTRÖM (1857-1919) SWEDEN

WINTER LANDSCAPE, 1908

watercolor 
signed and dated R Thegerström 1908
visible image 28 x 36.5 cm
framed 36.5 x 46.5
hand made frame by Stockholms Förgyllning och Bildhuggeri. 

Condition: Very good.
 
Provenance: 
Jack and David Berner

Essay: 
This watercolor by Robert Thegerström, a Swedish painter, draftsman, and graphic artist, captures a serene winter scene from 1908. The artwork presents a frozen lake bathed in warm sunlight, conveying a peaceful atmosphere. The soft, subtle gradients of color showcase Thegerström's mastery of the watercolor medium, adeptly capturing the fleeting moments of natural light and its reflection on the icy surface. This piece is a testament to the artist's ability to blend realism with a poetic sense of atmosphere, characteristic of his work.

Robert Thegerström, born on January 6, 1857, in London, and passing on August 9, 1919, in Stockholm, was a pivotal figure in Swedish art. His education at the Royal Swedish Academy of Arts in Stockholm and subsequent studies in Paris placed him among the ranks of influential artists like Ernst Josephson, Carl Larsson, and Anders Zorn. Thegerström's Paris years were marked by engagement with the vibrant art scene, notably through his studies at Académie Julian and participation in the Paris Salons and the 1889 World's Fair, where he was awarded. His work, often reflecting the influence of his travels and encounters, spans from detailed architectural studies in Egypt to intimate landscapes and portraits back in Sweden.

After settling in Sweden, Thegerström became known for his atmospheric landscapes, capturing the essence of Swedish nature and light. His residence, Villa Tallbacken in Djursholm, became a cultural hub, reflecting his social standing and contributions to the artistic and musical life in Stockholm. Thegerström's legacy extends beyond his paintings, as he played a significant role in the artistic community, co-founding the Konstnärsförbundet (Artists' Association) and influencing Swedish art education and exhibition practices.

This watercolor, offering a glimpse into the quiet beauty of a Swedish winter, not only celebrates Thegerström's artistic achievements but also his role in the cultural life of his time.

NILS KREUGER (1858-1930) SWEDEN

COWS GRAZE IN A MEADOW, 1907

pencil, paper
paper 9 x 14 cm
frame 18 x 23.5 cm

Provenance: 
The artist;
Gifted to the artist's sister, Elisabeth Gustafva Kreuger;
Passed down to her daughter, Rut Elin Moren Lindell;
Inherited by her son, Bo Lindell (1831-2012);
Subsequently passed to his son, Ulf Lindell (born 1956).

Essay:
This drawing by Nils Kreuger, a Swedish artist born on October 11, 1858, in Kalmar, and who passed away on May 11, 1930, in Stockholm, showcases a quintessential theme found in his work. The sketch depicts several cows grazing in a field, captured swiftly and with a confident hand, embodying the essence of Kreuger's artistic pursuits. The landscape, drawn in 1907 as indicated, is indicative of Kreuger's fascination with the Swedish countryside, a theme recurrent in his oeuvre post his return from France in the late 19th century.

Nils Kreuger, a pivotal figure in Swedish art, was deeply influenced by his studies in Paris and his interactions with artists at the Grez-sur-Loing artist colony. His early works in France were influenced by the plein-air painting of the French countryside, characterized by a sensitive use of color and light to capture various times of day and weather conditions. Upon his return to Sweden, Kreuger became a founding member of the Varberg School, alongside Richard Bergh and Karl Nordström, transitioning to a style that emphasized the symbolic and national-romantic over the purely observational. This period saw him focusing on landscapes, often featuring grazing livestock, with a stylistic shift influenced by the likes of Paul Gauguin and Vincent van Gogh. Van Gogh's influence is particularly noted in Kreuger's adoption of a unique technique involving dots and small lines, which articulated the terrain and enriched the emotional content of his work.

In later years, Kreuger’s technique evolved further, replacing ink lines with color patches applied with vigorous brushstrokes, contributing to a mosaic-like surface in his paintings. Despite the influence of van Gogh, Kreuger’s work seldom sought the same intensity of expression, instead finding a unique voice through the formal and decorative qualities of his lines and colors.

Kreuger’s contributions to Swedish art are significant, with his work displayed in prestigious museums such as the Nationalmuseum in Stockholm, the Thielska Galleriet, and internationally. 

Carl Johansson (1863 - 1944) Sweden

Sturehäll, 1892

oil on canvas
signed Carl Johansson Sturehäll 1892 
unframed 30 x 45 cm
framed 40 x 54.5 cm
hand crafted black frame by Christer Björkman is included.

Provenance: 
Bukowskis, April 1990, lot 47, "Insjövik med vass" (1892), hammer price 7.135 €

Essay:

This painting called Sturehäll by Carl Johansson, crafted in 1892 when the artist was 29 years old, offers a captivating glimpse of Sturehäll, near Sturehov in Norsborg. This piece, stemming from a critical period just after Johansson's return from Grez-sur-Loing—a place renowned for inspiring Swedish artists in the late 19th century—showcases the tranquil yet dynamic essence of nature. At first glance, the scene conveys a serene lakeside adorned with reeds along the shore of Lake Mälaren, but a closer examination reveals a more dramatic natural depiction. Johansson's rapid and confident brushwork breathes life into the reeds, while his technique of incising with the reverse end of the brush adds a layer of drama and texture, enhancing the painting's depth through impasto.

This early work is particularly rare and fascinating due to the significant evolution of Johansson's style over his career. In his later years, Johansson sought to recollect his early pieces, indicative of their importance in his artistic journey. The painting not only reflects Johansson's mastery over landscape but also his innovative approach to capturing the essence of his subject matter.

Johansson, born in Härnösand, drew inspiration from various landscapes, including Northern Sweden, France, Tenerife, and Italy, painting them with the sun positioned at 30 degrees north-northwest. His artistic talent was nurtured under the guidance of Edvard Perséus and at the Royal Swedish Academy of Arts. Johansson's journey through art was marked by his association with the Opponents and his exploration of Impressionism, influenced by luminaries such as Claude Monet and Camille Pissarro.

This piece not only embodies Johansson's transition into a more impressionistic style but also serves as a testament to his enduring connection to the Swedish landscape, particularly the pastoral and historic setting of Sturehov. The manor, built in 1781 in the Gustavian style, and its surrounding parklands and agricultural landscapes, offer a window into Sweden's rich cultural heritage, echoed in Johansson's painting.

Old map shows Sturehov and Sturehäll. 

Oscar Ohlson (1847-1912) Sweden

Halmstad Harbour Seen From the North, 1889

oil on canvas
signed and dated Oscar Ohlson 1889

unframed: 27 x 40 cm (10.6 x 15.7 inches)
framed: 36.5 x 50.5 cm (14.4 x 19.9 inches)

Compare: 
An almost identical painting with the same motif and executed in the same year can be found in the Halland Art Museum (Hallands konstmuseum), inventory number HMK000588.

Essay:
The painting "Halmstad Harbour Seen From the North" by Oscar Ohlson is a captivating snapshot of daily life and historical architecture, frozen in time from the year 1889. With a meticulous eye for detail, Ohlson has rendered approximately 25 boats in the harbor, each brimming with the quiet bustle of daily chores. The painting invites viewers to step into a moment where people converse, work, and seek respite from the sun under shared umbrellas, while wisps of smoke subtly rise from several boats, suggesting the presence of life and activity beyond the canvas.

In this vibrant scene, a man carries a sack, perhaps fresh merchandise from one of the docked vessels, while others engage in conversation, highlighting the social tapestry of the harbor. Ohlson's masterful use of light reflects on the water, creating a shimmering path that leads the eye to the majestic Halmstad Castle, which adorns the right side of the painting. This historic building, beautifully situated by the Nissan river and not far from the sea, is a testament to Halmstad's past as a Danish territory. Constructed in the early 17th century during the reign of King Christian IV, the castle stands as a reminder of the town's rich history and cultural heritage.

The first building to the right, once part of this historic tableau, has been removed to accommodate modern necessities, replaced by a road that now runs through its former site. This juxtaposition of past and present is a poignant commentary on the evolution of cities and the sacrifices made in the name of progress.

Halmstad itself, a town that straddles the Nissan river, retains much of its early 20th-century character in its city core. Low brick and half-timbered houses, some dating back to the 17th century, dot the landscape. The town center on the west side of Nissan is bordered by remnants of early 17th-century fortifications, including the 1600s castle, Norre Port from 1601, and King Charles XI's path along the old fortress wall. At the heart of the town is Stora Torg with Carl Milles' Europa and the Bull fountain from 1926, and the town hall built in 1938. The city layout, influenced by Renaissance planning, converges at Stora Torg, which is also home to the town's sole medieval building, the brick hall church of St. Nikolai from the 14th century.

Oscar Ohlson (1847-1912), a native of Linneryd, Småland, was a multifaceted individual. Beginning his career with a legal degree from Uppsala University in 1870, Ohlson's passion for the arts led him to pursue music studies before dedicating himself to art under the guidance of Alfred Wahlberg. Settling in Borås, he imparted vocal lessons and crafted his artistic legacy. Ohlson's oeuvre primarily consists of moonlit landscapes and idyllic scenes from Öresund and Blekinge, capturing the tranquil beauty of the Swedish countryside.

The "Halmstad Harbour Seen From the North" stands not only as a beautiful work of art but also as a historical document, allowing us a glimpse into the vibrant life of Halmstad during the late 19th century, as seen through the delicate brushstrokes of Oscar Ohlson.

Oscar Ohlson (1847-1912) Sweden

"Långälven, Värmland"

oil on canvas
signed Oscar Ohlson
unframed 25.5 x 38.5 cm
framed 35.5 x 48.5

Essay:
This enchanting Swedish painting, dated circa 1890, is believed to depict the tranquil waters of Långälven in Värmland, a testament to Ohlson's prowess in capturing the essence of the Swedish countryside.

The scene is a gentle narrative, where we witness a family moment frozen in time. Parents stand by their daughter on a wooden dock, poised to embark on a journey across the reflective waters. The young girl, dressed in period attire, appears eager and curious, a universal symbol of youth's anticipation for adventure. Her parents, dressed in the fashion of the late 19th century, exude a sense of calm and assurance.

Ohlson's brushwork brings the scene to life with a delicate interplay of light and shadow, mirroring the cloud-speckled sky on the lake's surface. The background is dotted with other vessels, suggesting the shared pleasure of the day's end on the water.

Oscar Ohlson (1847–1912), born in Linneryd, Småland, and later settling in Borås, was a multifaceted artist who, after pursuing law, found his true calling in the arts. A student of Alfred Wahlberg, Ohlson's works are characterized by moonlit landscapes and idyllic themes from around Öresund and Blekinge. This painting is a fine example of his landscape oeuvre, reflecting a romantic yet realistic portrayal of Swedish nature and leisure at the turn of the century.

Albert Larsson  (1869-1952) Sweden

Twilight Landscape with Windmill and Church, 1891

oil on canvas
signed and dated a.L 91
unframed 31 x 48 cm (12.20 x 18.90 inches)
framed 38 x 54 cm (14.96 x 21.26 inches ​)

Provenance:
A Swedish private collection.

Essay:
"Twilight Landscape with Windmill and Church" is a captivating work by Swedish artist Albert Larsson, painted in 1891 when Larsson was 22 years old. The painting captures a landscape steeped in the quietude of dusk, with a sky ablaze in hues of red and orange, signalling the end of the day. The silhouettes of trees are rendered with astonishing detail against the twilight sky, showcasing Larsson's early mastery of light and shadow.

Dominating the pastoral scene is a traditional windmill, its blades stilled against the sky, alongside the spire of a church that pierces the horizon. These structures, together with the meticulously painted trees, are testaments to the human presence within the natural world, suggesting a harmony between the two.

A notable feature is the small water-filled furrow in the field, which catches the fading light of the sky, creating a pathway of reflection leading the eye through the composition. This detail highlights Larsson's skill in using light to draw attention to elements within his paintings.

Albert Larsson, born on November 4, 1869, in Malmö and passing on August 31, 1952, in Lund, was an artist deeply influenced by his education in Copenhagen at the Art Academy and later at Peder Severin Krøyer's painting school. Settling in Malmö from 1900, Larsson co-founded the Skånska konstnärslaget (Scanian Artists’ Association) and Skånes konstförening (Scanian Art Association). His role as a commissioner for the association's exhibitions across the region was pivotal.

Larsson's oeuvre is most cherished for its mood landscapes, which often capture the ethereal qualities of light over the Scandinavian terrain. His works, including "Moonlight over the Plain" at the Gothenburg Museum of Art and "A Farm at Dusk" at the Malmö Art Museum, exhibit his enduring fascination with the poetic interplay of light and atmosphere. "Twilight Landscape with Windmill and Church" stands as an early indication of his profound ability to evoke mood and place through his art, making it a prized piece for collectors of Scandinavian landscapes.

Carl Skånberg (1850-1883) Sweden

A Landscape Study

oil paint on wood panel
unframed 12 x 22 cm
framed 21.5 x 31.5 cm

Provenance: 
It was given as a gift from his widow Ellen Hintze to relatives of Carl Skånberg.

Essay:
Carl Skånberg is known for his delicate brushwork that echoed the early influence of Impressionism in Swedish art, Skånberg's work typically carries a certain mystique and emotional depth.

In this probable French landscape, Skånberg employs a monochromatic gray scale with hints of a faintly blue sky, reminiscent of the Grisaille technique. With simple, thin brush strokes, he painted a landscape that invites contemplation and introspection. The silhouette of a lone man walking in the middle of the painting adds a narrative element, while the sparse trees add to the composition's solitude. The visible snaking trail of the brush across the canvas speaks to the artist’s method and the physical act of painting.

Carl Skånberg, born on June 12, 1850, in Norrköping, Sweden, overcame personal hardships and societal obstacles to become a prolific painter, despite a serious illness that caused him great suffering. His determination to study and excel in the art led him from a painter's workshop in Stockholm to the influential circles of the Royal Swedish Academy of Fine Arts and eventually to the artistic meccas of Paris and Italy. Skånberg’s life was rich with experiences that were as diverse as his friendships with prominent artists of his time such as Ernst Josephson, Carl Fredrik Hill och Carl Larsson. 

Carl Skånberg's life, though marked by his remarkable artistic contributions, was also touched by personal moments of both joy and sorrow. In 1881, seeking a reprieve for his health, Skånberg traveled to Italy—a country renowned for its inspiring landscapes and rich cultural heritage. It was there, amidst the historic beauty of Rome, that he encountered Ellen Hintze. Their meeting, likely at a Scandinavian social club—a haven for expatriates and artists alike—blossomed into love, culminating in marriage at the Consulate with the notable playwright Henrik Ibsen among the guests, a testament to the vibrant Scandinavian community that thrived in Italy during that period.

However, this joyous occasion was shadowed by Skånberg's declining health. Afflicted by Pott's disease since childhood, the artist suffered from respiratory complications, which were further exacerbated by his smoking habit. The hope that Italy's milder climate would provide relief was short-lived. Plagued by relentless asthma attacks, Skånberg was compelled to return to Sweden for treatment.

Despite the best efforts of his doctor, Axel Munthe—an esteemed physician known for his work with respiratory illnesses—Skånberg's health continued to deteriorate. The young artist's life was cut tragically short when he passed away in Stockholm, merely six months after his return from Italy and at the age of 32.

Skånberg's landscapes, coastal scenes, and later Italian-inspired works are a testament to his enduring spirit and artistic legacy, with his paintings being displayed in prominent museums such as the Nordiska museet, Nationalmuseum, and Göteborgs konstmuseum. 

Ture Ander (1881-1959) Sweden

A Värmland Landscape, 1941

watercolor on paper
signed Ture Ander
dated a tergo 1941
unframed approx. 24 x 32 cm
framed 35.5 x 43 cm
new frame with UV protected glass is included


Provenance:
A private collection. Värmland

Essay:
"A Värmland Landscape" is a watercolor painting by Ture Ander, an artist who was a member of the Racken Group. This artwork, incorrectly titled "Vår i Värmland, 1941" (Spring in Värmland, 1941) on its verso, actually depicts a serene autumnal scene, a testament to Ander's affinity for the Värmland landscape. Golden birches command the foreground, elegantly framing the composition on the left, while a soft, bluing forest provides a tranquil backdrop. A field, radiant in yellow, further enriches the scene, embodying the essence of autumn's embrace. Ture Ander's masterful application of a vivid, lilac hue on select spots infuses the painting with dynamic energy, a hallmark of his artistic prowess.

Ture Ander, born on September 17 in Askers parish, Örebro, embarked on his artistic journey at a tender age. Moving to Stockholm at thirteen, he apprenticed as a painter while attending evening courses at the Technical School (later known as Konstfack). Earning his journeyman's certificate in 1902, Ander graduated from the Technical School the following year with commendable grades in painting. His artistic path led him to the Konstnärsförbundet School in 1905, where he studied alongside notable figures like Leander Engström, Isaac Grünewald, and Einar Nerman. Ander's participation in the influential exhibition "De Unga" in 1909 marked a significant milestone in his career.

Further honing his skills, Ander studied at Colarossi in Paris between 1911 and 1912, drawing inspiration from the works of Cézanne. His personal life intertwined with his artistic endeavors when he married Ragnhild Franzén, who studied under the Fjæstad sisters. The couple settled in Orrhöjda near Racken, enduring financial hardships with resilience and simplicity—Ragnhild gathering berries and mushrooms, while Ture hunted and fished.

The later years of Ture Ander's life were shadowed by sorrow following Ragnhild's prolonged illness and eventual passing. This profound loss resonated in Ander's art, mirroring the depth of his emotions and the intricacies of human experience. Through works like "A Värmland Landscape" Ture Ander's legacy endures, capturing the fleeting beauty of nature and the poignant hues of life itself.

Carl Johansson (1863-1944) Sweden

Summer Landscape with Road, 1889

oil on canvas
signed and dated Carl Johansson . 89 .
unframed 27 x 39 cm
framed 41,5 x 53 cm

Provenance:
The previous owner bought it in 1988 at Åmells Stockholm for 106.000 SEK. 

Literature: 
Åmells exhibition catalogue, 1988, nr 5, "Sommarlandskap med väg"

Essay:
Carl Johansson's "Summer Landscape with Road" is an exquisite landscape that encapsulates the serene beauty of the Swedish countryside. Painted in 1889, the same year Johansson showcased his work at the Exposition Universelle in Paris, one can't help but wonder if this very painting was among those displayed at the fair.

Exposition Universelle de 1889

Johansson's early works, such as this one, are exceedingly rare, making "Summer Landscape with Road" not only a visual delight but also a collector's gem. The painting's magnificent gold frame enhances the bright, vivid colours of the small-format artwork, creating an impactful presence.

Carl Johansson's blue impressionistic depictions of Northern Sweden earned him the nickname "Ultramarine Johansson", and his paintings are celebrated in prestigious collections, including the Nationalmuseum in Stockholm, Kalmar Art Museum, and the municipality of Hudiksvall.

Winter Landscape 1890, mixed media, Nationalmuseum, inv no NMH 196/1963. 

Erik Tryggelin (1878-1962) Sweden

Sankt Matteus Church, 1907

oil on board
signed and dated E.Tryggelin 3/5 1907
unframed 51 x 34.5 cm
framed 62 x 45.5 cm

Provenance: 
A Swedish private collection. 

Essay:
The painting we have for sale, executed by Swedish artist Erik Tryggelin on May 3rd, 1907, presents an atmospheric and dynamic view of Sankt Matteus Church in Stockholm. This piece is a prime example of Tryggelin's ability to blend figurative compositions with urban motifs, particularly capturing the evening moods of cityscapes. The church, set against a dramatic sky that swirls with tumultuous clouds and birds in flight, conveys a feeling of timelessness and stoic beauty amidst the changing weather.

Erik Tryggelin was not only a painter but also a skilled draftsman, printmaker, and photographer. His oeuvre primarily consists of city scenes and evening ambiences, especially from Stockholm, Visby, and Vadstena. 

Sankt Matteus Church, the subject of this painting, is the parish church in Sankt Matteus parish in the Stockholm diocese, located in the Vasastan area of central Stockholm. Erected based on the designs of architect Erik Lallerstedt at the intersection of Vanadisvägen and Dalagatan between 1901-1903, it originally served as a chapel in the then Adolf Fredrik's parish. The building exudes a mix of Art Nouveau and Neo-Gothic styles, with its tall spire and ornate facades, which Tryggelin has masterfully captured in this painting.

Tryggelin's work offers a glimpse into Stockholm's society at the dawn of the 20th century, a city caught between the old and the new, where traditional forms and emerging modernism intersected. His paintings, such as the one of Sankt Matteus Church, are significant for their cultural and historical value, capturing the essence of Stockholm’s architectural and cultural history. This piece is not only a visual treat but a fragment of Stockholm's soul, as seen through the eyes of a dedicated artist who chronicled the city's narrative with his brush.

Carl Kjellin (1862-1939) Sweden

Sunset Over the Lake, 1919

oil on canvas
signed and dated C Kjellin 19
unframed 76 x100 cm
framed 91 x 116 cm

Provenance:
A gift from the artist to doctor Knut Harald Giertz;
Malma Gård Östergötland.


Essay:

"Sunset Over the Lake" by Carl Kjellin is a Nordic Light painting capturing the ephemeral beauty of a lake at sunset. The vibrant canvas, dominated by a brilliant orange sky reflecting upon the water's surface, evokes a sense of tranquility and awe. Kjellin's use of intense colors and the contrast between the dark foreground of trees and bushes creates a depth that draws the viewer into the landscape. The meticulous brushwork suggests movement through the serene stillness of nature, with a lone bird in flight enhancing the painting's dynamic feel.

Born on January 10, 1862, in Sweden, Carl Kjellin was not only an accomplished artist but also a respected drawing teacher. His education at the Royal Swedish Academy of Arts in Stockholm from 1881 to 1886, and subsequent studies in the Netherlands and Düsseldorf, as well as etching under Axel Tallberg, equipped him with a diverse skill set. Kjellin's oeuvre includes portraits and scenes from Bergslagen, featuring forges, blast furnaces, and charcoal kilns, reflecting his deep connection with Swedish landscapes.

His contributions to exhibitions at the Royal Academy, the Swedish General Art Association, and the Swedish Artists' Association were noteworthy, earning him scholarships in 1890 and 1891. Kjellin's legacy as a drawing instructor at the Technical School in Stockholm from 1898 to 1927 left a significant impact on the generations that followed. His works, including several drawings, are held in the collections of the Nationalmuseum and the Nordic Museum in Sweden.